Arnold Drake, American comic book writer (Doom Patrol),died from pneumonia and septic shock he was 83

Arnold Drake ^[1][2] was an American comic book writer and screenwriter best known for co-creating  DC Comicscharacters Deadman and the Doom Patrol, and the Marvel Comics characters the Guardians of the Galaxy, among others.

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(March 1, 1924 – March 12, 2007)

 

Drake was posthumously inducted into the Will Eisner Comic Book Hall of Famein 2008.

Arnold Drake was the third child of Max Druckman, a Manhattan furniture dealer who died in June 1966 at his home in Forest Hills, Queens, New York City,^[3] and Pearl Cohen. His eldest brother, Ervin Drake, born Ervin Maurice Druckman, and the middle brother, Milton, both became notable songwriters.^[4] His family was Jewish.^[5]

At age 12, Drake contracted scarlet fever, confining him to bed for a year, a time he spent drawing his own comic stripcreations.^[2] Years later, turning to writing, he studied journalism at the University of Missouri and later at New York University.^[2]

Collaborating with co-writer Leslie Waller (together using the pseudonym Drake Waller) and artist Matt Baker, Drake wrote St. John Publications' pioneering It Rhymes with Lust, a proto-graphic novel comics magazine sold on newsstands in 1950.^[6] At some unspecified point before or after this, he met a neighbor of one of his brothers: Bob Kane, the credited creator of Batmanfor one of DC Comics' precursor companies. After collaborating with Drake on some projects, Kane introduced Drake to editors at DC.^[2]

Comic books during this time did not routinely list creator credits; historians have, however, pinpointed Drake's first DC work as the first seven pages of the eight-page Batman story "The Return of Mister Future" in Batman #98 (March 1956).^[7] Soon, Drake was scripting stories across a variety of genres for DC, from adventure drama ("Fireman Farrell" in Showcase #1, April 1956) to humor (1960s stories for the company's Bob Hope and Jerry Lewis comics) to mystery and supernatural fiction (the anthology series House of Mystery) to science fiction (the feature "Tommy Tomorrow" in World's Finest Comics #102, June 1959, and elsewhere, and the feature "Space Ranger" in several issues of Tales of the Unexpected, to give a sampling).^[8]

In the late 1960s, Drake freelanced for Marvel Comics, beginning with Captain Savage #5 (Aug. 1968), starring a World War IIMarines squadron; he would additionally script some later issues of that series, plus a single issue of the WWII series Sgt. Fury and his Howling Commandos. Drake wrote the run of X-Men #47–54 (Aug. 1968 – March 1969, co-writing his initial issue with Gary Friedrich), which included two rare circumstances of stories drawn but not written by the noted comics writer-artist Jim Steranko. Drake introduced several new characters to the series including Mesmero,^[23] Lorna Dane,^[24] and Havok.^[25]Drake as well wrote issues of the space-alien superhero Captain Marvel, stories for the superhero satire comic Not Brand Echh, and a story of the jungle lord Ka-Zar. In Marvel Super-Heroes #18 (Jan. 1969), Drake and editor Stan Lee co-created the Guardians of the Galaxy,^[26][27] a far-future team of freedom-fighters gathered from different planets of our solar system. The characters would star in a 62-issue series in the 1990s, and inspire a new team of that name in the 2000s.

By mid-1969, however, Drake had left Marvel. His next new comics work to be published was a supernatural anthology story in Gold Key Comics' Grimm's Ghost Stories #1 (Jan. 1972) – the first of many stories for that company, including for the series Boris Karloff Tales of Mystery, and the licensed TV-series titles Dark Shadows, Star Trek, and Twilight Zone, among others.^[8]His Gold Key work included what comics historian Mark Evanier called "a particularly long and delightful stint on Little Lulu",^[2]beginning with issue #232 (May 1976). In 1973, Drake began freelancing again for DC occasionally, writing stories for series as varied as Weird War Tales and Supergirl.^[8] Beginning in 1977, Drake contributed stories to several issues of Charlton Comics' black-and-white satirical-humor magazine, Sick.

