/ Stars that died in 2023

Sunday, May 22, 2011

Neil Reimer, Canadian politician, Leader of the Alberta New Democratic Party (1962–1968) died he was , 89


Neil Reimer , was an activist, trade unionist and former political figure in Canada died he was , 89.

(July 3, 1921 – March 29, 2011)

After leaving the University of Saskatchewan in 1942 at the age of 19, Reimer went to work at the Consumers Co-operative Refinery, in Regina, Saskatchewan. He immediately joined a Congress of Industrial Organizations union organizing drive at the refinery. In 1950, he became an organizer for the CIO's Oil Workers International Union and was sent to Alberta to organize workers in that province's booming petrochemical industry.[1]
In 1951, Reimer became the Canadian director of the OWIU (which subsequently became the Oil, Chemical & Atomic Workers Union). Under his stewardship, the union grew from less than 1,000 members to more than 20,000 by 1961. In the 1981 union gained independence from its American parent to become the Energy and Chemical Workers Union and, in 1992, merged with two other unions to become the Communications, Energy and Paperworkers Union of Canada.[1]
Reimer was elected as a vice-president of the Canadian Congress of Labour in the 1950s and remained on the executive of it and its successor, the Canadian Labour Congress, until 1974.[1]
In 1961, the Co-operative Commonwealth Federation and the Canadian Labour Congress founded the New Democratic Party. In January 1962, the Alberta New Democratic Party held its founding convention and elected Reimer as its first leader.[2] The Alberta CCF had lost its remaining two seats in the 1959 provincial election and received only 4% of the vote. Under Reimer's leadership the NDP gained in popular vote to 9% in the 1963 election and just short of 16% in the 1967 election but was unable to win any seats in either contest. Reimer retired as NDP leader in 1968 relinquishing the position to Grant Notley.
Reimer remained Canadian director of the OCAW throughout the 1960s and 1970s and became national director of the Energy and Chemical Workers Union when it was formed out of the OCAW in 1981. He retired from the union's leadership in 1984.[3][4]
After retiring from the union, Reimer was active as the president[5][6] and then later the secretary treasurer of the Alberta Council on Aging.[7]
His daughter, Janice Rhea Reimer, served as mayor of Edmonton from 1989 to 1995.

 

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Alan Tang, Hong Kong actor, film producer and director, died from a stroke he was , 64.

Alan Tang Kwong-Wing was a Hong Kong film actor, producer and director.


(20 September 1946 – 29 March 2011)

Biography

Tang was born in Shunde, Guangdong, China, He is the youngest of four children, having two older brothers and one older sister. His first starring role was actually at age 16 in the 1963 film The Student Prince, a role he had gotten after some school friends showed his picture to the people making a movie at their secondary school. His role in this early movie earned him the nickname of "The Student Prince."
His secondary education was at the New Method College. After graduation, he received a full scholarship to the University of Hong Kong Law School. He deferred his acceptance to pursue an acting career.

Career

Upon graduation from secondary school, Tang acted in Hong Kong youth films starring Josephine Hsiao Fang-fang, Chen Chen, and Connie Chan Bo Jue throughout the 1960s. Tang was often voted "Best Male Actor" by film magazines.
Tang found fame when he moved to Taiwan during the 1970s, where he had made over 60 feature films. The films he made were often dramas and romances, where he would often pair off with Brigette Lin Qing Xia, in such films as Run Lover Run.
It was reported that Tang made a salary of HK$150,000 per picture because of his popularity. In one 1974 article, Tang said that he was working on six movies at the same time, however, he only worked on one film a day and that made it difficult for producers. In 1974, Tang not only starred in the Splendid Love in Winter with Chen Chen but he also produced it. Also that same year the film, Dynamite Brothers was released. He co-starred with American Football hero Timothy Brown and James Hong.
In 1977, he formed the production company, The Wing-Scope Company.
With Tang working in Taiwan, and his girlfriend at the time (Janet Yim) in Hong Kong, the pair had occasional difficulties especially since the press reported their every move. Tang and Janet, however, remained together, in spite of living under constant scrutiny.
In 1987, Tang established another production company, In-Gear Film Production Co., Ltd., working alongside his brother, producer/presenter Rover Tang, and continued to produce and act in films, establishing himself as an action star. He appeared in a number of films—generally of the triad genre—such as Flaming Brothers, Gangland Odyssey, Return Engagement, Gun N' Rose and The Black Panther Warriors. He has also produced two films directed by Wong Kar-wai--As Tears Go By and Days of Being Wild.

