Etta James was an American singer died from leukemia she was 73.. Her style spanned a variety of music genres including
blues,
rhythm and blues,
rock and roll,
soul,
gospel and
jazz. Starting her career in 1954, she gained fame with hits such as "
Roll With Me, Henry", "
At Last", "
Tell Mama", "
Something's Got a Hold on Me", and "
I'd Rather Go Blind" for which she wrote the lyrics.
[1] She faced a number of personal problems, including
drug addiction, before making a musical resurgence in the late 1980s with the album
The Seven Year Itch.
[2]
(born Jamesetta Hawkins; January 25, 1938 – January 20, 2012)
James is regarded as having bridged the gap between rhythm and blues and rock and roll, and is the winner of six Grammys and 17
Blues Music Awards. She was inducted into the
Rock and Roll Hall of Fame in 1993, the
Blues Hall of Fame in 2001, and the
Grammy Hall of Fame in both 1999 and 2008.
[3] Rolling Stone
ranked James number 22 on their list of the 100 Greatest Singers of All
Time and number 62 on the list of the 100 Greatest Artists.
[4][5]
Early life and career: 1938–1959
Jamesetta Hawkins was born on January 25, 1938, in
Los Angeles, California, to Dorothy Hawkins, who was only 14 at the time. Her father has never been identified.
[6] James speculated that her father was the pool player
Rudolf "Minnesota Fats" Wanderone, and met him briefly in 1987.
[7] Due to her mother being often absent from their
Watts
apartment, conducting relationships with various men, James lived with a
series of foster parents, most notably "Sarge" and "Mama" Lu. James
referred to her mother as "the Mystery Lady".
[6]
James received her first professional vocal training at the age of
five from James Earle Hines, musical director of the Echoes of Eden
choir, at the St. Paul Baptist Church in south central Los Angeles. She
became a popular singing attraction at the church, and Sarge tried to
pressure the church into paying him money for her singing, but they
refused. During drunken poker games at home, he would often wake James
up in the early hours of the morning and force her through beatings to
sing for his friends. As she was a bed-wetter, and often soaked with her
own urine on these occasions, the trauma of being forced to sing meant
she had a lifelong reluctance to sing on demand.
[8]
In 1950, Mama Lu died, and James' real mother took her to the
Fillmore District, San Francisco.
[9] Within a couple of years, James began listening to
doo-wop and was inspired to form a
girl group, called the Creolettes (due to the members' light skinned complexions). The 14-year-old girl met musician
Johnny Otis.
Stories on how they met vary including Otis' version in which James had
come to his hotel after one of his performances in the city and
persuaded him to audition her. Another story came that Otis spotted the
group performing at a Los Angeles nightclub and sought them to record
his "
answer song" to
Hank Ballard's "
Work with Me, Annie". Nonetheless, Otis took the group under his wing, helping them sign to
Modern Records and changing their name from the Creolettes to the Peaches and gave the singer her stage name reversing Jamesetta into
Etta James. James recorded the version, which she was allowed to co-author, in 1954, and the song was released in early 1955 as "
Dance with Me, Henry".
Originally the name of the song was "Roll With Me, Henry" but was
changed to avoid censorship due to the subtle title. In February of that
year, the song reached number one on the
Hot Rhythm & Blues Tracks chart.
[10] Its success gave the group an opening spot on
Little Richard's national tour.
[11]
While on tour with Richard, pop singer
Georgia Gibbs recorded her version of James' song, which was released under the title "The Wallflower", and became a
crossover hit, reaching number one on the
Billboard Hot 100,
which angered James. After leaving the Peaches, James had another
R&B hit with "Good Rockin' Daddy", but struggled with follow-ups.
When her contract with Modern came up in 1960, she decided to sign with
Leonard Chess' namesake label,
Chess Records, and shortly afterwards got involved in a relationship with singer
Harvey Fuqua, founder of the doo-wop group,
The Moonglows.
Bobby Murray, aka "Taters", toured with Etta James for 20 years. He
wrote that James had her first hit single when she was 15 years of age
and went steady with
B.B. King when she was 16. Etta James believed the hit single "Sweet Sixteen" by King was about her.
[12]
Chess years: 1960–1978
Dueting with
Harvey Fuqua, James recorded for the Chess label
Argo (later
Cadet) and her first hit singles with Fuqua were "If I Can't Have You" and "
Spoonful". Her first solo hit was the doo-wop styled rhythm and blues number, "
All I Could Do Was Cry", becoming a number two R&B hit.