Drake contributed to all four issues of Starstream, a 68-page anthology series with cardboard covers that adapted classic science-fiction stories. That series was published by Whitman Comics, the rights-holder to several properties it licensed to Gold Key, and Drake would continue with Whitman when it began distributing Little Lulu and its other properties itself in 1980.^[8] By 1981, Drake was executive director of the Veteran's Bedside Network, an organization through which actors, actresses and sound engineers would perform scripted material to entertain patients in Veterans Administration hospitals in the New York City area.^[28]

Drake's last known original comics story for nearly 20 years was the six-page "G.I. Samurai" in DC's G.I. Combat #276 (April 1985). He resurfaced two decades later with the 12-page "Tripping Out!", illustrated by Luis Dominguez, in the mature-audience comics magazine Heavy Metal vol. 26, #6 (Jan. 2003). This story was accompanied by a one-page biography of the two creators.^[8]

Drake wrote the foreword, introduction, preface and afterword of DC's 2002 hardcover reprint collection The Doom Patrol Archives #1. He was also working on a new Doom Patrol graphic novel, a prequel story, at the time of his death.^[29] He as well wrote a five-page afterword, "The Graphic Novel – And How It Grew", in Dark Horse Books' March 2007 reprint of his and collaborators Leslie Waller and Matt Baker's pioneering, 1950 proto-graphic novel It Rhymes with Lust.^[8]

^{Drake collapsed days after having attended the February 23–25, 2007 New York Comic Book Convention, where he had had, organizers said, "a touch of pneumonia".[2] Admitted to New York City's Cabrini Medical Center, he died of pneumonia and septic shock.[30]}

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Betty Hutton, American singer/actress (The Miracle of Morgan's Creek), died from complications from colon cancer she was , 86

Betty Hutton (born Elizabeth June Thornburg; ^[1] was an American stage, film, and television actress, comedian, dancer, and singer.died from complications from colon cancer she was , 86

(February 26, 1921 – March 12, 2007)

Hutton was born Elizabeth June Thornburg in Battle Creek, Michigan. She was the daughter of a railroad foreman, Percy E. Thornburg (1896–1937^[2]) and his wife, Mabel Lum (1901–1967).^[3] While she was very young, her father abandoned the family for another woman. They did not hear of him again until they received a telegram in 1937, informing them of his suicide. Along with her older sister Marion, Betty was raised by her alcoholic mother, who took the surname Hutton and was later billed as the actress Sissy Jones.

The three started singing in the family's speakeasy when Betty was 3 years old. Troubles with the police kept the family on the move. They eventually landed in Detroit, where she attended Foch Intermediate School.^[4]

On one occasion, when Betty, preceded by a police escort, arrived at the premiere of Let's Dance (1950), her mother, arriving with her, quipped, "At least this time the police are in front of us!" Hutton sang in several local bands as a teenager, and at one point visited New York City hoping to perform on Broadway, where she was rejected.

A few years later, she was scouted by orchestra leader Vincent Lopez, who gave Hutton her entry into the entertainment business. In 1939, she appeared in several musical shorts for Warner Bros., and appeared in a supporting role on Broadway in Panama Hattie^[5] (starring Ethel Merman, who demanded on opening night that Hutton's musical numbers be cut from the show) and Two for the Show,^[6] both produced by Buddy DeSylva.

When DeSylva became a producer at Paramount Pictures, Hutton was signed to a featured role in The Fleet's In (1942), starring Paramount's number-one female star Dorothy Lamour. Hutton was an instant hit with the moviegoing public. Paramount did not immediately promote her to major stardom, however, but did give her second leads in a Mary Martin film musical, Star Spangled Rhythm (1943), and another Lamour film. In 1943, she was given co-star billing with Bob Hope in Let's Face It. During that year, she made $1250 per week.^[7]

In 1942, writer-director Preston Sturges cast Betty as the dopey but endearing small-town girl who gives local troops a happy send-off and wakes up married and pregnant, but with no memory of who her husband is, except that a few "z's" were in his name. This film, The Miracle of Morgan's Creek, was delayed by Hays Office objections and Sturges' prolific output and was finally released early in 1944. The film made Hutton a major star; Preston Sturges was nominated for a Best Writing Oscar, the film was named on the National Film Board's Top Ten films for the year, the National Board of Review nominated the film for Best Picture of 1944, and awarded Betty Hutton the award for Best Acting for her performance in the film. The New York Times named it as one of the 10 Best Films of 1942-1944.