Working with Wong Kar-wai

In the mid-1980s, Wong Kar-wai became a scriptwriter/director at Wing-Scope and In-Gear. He had written the scripts for the films, Return Engagement and Flaming Brothers which both starred Tang.
Wong's current nostalgic artsy style took shape during his apprenticeship with Tang, who invested in the first movie Wong directed, As Tears Go By. Wong's career took off when he directed the film Days of Being Wild in 1990, despite Tang losing millions of invested dollars.

Today

Tang has long since left the H.K. movie scene yet still remains respected by his peers in the entertainment industry. Following his retirement, Media Asia Group had gained rights to release his In-Gear film titles on DVD. Throughout the 1990s, Tang pursued a second career in the restaurant business. Additionally, he is an active philanthropist in Hong Kong and mainland China as both an individual and an involved Rotarian.
Tang was the godfather of Joyce Cheng and close friend of late actress Lydia Shum (mother to Cheng). Tang is famous for his angry remarks to the absence of Adam Cheng in and around the time Shum was dying. Cheng is the ex-husband of Shum and father of Joyce.
On 29 March 2011, Tang died in his home in Mong Kok at around 9pm from a stroke.[2]

 

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Robert Tear, British opera singer, died from cancer he was , 72.



Robert Tear, CBE  was a Welsh tenor and conductor, died from cancer he was , 72.
(8 March 1939 – 29 March 2011)

Tear was born in Barry, Glamorgan, Wales, UK, the son of Thomas and Edith Tear. He attended Barry Boys' Grammar School and was a choral scholar at King's College, Cambridge, where he studied under Kimbell. He was later elected an Honorary Fellow of the College.[3] In 1961 he was appointed a Vicar Choral at St Paul's Cathedral. [4] His operatic début was in 1966 as Peter Quint in Benjamin Britten's The Turn of the Screw on the English Opera Group's tour of England and Russia. In 1970, he made his début at Covent Garden as Lensky in Tchaikovsky's Eugene Onegin. He made his début as a conductor in 1985 in Minneapolis. Appointed CBE 1984.
Tear was closely associated with the music of British composers Benjamin Britten and Michael Tippett. He created the role of Dov in Tippett's opera The Knot Garden. During the 1989-90 season, he made a highly successful debut with the Glyndebourne Touring Company as the tormented Aschenbach in Britten's Death in Venice. He was well-known for his duets with Benjamin Luxon, reviving many Victorian parlour songs.
Tear was an Honorary Fellow of the Royal Welsh College of Music & Drama (Coleg Brenhinol Cerdd a Drama Cymru). In 1984, he was awarded the CBE. He was married with two daughters and lived in West London.
He gave his farewell performance at Covent Garden in 2009, taking the rôle of Emperor Altoum in Puccini's Turandot. Shortly afterwards, he commented "the voice is still there, but the body is no longer able to follow". [5]
Robert Tear's London death was announced on 29 March 2011.[6]

Recordings

Tear made over 250 records for many major recording companies. Roles he sang on disc range in diversity from Uriel in Haydn's "Creation" to the painter in Alban Berg's Lulu, and from Pitichinaccio in Offenbach's The Tales of Hoffmann to Sir Harvey in Donizetti's Anna Bolena. His many classical recordings include performances of Bach, Handel, Monteverdi, Mozart, Beethoven, Mahler, Bruckner, Stravinsky, Janáček and Messiaen. In the English canon, he also recorded songs by Edward Elgar, Ralph Vaughan Williams and Arthur Butterworth.

