Robert Tear,
CBE was a
Welsh tenor and conductor, died from cancer he was , 72.
(8 March 1939 – 29 March 2011)
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Tear was born in
Barry,
Glamorgan,
Wales,
UK, the son of Thomas and Edith Tear. He attended Barry Boys' Grammar School and was a
choral scholar at
King's College,
Cambridge, where he studied under Kimbell. He was later elected an Honorary Fellow of the College.
[3] In 1961 he was appointed a Vicar Choral at
St Paul's Cathedral.
[4] His operatic début was in 1966 as Peter Quint in
Benjamin Britten's
The Turn of the Screw on the
English Opera Group's tour of England and Russia. In 1970, he made his début at
Covent Garden as Lensky in
Tchaikovsky's
Eugene Onegin. He made his début as a conductor in 1985 in
Minneapolis. Appointed CBE 1984.
Tear was closely associated with the music of British composers Benjamin Britten and
Michael Tippett. He created the role of Dov in Tippett's opera
The Knot Garden. During the 1989-90 season, he made a highly successful debut with the
Glyndebourne Touring Company as the tormented Aschenbach in Britten's
Death in Venice. He was well-known for his duets with
Benjamin Luxon, reviving many Victorian parlour songs.
Tear was an Honorary Fellow of the
Royal Welsh College of Music & Drama (Coleg Brenhinol Cerdd a Drama Cymru). In 1984, he was awarded the
CBE. He was married with two daughters and lived in West
London.
He gave his farewell performance at Covent Garden in 2009, taking the rôle of Emperor Altoum in
Puccini's Turandot. Shortly afterwards, he commented "the voice is still there, but the body is no longer able to follow".
[5]
Robert Tear's
London death was announced on 29 March 2011.
[6]
Recordings
Tear made over 250 records for many major recording companies. Roles he sang on disc range in diversity from Uriel in
Haydn's "
Creation" to the painter in
Alban Berg's
Lulu, and from Pitichinaccio in
Offenbach's
The Tales of Hoffmann to Sir Harvey in
Donizetti's
Anna Bolena. His many classical recordings include performances of
Bach,
Handel,
Monteverdi,
Mozart,
Beethoven,
Mahler,
Bruckner,
Stravinsky,
Janáček and
Messiaen. In the English canon, he also recorded songs by
Edward Elgar,
Ralph Vaughan Williams and
Arthur Butterworth.
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