Donald Shanks was born in Brisbane, Queensland and started singing in church choirs. His first experience of a staged work was Gilbert and Sullivan’s The Mikado, the opera with which he also chose to end his career in 2004.
(5 July 1940 – 8 April 2011)
He joined the Elizabethan Theatre Trust Opera Company (as Opera Australia was then known) in 1964, aged 23. Over the years, he built a reputation as one of the most versatile figures in Australian opera, performing in all the major comic roles, from the title role in Don Pasquale and Bartolo in The Marriage of Figaro, to The Italian Girl in Algiers to bel canto roles such as Lucia di Lammermoor and Norma, to the key dramatic roles, particularly in Wagner heavyweights such as Tannhäuser, Lohengrin and Tristan und Isolde. He sang in Lucia di Lammermoor, Il trovatore and Norma with Dame Joan Sutherland, La bohème with Luciano Pavarotti, and Banquo in Macbeth with Sherrill Milnes.
Other roles he became associated with were Zaccharia in Nabucco, Rocco in Fidelio, Osmin in The Abduction from the Seraglio, Pimen in Boris Godunov, Timur in Turandot, Ramphis in Aida, Pistol in Falstaff, Kekal in The Bartered Bride, Baron Ochs in Der Rosenkavalier, Nourabad in The Pearl Fishers, the Commendatore in Don Giovanni, and a major role in Leoš Janáček's The Cunning Little Vixen.
He also performed regularly with the Lyric Opera of Queensland and the Victorian State Opera, as well as opera companies overseas including the Royal Opera, Covent Garden, the Paris Opera 1976–77 and the Canadian Opera 1983–86.
Honours
Donald Shanks was made an Officer (OBE) of the Order of the British Empire in the 1977 New Years Day Honours,[1] and an Officer (AO) of the Order of Australia in the 1987 Australia Day Honours.[2]He died on 8 April 2011, aged 70, of a heart attack.[3]
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