 

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Saturday, May 21, 2011

Wenche Foss, Norwegian actress, died from natural causes she was , 93.

Eva Wenche Steenfeldt Stang, née Foss, commonly known as Wenche Foss , was a leading Norwegian actress of stage, screen and television died from natural causes she was , 93.. 

(5 December 1917 – 28 March 2011)


Biography

Wenche Foss was born to engineer Christian August Steenfeldt-Foss and Alfhild Røren. She made her stage debut as Ingrid in Vilhelm Dybwad's operetta Taterblod. She was subsequently part of the ensemble at the Carl Johan Teater from 1936 to 1939, and then became a central figure in Centralteatret. She received acclaim in a number of leading roles. Her breakthrough role was in Carl Erik Soya's To tråder.[1] Later she played numerous leading roles in the ensembles of Nationaltheatret and Oslo Nye Teater, being a regular at Nationaltheatret since 1952.
Foss was also an accomplished vocalist (mezzo-soprano) who received classical training with M. Hviid and K. B. Børresen. Her performances in Emmerich Kálmán's operetta Die Bajadere, Eduard Künneke's Der Vetter aus Dingsda, Franz Lehár's operettas Der Graf von Luxemburg and The Merry Widow, in which she played the title role.[1] She pioneered musical parts in such musicals as Kiss Me Kate, Cabaret and Hello, Dolly.[1]
Foss also took the occasional role as a voice actress. She provided the voice of Enkefru Stengelføhn-Glad in the 1975 animated feature film Flåklypa Grand Prix, known in English as Pinchcliffe Grand Prix. She voiced the same character in another animated feature, 1998's Solan, Ludvig og Gurin med reverompa (Gurin with the Foxtail).[citation needed]
On 2 December 2010, Wenche Foss announced that she was seriously ill and did not expect to live past New Year.[3] She passed away in her sleep on 28 March 2011 at Diakonhjemmet Hospital in Oslo, surrounded by her family.[4]
Her death saw an outpour of public grief and tributes rarely bestowed upon civilians.[5] The Norwegian government announced she would be buried with government honour at state expense, the fifth woman in Norwegian history to be given this respect. The funeral was broadcast live on national television, April 4, 2011, and was, in keeping with Foss' own wishes, open to the public. It was also attended by King Harald and Queen Sonja of Norway, as well as Prime Minister Jens Stoltenberg and other prominent members of government.[6]
Foss grew up with an Atheist mother and a devout Christian father, she inherited both views but has stated: "I could not fall asleep without the prayer".[7]
Her son Fabian Stang is the current mayor of Oslo.[8]

Activist and Humanitarian

In 1953, Foss gave birth to a child with Down's Syndrome who later died at a young age. She is credited with raising public awareness about disabled individuals, founding, among other things the vacation resort "Solgården" ("Hacienda del Sol") in Alicante, Spain.[1]
She survived breast cancer in 1971 and wrote a candid account of her experience.[1] She was a strong supporter of gay rights[1] and has been an outspoken critic of the Christian Democratic Party because of its opposition to gay marriage and gay rights. She has also said that the party itself should never have existed to begin with, since "religion and politics should not be mixed".[9]

Recognition

Foss was made a Commander of the Royal Norwegian Order of St. Olav in 1972. In 1988 she was promoted to Commander with Star in the same order. She is one of few Norwegian civilians to hold such a high rank in the King's order of chivalry. She has also been awarded the Red Cross Badge of Honour and appointed a Knight of the Order of the Dannebrog.
Foss received a number of accolades, among them the Hedda Award, an honorary Amanda prize, and Toleranseprisen.[1]
In 2007, Queen Sonja of Norway unveiled Per Ung's statue of Foss outside Norway's National Theater.

Selected filmography

 

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Lee Hoiby, American composer, died from metastatic melanoma he was , 85.

