Andrew Michael Geller was an
American
architect, painter and graphic designer widely known for his
uninhibited, sculptural beach houses in the coastal regions of New York,
New Jersey and Connecticut during the 1950s and 60s—and for his
indirect role in the 1959
Kitchen Debate between
Richard Nixon (then Vice President) and Soviet Premier
Nikita Khrushchev, which began at an exhibit Geller had helped design for the
American National Exhibition in Moscow died from kidney failure he was 87..
Geller worked with the prominent firm of American industrial and graphic designer
Raymond Loewy where his projects ranged widely—from the design of shopping centers and department stores across the United States, to the
Windows on the World restaurant atop the
World Trade Center[1] and the logo of New York-based department store
Lord and Taylor[1][2]
After designing a beach house for Loewy's director of public relations,
[3] Geller was featured in the
New York Times and began receiving notoriety for his own work. Between 1955 and 1974,
[4] Geller produced a series of modest but distinctive vacation homes, many published in popular magazines including
Life,
Sports Illustrated, and
Esquire.
[3]
On his death in 2011, the
New York Times said Geller "helped bring modernism to the masses."
[5]
Background
| “ |
It’s one of the first
lessons I ever was taught.
The thing you produce ought
to be compatible with what’s there.
It should live with it both in
scale and some sort of human factor.
– Andrew Geller [6] |
” |
|
Geller was born in Brooklyn on April 17, 1924 to Olga and Joseph
Geller, an artist and sign painter who had emigrated from Hungary in
1905.
[7] Architectural historian
Alastair Gordon reported that as a sign painter Joseph Geller designed the logo for
Boar's Head Provision Company, still in use today.
[3]
Geller studied drawing with his father,
[3] and the attended art classes at the
Brooklyn Museum. A 1938 painted self-portrait won him a scholarship to the
New York High School of Art and Music (1939),
[3] and he subsequently studied architecture at
Cooper Union,
[5] where he took drawing class with Robert Gwathmey, father of architect
Charles Gwathmey.
[3]
Geller later worked as a naval architect for the United States Maritime
Commission designing tanker hulls and interiors (1939–42).
During World War II, Geller served in the
U.S. Army Corps of Engineers
(1942–45) and was inadvertently exposed to a toxic chemical agent,
suffering medical consequences for the remainder of his life.
[3] Geller married Shirley Morris (a painter)
[8] in 1944. The couple lived in
Northport, New York and together had a son, Gregg Geller (formerly catalog executive at
RCA,
CBS and
Warner Bros.)
[9] and a daughter, Jamie Geller Dutra
[5] (formerly interior designer at
Loewy/Snaith).
[10]
Prior to his death in December 2011 in
Syracuse, Geller lived in
Spencer, New York.
[5]
Career with Loewy
After reading in Life magazine of
Raymond Loewy's diverse and comprehensive career,
[3] Geller began what became a career (variously reported as 28
[8] or 35
[11] years) at Raymond Loewy Associates — later known as Raymond Loewy/William Snaith Inc. or simply Loewy/Snaith.
Geller went on to carry various titles at Loewy/Snaith, including
'head of the New York City architecture department', 'vice president'
and 'director of design,'
[8] — working on notable projects including the interiors and garden (with
Isamu Noguchi) for the glass-and-metal
Lever House.
[7] At Loewy/Snaith, Geller also designed shopping centers and department stores across the United States,
[7] notably for
Macy's,
Lord & Taylor,
Wanamaker's,
Bloomingdales,
Apex Department Stores[12] and
Daytons — as well as work for
Bell Telephone, and the Worlds Fair Beirut U.S. Pavilion (year unknown).
-
- See: Rendering for Apex Department Stores, Pawtucket, Rhode Island, Andrew Geller
Geller left Loewy/Snaith in 1976. It has been reported that at some point in his career, Geller designed the
Quiet House for a Dallas, Texas consortium, the all-aluminum
Easy Care Home for the Aluminum Association of America, and the
Vacation House System.[3]
In 2009, the city of
Stamford, Connecticut listed the 150,000 square foot
Lord & Taylor
at 110 High Ridge Road on the state's list of landmark buildings —
after the building had been inadvertently made more prominent by the
razing of adjacent trees.
[13] Geller had designed the three-story building in 1969 while with Loewy/Snaith.
[14] Richard Longstreth, director of the Graduate Program in Historic Preservation at
George Washington University,
said the store's case for preservation was “quite straightforward,
based on the significance of the company it has housed, the nature of
its siting, the firm that designed the building, and as a now rare
survivor of its type."
[15]
-
- See: Lord & Taylor, Stamford, CT, 1969, Andrew Geller
- See: Rendering, Lord & Taylor, Stamford, CT, Andrew Geller
Kitchen Debate and Leisurama
Main article:
Kitchen Debate
In 1959, as vice president of the Housing and Home Components
department at Loewy/Snaith, Geller was the design supervisor for the
exhibition, the "Typical American House," built at the
American National Exhibition in Moscow. The exhibition home largely replicated a home previously built at 398 Townline Road
[16] in
Commack, New York,
which had been originally designed by Stanley H. Klein for a Long
Island-based firm, All-State Properties (later known as Sadkin
enterprises),
[17] headed by developer Herbert Sadkin.