Critic James Agee noted that "the Hays office must have been raped in its sleep"^{[citation needed]} to allow the film to be released. And although the Hays Office received many letters of protest because of the film's subject matter, it was Paramount's highest-grossing film of 1944, playing to standing-room-only audiences in some theatres. On the strength of its success, she signed a recording contract with the newly formed Capitol Records (she was one of the earliest artists to do so). Buddy DeSylva, one of Capitol's founders, also co-produced her next hit, the musical Incendiary Blonde, directed by veteran comedy director George Marshall and released in 1945, by which time Hutton had replaced Lamour as Paramount's top female box-office attraction. Marshall also directed Hutton in the hugely popular The Perils of Pauline in 1947, where she sang a Frank Loesser song that was nominated for an Oscar: "I Wish I Didn't Love You So."

Hutton in 1952

She was billed above Fred Astaire in the 1950 musical Let's Dance. Her next screen triumph came in Annie Get Your Gun (1950) for Metro-Goldwyn-Mayer, which hired her to replace an exhausted Judy Garland in the role of Annie Oakley. The film, with the leading role retooled for Hutton, was a smash hit, with the biggest critical praise going to Hutton. Among her lesser-known roles were an unbilled cameo in Sailor Beware (1952) with Dean Martin and Jerry Lewis, in which she portrayed Dean's girlfriend, Hetty Button.

Altogether, Hutton made 19 films from 1942 to 1952. Her career as a Hollywood star ended due to a contract dispute with Paramount following the Oscar-winning The Greatest Show on Earth (1952) and Somebody Loves Me (1952), a biography of singer Blossom Seeley. The New York Times reported that the dispute resulted from her insistence that her husband at the time, choreographer Charles O'Curran, direct her next film. This is not as outrageous as it now sounds, since many famous female stars, from Greta Garbo to Alexander Korda's first wife, silent movie star María Corda, often demanded directing gigs for their unknown husbands as the price of their next film.

However, beset by the erosion of their audience to television, the dismemberment of their theater chains and the rise of McCarthyism, the studio declined, and Hutton broke her contract. Hutton's last completed film was a small one, Spring Reunion, released in 1957, a drama in which she gave an understated, sensitive performance. Unfortunately, box-office receipts indicated the public did not want to see a subdued Hutton. She also became disillusioned with Capitol's management and moved to RCA Victor.

Hutton got work in radio, appeared in Las Vegas and in nightclubs, then tried her luck in the new medium of television. In 1954, TV producer Max Liebman, of comedian Sid Caesar's Your Show of Shows, fashioned his first "Color Spectacular" as an original musical written especially for Hutton, Satins and Spurs.^[8] It was a flop with the public and critics, probably because Hutton had an outsized personality that didn't work well on "the small screen." Its viewers also probably expected to see color on their black and white sets, and when they did not, switched to something else.^{[citation needed]}

In 1957, she appeared on a Dinah Shore show on NBC that also featured Boris Karloff; the program has been preserved on a kinescope. Lucille Ball (another female star who had clearly pushed her husband to a lucrative career) and Desi Arnaz took a chance on Hutton in 1959, with their company Desilu Productions giving her a CBS sitcom, The Betty Hutton Show. Hutton hired the still-blacklisted and future film composer Jerry Fielding to direct her series.^[9] They had met over the years in Las Vegas when he was blacklisted from TV and radio and could get no other work, and her Hollywood career was also fading. It was Fielding's first network job since losing his post as musical director of Groucho Marx's You Bet Your Life in 1953 after hostile questioning by HUAC. The Betty Hutton Show faded quickly.

She guest-starred in the 1965 Gunsmoke episode "Bad Lady from Brookline". Her character takes a job singing in a saloon, while developing her shooting skills sufficiently to kill Matt Dillon for murdering her husband. The impression is that the show was written specifically to showcase Hutton's talents.^{[citation needed]}

Hutton continued headlining in Las Vegas and touring across the country. She returned to Broadway briefly in 1964 when she temporarily replaced a hospitalized Carol Burnett in the show Fade Out – Fade In.^[10] In 1967, she was signed to star in two low-budget Westerns for Paramount, but was fired shortly after the projects began. In 1980, she took over the role of Miss Hannigan during the original Broadway production of Annie while Alice Ghostley was on vacation. Ghostley replaced the original Miss Hannigan actress, Dorothy Loudon (who won a Tony Award for the role).