Lee Henry Hoiby  was an American composer and classical pianist died from metastatic melanoma he was , 85.. Best known as a composer of operas and songs, he was a disciple of composer Gian Carlo Menotti. Like Menotti, his works championed lyricism during a time when such compositions were deemed old fashioned and irrelevant to modern society. His most well known work is his setting of Tennessee Williams's Summer and Smoke which premiered at the St Paul Opera in 1971.

(February 17, 1926 – March 28, 2011)

Biography

Hoiby was born in Madison, Wisconsin. A child prodigy,[4] he began playing the piano at the age of 5.[2] He studied at the University of Wisconsin under notable pianists Gunnar Johansen and Egon Petri. He then became a pupil of Darius Milhaud at Mills College.[1]
Hoiby became influenced by a variety of composers, particularly personalities in the twentieth century avant garde, including the Pro Arte String Quartet led by Rudolf Kolisch, brother-in-law of Arnold Schoenberg. During his youth, Hoiby played with Harry Partch's Dadaist ensembles. Follwing his studies at Mills College, he entered the Curtis Institute of Music where he was mentored in music composition by Gian Carlo Menotti, who introduced Hoiby to opera, and involved him in the Broadway productions of The Consul and The Saint of Bleecker Street. Though at first he intended to pursue a career as a concert pianist, he eventually became more interested in composing.

Career

Hoiby's first opera, The Scarf, a chamber opera in one act, which was produced by Menotti and premiered in 1957, was recognized by TIME and the Italian press as the hit of the first Spoleto Festival.
His next opera, Natalia Petrovna (New York City Opera, 1964), now known in its revised version as A Month in the Country, based on a play by Ivan Turgenev, was also praised by critics. Hoiby's setting of Tennessee Williams's Summer and Smoke is perhaps his most famous work. Its libretto is by Lanford Wilson, and it was premiered in 1971 by St Paul Opera, Minnesota, under the conductor Igor Buketoff. Among Hoiby's other operatic works are the one-act opera buffa Something New for the Zoo (1979), the musical monologue The Italian Lesson (1981, text by Ruth Draper) which was produced off-Broadway in 1989 with Jean Stapleton, The Tempest (1986), and a one-act chamber opera, This Is the Rill Speaking (1992), text by Lanford Wilson.[citation needed]
He contributed the song, “The Darkling Thrush,” with text by Thomas Hardy, to a 2006 multimedia opera, Darkling. Elements of this song were used as source material for the opera’s remaining solo and ensemble music, written by composer Stefan Weisman.[5]
Hoiby's most recent opera is a setting of Romeo and Juliet (2004), which awaits its world premiere. He wrote many non-operatic compositions as well, including musical settings of poems. Among the most notable of the poem settings is the suite of "animal portraits", RainForest, on prose poems of Elizabeth Bishop for the Santa Fe Chamber Music Festival. He has recently continued his work with Bishop's poetry in a new chamber work with scenario by Mark Shulgasser for mezzo-soprano, baritone, piano and instrumental ensemble lasting approximately one hour. The work-in-progress has been commissioned by American Opera Projects and an excerpt from the piece received its first reading in New York at New York City Opera's "VOX: Showcasing American Opera" program in May 2006. His three-movement Summer Suite for Wind Ensemble was premiered on February 25, 2008 by the Austin Peay State University Wind Ensemble under the direction of Dr. Gregory Wolynec. The composer elaborates on the history of the piece:
Summer Suite is a transcription for concert band of one of my first orchestral works. The last movement is a rousing parade, and when the opportunity presented itself last year I decided to recast it for concert band. Greg Wolynec and his players at Austin Peay State University enjoyed it sufficiently to encourage me to work on the first two movements for them. Rethinking the first movement (which was originally titled Scherzo) was a challenge and education, particularly in dealing with the lack of high strings, and tempo considerations. The second movement was a piece of cake, and I’m especially pleased with the way the long theme fits the french horn. I feel like my twenty-six year old self has made a gift to my present self. [6]
Hoiby wrote Last Letter Home in 2006 to the words of U.S. PFC Jesse Givens, who died in an accident while serving in Iraq.[7]