[18][19] To accommodate visitors to the exhibition, Sadkin hired Loewy's office to modify Klein's floor plan.
[16] Geller supervised the work, which "split" the house, creating a way for large numbers of visitors to tour the small house
[16] and giving rise to its nickname, Splitnik.
[16]
-
- See: Geller's "split" home at the American National Exhibition
- See: 398 Townline Road, Commack, New York, designed by Stanley H. Klein
- 40°51′40.02″N 73°17′25.77″E
Subsequently,
Richard Nixon (then Vice President) and Soviet Premier
Nikita Khrushchev on July 24, 1959 began what became known as the
Kitchen Debate
— a debate over the merits of capitalism vs. socialism, with Khrushchev
saying Americans could not afford the luxury represented by the
"Typical American House".
[7] Tass, the Soviet news agency said:
"There
is no more truth in showing this as the typical home of the American
worker than, say, in showing the Taj Mahal as the typical home of a
Bombay textile worker."[16]
The temporary 'Typical American House' exhibit was demolished, and the developer hired
William Safire as the company's marketing agent.
[16] All-State later hired Loewy and Geller to design
Leisurama, homes marketed at Macy's and built on Long Island — leveraging the press coverage from the Russian exhibition.
[16]
Solo career
Geller became known for a number of homes in
New England that he designed while moonlighting at Loewy/Snaith,
[3] with the encouragement of Loewy and Snaith.
[8]
The houses each had an abstract sculptural quality; a 1999 New York
Times article called the homes "eccentrically free-form and
eye-grabbing."
[7] Another article called the homes "ingenious wooden spacecraft."
[20] Another described the houses as "quirky, tiny, site-specific."
[8] Geller himself gave the houses nicknames such as the
Butterfly, the
Box Kite,
Milk Carton and Grasshopper.
[3]
Geller's work met a varied reception. Mark Lamster, writing for
Design Observer,
described Geller's Long Island house designs as "inexpensive and modest
homes with playful shapes that radiated a sense of post-war optimism."
[21] His 1966 design for the Elkin House in
Sagaponack, New York, which he called
Reclining Picasso was described as "an angular mess" in a 2001
New York Times book review.
[22]
-
- See: Andrew Geller design sketch
- See: Andrew Geller design sketch
Examples of Geller's idiosyncratic home designs include the 1955
Reese House for Elizabeth Reese in Sagaponack, New York
[3] — an
A-Frame house that popularized the construction method after it was featured appeared on the cover of the
New York Times
as well as in the newspaper's real estate section of the May 5, 1957
edition. Reese, the client, was at the time the director of public
relations at Loewy's office, and she publicized Geller's work — with
John Callahan of the New York Times writing several articles on his
work.
[3]
The Pearlroth House in Westhampton, of 1959, consists of a pair of diamond-shaped structures.
[23] When the 600square foot Pearlroth home was slated for demolition in 2006, it was called an "icon of Modernism."
[24]
The house — which featured two boxes rotated 45 degrees in a
distinctive shape — was eventually relocated to be restored as a public
museum.
[24]
Architectural historian Alastair Gordon said the house "is one of the
most important examples of experimental design built during the postwar
period – not just on Long Island but anywhere in the United States. It
is witty, bold and inventive."
In 1958, Geller designed a beach house for bachelors. The
Esquire Weekend House could be delivered to any location to be constructed on stilts.
[3] Alastair Gordan, architectural historian, called the one-room house a "
reducto ad absurdum version of the post-war weekend aesthetic."
[3]
-
- See: The Esquire Weekend House, rendering by Andrew Geller
Publicity
Geller's architectural designs on Long Island were featured in a 1999 exhibition called
Weekend Utopia: The Modern Beach House on Eastern Long Island, 1960–1973, at the Guild Hall Museum in East Hampton, New York
[20] — and in 2005 at an exhibit entitled
Imagination: The Art and Architecture of Andrew Geller at New York's
Municipal Art Society.
[25]
Geller's grandson, Jake Gorst, wrote, produced and directed a 2005
[26]
documentary about his grandfather's work on the Leisurama homes. Since
2011, Gorst has actively sought to preserve the archives of Geller's
works, including drawings, models and film recordings
[27] — having used
Kickstarter to help
finance the archival work.
Geller's Long Island Homes were subject of the 2003 book
Beach Houses: Andrew Geller. The Macy's homes were the subject of the 2008 book
Leisurama Now: The Beach House for Everyone, by Paul Sahre. In 2001, his Pearlroth house was named one of the "10 Best Houses in the Hamptons."
[28]
To see more of who died in 2011
click here
Houston J. Antwine was a college and professional American football player from Southern Illinois University died from heart failure he was 72.. He was drafted by the American Football League's Houston Oilers, then traded to the Boston Patriots in 1961.
He is in the Southern Illinois University Athletic Hall of Fame. A
former NAIA wrestling champion, as a defensive tackle, the stocky
"Twine" was nearly impossible to move out of the middle.