[13]
Leonard Chess had envisioned James as a classic ballad stylist who had
potential to cross over to the pop charts and soon surrounded the singer
with violins and other string instruments.
[13]
The first string-laden ballad James recorded was "My Dearest Darling"
in May 1960, which peaked in the top five of the R&B chart. James
sang background vocals on label mate
Chuck Berry's "
Back in the U.S.A.".
[14][15]
Vinyl recording of "At Last"/"I Just Want to Make Love"
Her debut album,
At Last!, was released in late 1960 and was noted for its varied choice in music from
jazz standards to
blues numbers to doo-wop and
rhythm and blues (R&B).
[16] The album also included James' future classic, "
I Just Want to Make Love to You" and "
A Sunday Kind of Love". In early 1961, James released what was to become her signature song, "
At Last", which reached number two on the R&B chart and number 47 on the
Billboard Hot 100. Though the song was not as successful as expected, it has become the most remembered version of the song.
[14] James followed that up with "Trust in Me", which also included string instruments.
[13] Later that same year, James released a second studio album,
The Second Time Around.
The album took the same direction as her previous album, covering many
jazz and pop standards, and using strings on many of the songs spawning
two hit singles, "The Fool That I Am" and "Don't Cry Baby".
[17]
James started adding gospel elements in her music the following year
releasing "Something's Got a Hold on Me", which peaked at number four on
the R&B chart and was also a top 40 pop hit.
[18]
That success was quickly followed by "Stop the Wedding", which reached
number six on the R&B charts and also had gospel elements.
[14] In 1963, she had another major hit with "Pushover" and released the live album
Etta James Rocks the House, which was recorded at the New Era Club in
Nashville, Tennessee.
[13]
After a couple years scoring minor hits, James' career started to
suffer after 1965. After a period of isolation, James returned to
recording in 1967 and reemerged with more ballsy R&B numbers thanks
to her recording at the legendary Fame Studios in
Muscle Shoals, Alabama releasing her comeback hit "Tell Mama", which was co-written by
Clarence Carter
and Paul C Saenz, and reached number ten R&B and number twenty
three pop. An album of the same name was also released that year and
included her take of
Otis Redding's "
Security".
[19] The
B-side of "Tell Mama" was "
I'd Rather Go Blind", which became a blues classic in its own right and was recorded by many other artists. She wrote in her autobiography
Rage To Survive that she heard the song outlined by her friend Ellington "Fugi" Jordan when she visited him in prison.
[20]
According to her account, she wrote the rest of the song with Jordan,
but for tax reasons gave her songwriting credit to her partner at the
time,
Billy Foster.
Following this success, James became an in-demand concert performer
though she never again reached the heyday of her early to mid-1960s
success. She continued to chart in the R&B Top 40 in the early 1970s
with singles such as "Losers Weepers" (1970) and "I Found a Love"
(1972). Though James continued to record for Chess, she was devastated
by the death of Chess founder Leonard Chess in 1969. James ventured into
rock and
funk with the release of her self-titled album in 1973 with production from famed rock producer
Gabriel Mekler, who had worked with
Steppenwolf and
Janis Joplin,
who had admired James and had covered "Tell Mama" in concert. The
album, known for its mixtures of musical styles, was nominated for a
Grammy Award.
[19] The album did not produce any major hits, neither did the follow-up,
Out On the Street Again, in 1974, though like
Etta James before it, the album was also critically acclaimed. James continued to record for Chess releasing two more albums in 1978,
Etta Is Betta Than Evah and
Deep in the Night, which saw the singer incorporating more rock-based music in her repertoire.
[13] That same year, James was the opening act for
The Rolling Stones and also performed at the
Montreal International Jazz Festival.
Following this brief success, however, she left Chess Records and did
not record for another ten years as she struggled with drug addiction
and alcoholism.
Later career: 1988–2012
Though she continued to perform, little was heard of Etta James until 1987 when she was seen performing "
Rock & Roll Music" with
Chuck Berry on his "
Hail! Hail! Rock 'n' Roll" documentary. In 1989, James signed with
Island Records and released the album
Seven Year Itch. The album was produced by
Barry Beckett. She released a second album, also produced by Barry Beckett, in 1989 titled
Stickin' to My Guns. Both albums were recorded at FAME Studios.