 Songs

Soprano Leontyne Price introduced many of his best known songs and arias to the public. His songs are known for being inspired by music from many time periods and cultures. He comments about songwriting “What I learned from Schubert came from a long, deep and loving exposure to his songs. A lot happens on a subconscious level, so it's hard to verbalize, but what I think his songs taught me have to do primarily with the line, the phrasing, the tessitura, the accentuations of speech, the careful consideration of vowels, the breathing required, and an extremely economical use of accompaniment material, often the same figure going through the whole song."
One of the early proponents of Hoiby's songs in Europe is the soprano Juliana Janes-Yaffé, who, in the 1980s, recorded several of Hoiby's songs for Südwestfunk Baden-Baden, Germany (with conductor John Yaffé, at the piano). His choral music is widely performed throughout the USA and in Great Britain. Indeed, some of his most important works are in that form, including the Christmas cantata A Hymn of the Nativity (text by Richard Crashaw), the oratorio Galileo Galilei (libretto by Barrie Stavis), and a substantial group of works for chorus and orchestra on texts of Walt Whitman.
Though most of his works involve vocalists, he has also written some instrumental works, particularly chamber music. Hoiby once compared composing to archeology. In 2006 he said "For me, composing music bears some likeness to archeology. It requires patient digging, searching for the treasure; the ability to distinguish between a treasure and the rock next to it and recognizing when you're digging in the wrong place. The archeologist takes a soft brush and brushes away a half-teaspoon at a time. Musically, that would be a few notes, or a chord. Sometimes the brushing reveals an especially lovely thing, buried there for so long."

Death

Hoiby died on March 28, 2011, aged 85, in New York City from metastatic melanoma.[8] He was survived by his partner and longtime collaborator, Mark Shulgasser.

 

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Sonia Osorio, Colombian ballet dancer and choreographer, died from respiratory failure she was , 83.

Sonia Osorio de Saint-Malo  was a Colombian ballet dancer and choreographer. During her long career she became an important folklorist and promoter of the arts and culture having worked closely with and for the Carnival of Barranquilla and having founded in 1960 the Colombia Ballet, a national ballet company that incorporates the native dances, styles and rhythms of Colombia.Personal life


(25 March 1928 — 28 March 2011)

Osorio was born in 25 March 1928 to Luis Enrique Osorio Morales and Lucía de Saint-Malo Prieto in Bogotá. Her father Luis Enrique, was a playwright and poet, one of the precursors of theatre in Colombia. She was married and divorced three times; with her first husband Julius Siefken du Perly she had two children, Kenneth and Bonnie Blue. With her second husband, Francesco Lanzoni Paleotti, she only had one child, Giovanni, and with her third husband, Alejandro Obregón Roses she had two children: Rodrigo and Silvana.[4]

 

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David E. Davis, American automotive writer, editor and publisher (Car and Driver, Automobile), died from complications from bladder surgery he was , 80.

David Evan Davis, Jr.  was an automotive journalist and magazine publisher widely known as a contributing writer, editor and publisher at Car and Driver magazine and as the founder of Automobile magazine died from complications from bladder surgery he was , 80.

(November 7, 1930 – March 27, 2011)

