Jim Roslof, American artist (Dungeons & Dragons), died from cancer. he was , 64

James Paul "Jim" Roslof  was an American artist and graphic designer particularly well-known for cover art and interior illustrations of fantasy role-playing games published by TSR, Inc. during the "golden age" of Dungeons & Dragons  died from cancer. he was , 64. As Art Director at TSR in the early 1980s, he was also responsible for hiring many of the young artists who would go on to prominent careers in the fantasy role-playing industry.
As a fantasy artist, one of Roslof's best known pieces of artwork is his cover for Keep on the Borderlands, of which more than one million copies were sold.

(November 21, 1946 – March 19, 2011)

Before TSR

Jim Roslof was born November 21, 1946 in Chicago, Illinois to Edward E. and Gertrude (Kibitlewski) Roslof.^[1]
Early in his career in the late 1960s, Jim Roslof was a contributor of cover art to the counterculture underground newspaper Chicago Seed.^[2]

At TSR

By 1979, Roslof had joined Erol Otus, Bill Willingham, Jeff Dee, Paul Reiche and Evan Robinson as a staff artist at TSR, Inc. in Lake Geneva WI. Over the next year,^[3] he provided interior art for

• Lawrence Schick's White Plume Mountain (1979)
• Gary Gygax's Slave Pits of the Undercity (1980) and Expedition to the Barrier Peaks (1980)
• the hardcover rule book Deities & Demigods in which he provided illustrations of the entire Greek pantheon (1980)
• various issues of TSR's Dragon magazine, commencing with issue #42 (October 1980)

Roslof also provided the cover art for some of AD&D's greatest adventures:

• Queen of the Demonweb Pits (voted the single greatest adventure of all time, in compilation with the rest of the GDQ series, by Dungeon magazine in 2004)^[4]
• Ghost Tower of Inverness (ranked 30th greatest adventure in the same Dungeon article)^[4]
• Secret of the Slavers Stockade
• Keep on the Borderlands (ranked 7th greatest adventure in the same Dungeon article)^[4]

The last of these is perhaps Jim's best known work, since the adventure was included in later printings of the Dungeons & Dragons Basic Set^[5], of which over one million copies were sold.^[6]
In May 1981, despite the large amount of artwork needed for an ever-increasing number of company products, temperamental TSR manager Kevin Blume fired two of the six staff artists, Paul Reiche and Evan Robinson, on what TSR editor Steve Winter described as "trumped-up charges of insubordination".^[7] When Bill Willingham and Jeff Dee complained, they were also fired, leaving only Roslof and Erol Otus as the art department. Roslof was promoted to Art Director, but instead of simply staying with the style of art that had defined TSR products since 1975, Roslof hired a cadre of brilliant artists whose artwork would define TSR to a generation, and who would all go on to successful careers as fantasy artists: Jim Holloway, Larry Elmore, Jeff Easley, Harry Quinn, Keith Parkinson, Tim Truman and Clyde Caldwell. Parkinson recalled how he was hired: "I drove up one day to see if I could do some freelance work. Jim Roslof, who was the Art Director, hinted that I could join the staff full-time, but I missed the hint. A few days later, I called him about a job, and he had just hired somebody else the day before, but he’d keep me in mind. The next day, he called back, and had an opening."^[8]
The artists gathered in what TSR staffers called "the pit". As Scott Taylor recalled, the pit was "a place of creation for all the onsite artists of the growing company. Here countless worlds were born among rubber-band wars and constant deadline pressure. Still, the pit was a place of ultimate creation, a venue where artists worked together for inspiration, guidance, and commiseration in a time before the internet gave purchase to a web of greater connection."^[9]
In addition to giving direction to many disparate projects, Roslof also continued to provide artwork for TSR, including In the Dungeons of the Slave Lords, the hardcover book Fiend Folio published by TSR UK, Descent into the Depths of the Earth, Dwellers of the Forbidden City and the Dungeoneer's Survival Guide. He also provided some of the artwork for TSR's Monster Cards,^[10] including original depictions for monsters such as the wemic,^[11] and in 1986 produced illustrations for the first issue of Dungeon.^[3]

After TSR

After leaving TSR, Roslof moved to Elkhorn, Wisconsin. Some of his art was used in the Blood Wars Card Game.^[12] In 2005, Goodman Games began to publish a series of D&D adventures called "Dungeon Crawl Classics".^[13] Although they used an up-to-date version of rules, they were a deliberate throwback in content and style to TSR's "dungeon crawl" adventures of the 1970s and early 1980s. Several authors from TSR's heyday, including Monte Cook and Dave Arneson were hired to write adventures, and artists such as Roslof, Jim Dee and Jim Holloway provided artwork. Roslof contributed cover art to two of the adventures, Dungeon Crawl Classics #29: The Adventure Begins (2006), and Dungeon Crawl Classics # 43: Curse of the Barrens (2007).^[3]
As well as creating fantasy artwork, Roslof was also a professional graphic designer^[1] and inventor, with several patent applications for merchandising systems he worked on for DCI Marketing, Inc., the retail marketing subsidiary of IMI plc.^[14][15]

Personal life

Jim Roslof married Laura S. Miller on April 25, 1968 in Aptos, California; they had three children, and four grandchildren at the time of his death.^[1]
Laura Roslof was also involved in the creation of artwork for Dungeons & Dragons products, including the recalled version of Palace of the Silver Princess, and currently runs a stained glass art studio in Elkhorn, Wisconsin.^[16]
Roslof died at his home in Elkhorn, Wisconsin, on Saturday March 19, 2011.^[1]

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