[19] Also in 1989 James filmed a live concert from the Wiltern Theater in Los Angeles with
Joe Walsh and
Albert Collins, "
Jazzvisions: Jump The Blues Away". Backing musicians consisted of many top-flight players from LA: Rick Rosas (bass);
Michael Huey
(drums); Ed Sanford (B3); Kip Noble (piano); and Etta's longtime guitar
player Josh Sklar (guitar). James participated in rap singer
Def Jef for the song "Droppin' Rhymes on Drums", which mixed James' jazz vocals with hip-hop. In 1992, James released
The Right Time produced by
Jerry Wexler on
Elektra Records and the following year, James was inducted into the
Rock and Roll Hall of Fame.
[10] James signed with
Private Music Records in 1993 and recorded the
Billie Holiday tribute album
Mystery Lady: Songs of Billie Holiday.
[18] The album later set a trend for James' music to incorporate more jazz elements.
[13] The album won James her first Grammy Award for
best jazz vocal performance in 1994. In 1995, she released the David Ritz-co authored autobiography,
A Rage to Survive, and recorded the album
Time After Time. Three years later she issued the Christmas album
Etta James Christmas in 1998.
[13]
By the mid-1990s, James' earlier classic music was included in commercials including, most notably, "
I Just Wanna Make Love to You". Due to exposure of the song in a UK commercial, the song reached the top ten of the UK charts in 1996.
[10] Continuing to record for Private Music, she released the blues album
Matriarch of the Blues in 2000, which had James returning to her R&B roots with
Rolling Stone
hailing it as a "solid return to roots", further stating that the album
found the singer "reclaiming her throne — and defying anyone to knock
her off it."
[18] In 2001, she was inducted into the Blues Hall of Fame and the
Rockabilly Hall of Fame, the latter for her contributions to the developments of both rock and roll music and
rockabilly. In 2003, she received a
Grammy Lifetime Achievement Award. Her 2004 release,
Blue Gardenia, returned James to a jazz music style. Her final album for Private Music,
Let's Roll, was released in 2005 and won James a Grammy for
best contemporary blues album.
[21]
In 2004,
Rolling Stone magazine ranked her No. 62 on their list of the
100 Greatest Artists of All Time.
[22] James has performed at the top world jazz festivals in the world, such as the
Montreux Jazz Festival in 1977, 1989, 1990 and 1993,
[23] performed nine times at the legendary
Monterey Jazz Festival, and the
San Francisco Jazz Festival five times. Additionally, James often performed at free summer arts festivals throughout the United States.
In 2008, James was portrayed by
Beyoncé Knowles in the film,
Cadillac Records,
loosely based on the rise and fall of James' label of 18 years, Chess
Records, and how label founder and producer Leonard Chess helped the
career of James and other label mates, though it was noted that James
was successful prior to her signing with Chess Records.
[24]
In the film, Etta James' character is in constant search to seek the
recognition as well as love from a professional pool player named
Minnesota Fats, whom she believed to be her white biological father.
[25]
The film also portrayed "At Last" as a huge pop hit, but the single
only charted briefly when it was initially released and James had bigger
hits. It also inaccurately portrayed James and Chess [who were 21 years
apart in age] as lovers. Though James and Knowles were later seen at a
red carpet event following the film's release embracing each other,
James expressed her displeasure with Knowles at a
Seattle concert in January 2009, a few days after Knowles sang her song, "At Last", at the first
inaugural ball for
Barack Obama.
James claimed she "can't stand Beyoncé" and that Knowles would "get her
ass whipped". James later said that her remarks about Knowles were a
joke but admitted she was hurt that she was not invited to sing her song
and that she could have performed it better.
[26]
In April 2009, the 71-year-old James made her final television appearance performing "At Last" during an appearance on
Dancing with the Stars. In May 2009, James received the Soul/Blues Female Artist of the Year award from the
Blues Foundation,
the ninth time James had won the award. James carried on touring but by
2010 had to cancel concert dates due to her gradually failing health
after it was revealed that she was suffering from
dementia and
leukemia. In November 2011, James released her final album,
The Dreamer,
which was critically acclaimed upon its release. James announced that
this would be her final album. James's continuing relevance was affirmed
in 2011 when the Swedish DJ
Avicii achieved substantial chart success with the song "
Levels", which samples her 1962 song, "
Something's Got a Hold On Me". The same sample was also used by rapper
Flo Rida in his hit 2011 single "
Good Feeling." Both artists issued statements of condolence on James's death.
[27]
Style and influence
James possessed the vocal range of a
contralto.
[28]
James's musical style changed during the course of her career. When
beginning her recording career in the mid-50s, James was marketed as an
R&B and
doo-wop singer.
[13] After signing with Chess Records in 1960, James broke through as a
traditional pop-styled singer, covering jazz and pop music standards on her debut album,
At Last!.