Davis influenced the format of automotive journalism by introducing premium publishing features[2] and he influenced the profession by mentoring a gamut of automotive photographers, illustrators, designers and journalists – including Jean (Lindamood) Jennings, Robert Cumberford, Bruce McCall, P. J. O'Rourke, Jim Harrison and David Halberstam[2] – as well as younger colleagues and journalism students.[3]
Known for his own straightforward writing style and his colorful personality – at six-foot-three inches tall, bearded, portly[4] and always immaculately dressed – Davis had appeared in the New York Times On the Street fashion feature. Automotive writer Todd Lasso called him "a raconteur, an impresario, a bon vivant in a tweed, three-piece suit."[5] As an editor he maintained an "atmosphere of creative turbulence."[2]The New York Times described him as "a combative swashbuckler who encouraged criticism of the cars it tested, even at the risk of losing advertising."[2]
His collected writings were published in 1999 "Thus Spake David E.: The Collected Wit and Wisdom of the Most Influential Automotive Journalist of Our Time".
Davis said his success in automotive journalism came from "his ability to marry southern storytelling to big-city presentation."[6] The Truth About Cars said "automotive journalism in the post-Vietnam-War era was entirely and singlehandedly defined by David E. Davis, Jr."[7] Time magazine called Davis the "dean of automotive journalists."

Background

Davis was born in Burnside, Kentucky, on November 7, 1930 – in a house without running water.[6] His aunt was Harriette Arnow, author of the best-selling novel, The Dollmaker.[8] Davis graduated from high school in Royal Oak, Michigan, having failed his journalism class.[8] He later briefly attended Olivet College. He worked in a series of jobs: as a race car driver, Volkswagen salesman, mens clothing salesman, ad salesman with Road & Track and assembly line worker in a car factory.[9] He would develop his "simple, declarative [writing] style" working on aviation technical manuals.[10]
Davis overturned while racing his sports car (reported variously as a MG TD[10] or MG 1500[8]) at age 25 in Sacramento – badly damaging his face. He lost his left eyelid, the bridge of his nose, the roof of his mouth and most of his teeth.[11] In addition to the accident essentially scraping off half his face, the ambulance attendant had thrown away pieces of his nasal cartilage.[4] Davis required extensive plastic surgery – and was later able to hide his disfigurement under his full beard.[11] He described the crash and its aftermath as pivotal:
I suddenly understood with great clarity that nothing in life — except death itself — was ever going to kill me. No meeting could ever go that badly. No client would ever be that angry. No business error would ever bring me as close to the brink as I had already been.[12]
Davis lived in Ann Arbor, Michigan with his second wife Jeannie Luce Kuhn Davis.[9] His three children from his first marriage to Norma Jean Wohlfiel Davis[13] were Peggie, Matthew and David E. Davis III, who is a European contributor for numerous publications, including Autoblog. He had three stepchildren – Eleonore, Vincent and Tony Kuhn.
He died unexpectedly at St. Joseph Mercy Hospital in Ypsilanti, Michigan[1] on March 27, 2011 shortly following bladder cancer surgery.[9]

Career

After selling an article to Motor Trend in 1957 for $50,[8] Davis became a contributing writer in 1962 to Car and Driver magazine, at age 32. By the time he joined Car and Driver, Davis had "worked in four automobile factories, sold cars in three imported-car dealerships and one Packard showroom."[14] At the magazine, he became friends with automotive luminaries including race car drivers Juan Manuel Fangio, Dan Gurney and Carroll Shelby.[10] Davis left Car and Driver in 1967 – reported variously as either having been fired by Leon Mandel[11] or having resigned[2]
At Chevrolet's advertising agency,[10] Campbell-Ewald, Davis wrote copy for Corvette advertisements alongside future crime novelist Elmore Leonard.[10] He was named Vice President/Creative director. He is co-credited along with James Hartzell in creating Chevrolet’s tagline, "Baseball, hot dogs, apple pie and Chevrolet"[14] – a campaign that Car and Driver and other publications ranked as the best automobile commercial of all time. [15][16][17]
He returned to Car and Driver in 1976 to serve as the magazine's editor and publisher – and moved its headquarters from New York to Ann Arbor[18] in 1977.[19]
In 1986, he founded Automobile with financial backing from Rupert Murdoch[18] – using the credo No Boring Cars.[8] Davis introduced full-color photography and thick stock, increasing the magazine's literary standards to distinguish it from the other three U.S. automotive magazines, Car and Driver, Motor Trend and Road & Track.[18] Murdoch sold the magazine profitably in 1991 to K-III Publications, which became Primedia – which was later sold to Source Interlink Media, the current owner of the magazine.[9] When Automobile was acquired by K-III, Davis also became the editorial director of the company's Motor Trend magazine. Automobile celebrated its 25th anniversary in 2011.[11]
Davis later left Primedia and in semi-retirement started the online automotive magazine Winding Road.[11] In July 2009, he returned to Car and Driver as a contributor. Until his death, he continued to contribute to numerous automotive venues, including international publications[11] such as the British magazine CAR.
Davis mentored a spectrum of automotive journalists, including Eddie Alterman, editor-in-chief at Car and Driver and Jean Jennings, current president and editor-in-chief at Automobile. At the University of Michigan he was member of the board of the Knight-Wallace Fellowship, a journalism program,[3] and he encouraged Ford Motor Company to underwrite a fellowship for automotive journalism at the school.[3] In 2004, he received an honorary Doctor of Humane Letters degree from the University of Michigan, serving as its spring 2004 commencement speaker.