Hutton's first marriage was to camera manufacturer Ted Briskin on September 3, 1945. The marriage ended in divorce in 1950. Two daughters were born to the couple:

• Lindsay Diane Briskin, born in Barcelona, Spain on March 1, 1946
• Candice Elizabeth Briskin, born in Havana, Cuba on December 3, 1947

Hutton's second marriage in 1952 was to choreographer Charles O'Curran. They divorced in 1955. He died in 1984.

She married for the third time in 1955. Husband Alan W. Livingston, an executive with Capitol Records, was the creator of Bozo the Clown. They divorced five years later, although some accounts refer to the union as a nine-month marriage.

Her fourth and final marriage in 1960 was to jazz trumpeter Pete Candoli, a brother of Conte Candoli. Hutton and Candoli had one child:

• Carolyn Candoli, born on March 9, 1961

They divorced in 1967.

Hutton was once engaged to the head of the Warner Bros. makeup department, makeup artist Perc Westmore, in 1942,^[11] but broke off the engagement, saying it was because he bored her.^[12]

After the 1967 death of her mother in a house fire and the collapse of her last marriage, Hutton's depression and pill addictions escalated. She divorced her fourth husband, jazz trumpeter Pete Candoli, and declared bankruptcy. Hutton had a nervous breakdown and later attempted suicide after losing her singing voice in 1970. After regaining control of her life through rehabilitation, and the mentorship of a Roman Catholic priest, Father Peter Maguire, Hutton converted to Roman Catholicism and took a job as a cook at a rectory in Portsmouth, Rhode Island. She made national headlines when it was revealed she was working in a rectory.

In 1974, a well-publicized "Love-In for Betty Hutton" was held at New York City's Riverboat Restaurant, emceed by comedian Joey Adams, with several old Hollywood pals on hand. The event raised $10,000 for Hutton and gave her spirits a big boost, but steady work still eluded her.

Hutton appeared in an interview with Mike Douglas and a brief guest appearance in 1975 on Baretta. In 1977, Hutton was featured on The Phil Donahue Show. Hutton was then happily employed as hostess at a Newport, Rhode Island, jai alai arena.

She also appeared on Good Morning America, which led to a 1978 televised reunion with her two daughters. Hutton began living in a shared home with her divorced daughter and grandchildren in California, but returned to the East Coast for a three-week return to the stage. She followed Dorothy Loudon as the evil Miss Hannigan in Annie on Broadway^[13] in 1980. Hutton's rehearsal of the song "Little Girls" was featured on Good Morning America. Hutton's Broadway comeback was also included in a profile that was done about her life, her struggle with pills, and her recovery on CBS News Sunday Morning.

A ninth-grade drop-out, Hutton went back to school and earned a master's degree in psychology from Salve Regina University. During her time at college, Hutton became friends with singer-songwriter Kristin Hersh and attended several early concerts of Hersh's band, Throwing Muses.^[14] Hersh later wrote the song "Elizabeth June" as a tribute to her friend, and wrote about their relationship in further detail in her memoir, Rat Girl.^[15]

Hutton's last known performance, in any medium, was on Jukebox Saturday Night, which aired on PBS in 1983.^[16] Hutton stayed in New England and began teaching comedic acting at Boston's Emerson College. She became estranged again from her daughters.

Betty Hutton's headstone at Desert Memorial Park in Cathedral City, California - her epitaph reads "Loved by All".

After the death of her ally, Father Maguire, Hutton returned to California, moving to Palm Springs in 1999, after decades in New England. Hutton hoped to grow closer with her daughters and grandchildren, as she told Robert Osborne on TCM's Private Screenings in April 2000, though her children remained distant. She told Osborne that she understood their hesitancy to accept a now elderly mother. The TCM interview first aired on July 18, 2000. The program was rerun as a memorial on the evening of her death in 2007, and again on July 11, 2008, April 14, 2009, January 26, 2010, and as recently as March 18, 2017.^[17] as part of TCM's memorial tribute for Robert Osborne.

Hutton lived in Palm Springs until her death March 12, 2007, at 86, from colon cancercomplications.^[18][19] She is buried at Desert Memorial Park in Cathedral City, California.^[

 
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