Personality

Davis was widely known for his "larger-than-life,"[8][3] "polarizing personality."[8] Joe DeMatio, deputy editor at Automobile Magazine said Davis "was very opinionated and did not hesitate to ruffle feathers, even if they were those of his own bosses."[18]
Unintimidated by the the companies whose products he reviewed, Davis originally resigned from Car and Driver after refusing to rescind a comment he made about a BMW 2002's weak radio reception and dash; saying its Blaupunkt radio "could not pick up a Manhattan station from the other side of the George Washington Bridge."[2] Ford withdrew much of its advertising when he parked a Ford Pinto, before its well-noted fuel tank controversy, in front of a junkyard.[20] James R. Healey, auto columnist for USAToday, recalled that while speaking at the Washington Automotive Press Association, Davis likened General Motors managers to the piano player in a whorehouse, "aware of what was going on upstairs but unable to do much about it even if they were so inclined." He ended the speech by saying that the Company was standing on the "shoulders of midgets". [21] The company subsequently pulled much of its advertising.[21] In 2010, he published a column in Car & Driver titled "If the original Henry Ford was still alive, he would be building Subarus."[20]
Davis was periodically estranged from the editor of Automobile, Jean Jennings,[11] who described him as "the most interesting, most difficult, cleverest, darkest, most erudite, dandiest, and most inspirational, charismatic and all-around damnedest human being I will ever meet. I have loved him. I have seriously not loved him."[11] He also maintained an ongoing rivalry with automotive writer Brock Yates,[22] who said "to know [Davis] is to acknowledge his short fuse and his penchant for unpredictable, snorting charges at friendly targets."[11]
David Cole, chairman emeritus of the Ann Arbor-based Center for Automotive Research called Davis "a provocateur, in some ways kind of like the Bob Lutz of auto journalism."[19] Bob Lutz himself said Davis "was one of those rare individuals who filled a room with his presence."[3] Michael Jordan, executive editor at Edmunds.com, said that "at Car and Driver in the early 1960s, Davis made himself important, yet he also made automotive journalism important."[10] Eddie Alterman, editor-in-chief at Car and Driver, described Davis as "the dashing, witty, high-spirited, and deeply knowledgeable writer/editor who brought the automobile to life."[6]
His office was filled automotive art and featured a clipping with Ernest Shackleton's 1914 ad to enlist participants in a voyage to Antarctica: "Men wanted for hazardous journey. Small wages. Bitter cold. Long months of complete darkness. Constant danger. Safe return doubtful. Honour and recognition in case of success."[10] Outside his office hung an ad reading "Protest Against the Rising Tide of Conformity."[6]
In everyday situations, rather than the conventional "How are you?", Davis was known to ask "Is your life a rich tapestry?" [23]

 Quotes

  • "No Boring Cars!"
  • "Cogito Ergo Zoom!" – I think therefore I go fast!, tagline at Automobile.
  • "No more bullsh-t!" – what Davis once said his coat of arms would read, if he had a coat of arms.[8]

 

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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...