[29] James's voice deepened and coarsened, moving her musical style in her later years into the genres of soul and jazz.
[13]
Etta James had once been considered one of the most overlooked blues and R&B musicians in
Music history of the United States.
It was not until the early 1990s, when James began receiving major
industry awards from the Grammys and the Blues Foundation, that she
began to receive wide recognition. In recent years, James was seen as
bridging the gap between rhythm and blues and rock and roll. James has
influenced a wide variety of American musicians including
Diana Ross,
Christina Aguilera,
Janis Joplin,
Bonnie Raitt,
Shemekia Copeland,
[18] and
Hayley Williams of
Paramore[30] as well as British artists
The Rolling Stones,
[31] Rod Stewart,
[32] Elkie Brooks,
[33] Amy Winehouse,
[32] Paloma Faith,
[34] Joss Stone[35] and
Adele[36], and also Belgian singer
Dani Klein.
Her song, "
Something's Got a Hold on Me", was recognized in many ways.
Brussels music act
Vaya Con Dios covered the song on their 1990 album
Night Owls. Another version, performed by
Christina Aguilera, was in her 2010 film
Burlesque; and in 2011 the song was sampled in
Avicii's dance hit, "
Levels", and again in
Flo Rida's single, "
Good Feeling".
Personal life
James encountered a string of legal problems during the early 1970s
due to her heroin addiction. She was continuously in and out of
rehabilitation centers, including the
Tarzana Rehabilitation Center,
in Los Angeles, California. Her husband Artis Mills, whom she married
in 1969, accepted responsibility when they were both arrested for heroin
possession and served a 10-year prison sentence.
[37] He was released from prison in 1981 and was still married to James at her death.
[18]
She was also arrested around the same time for her drug addiction,
accused of cashing bad checks, forgery and possession of heroin.
[38]
In 1974, James was sentenced to drug treatment instead of serving
time in prison. She was in the Tarzana Psychiatric Hospital for 17
months, at age 36, and went through a great struggle at the start of
treatment. In her autobiography, she said that the time she spent in the
hospital changed her life. However, after leaving treatment, her
substance abuse continued after she developed a relationship with a man
who was also using drugs. In 1988, at the age of 50, she entered the
Betty Ford Center, in
Palm Springs, California, for treatment.
[18] In 2010, she received treatment for a dependency on
painkillers.
[39]
James had two sons, Donto and Sametto. Both started performing with
their mother in 2003—Donto on drums and Sametto on bass guitar.
[40]
Illness and death
James was hospitalized in January 2010 to treat an infection caused by
MRSA,
a bacterium that is resistant to most antibiotic treatments. During her
hospitalization, her son Donto revealed that James had been diagnosed
with
Alzheimer's disease in 2008, and attributed her previous comments about
Beyoncé Knowles to "drug induced
dementia".
[41]
She was diagnosed with
leukemia
in early 2011. The illness became terminal and she died on January 20,
2012, just five days before her 74th birthday, at Riverside Community
Hospital in
Riverside, California.
[42] Her death came three days after that of
Johnny Otis, the man who discovered her in the 1950s. Additionally, just 36 days after her death, her sideman
Red Holloway also died.
The funeral, presided by
Reverend Al Sharpton, took place in
Gardena, California eight days after her death. Singers
Stevie Wonder and
Christina Aguilera each gave a musical tribute.
[43][44] She was interred at Inglewood Park Cemetery in Los Angeles County, California.
Awards
From 1989, James received over 30 awards and recognitions from eight different organizations, including the
Rock and Roll Hall of Fame and Museum and the
National Academy of Recording Arts and Sciences which organizes the
Grammys.
In 1989, the newly formed
Rhythm and Blues Foundation
included James in their first Pioneer Awards for artists whose
"lifelong contributions have been instrumental in the development of
Rhythm & Blues music".
[45] The following year, 1990, she received an
NAACP Image Award, which is given for "outstanding achievements and performances of people of color in the arts";
[46] an award she cherished as it "was coming from my own people".
[47]
Grammys
The
Grammy Awards are awarded annually by the
National Academy of Recording Arts and Sciences. James has received six Grammy Awards. Her first was in 1994, when she was awarded Best Jazz Vocal Performance for the album
Mystery Lady, which consisted of covers of
Billie Holiday songs.
[51] Two other albums have also won awards,
Let's Roll (Best Contemporary Blues Album) in 2003, and
Blues to the Bone (Best Traditional Blues Album) in 2004. Two of her early songs have been given
Grammy Hall of Fame Awards for "qualitative or historical significance": "At Last", in 1999,
[52] and "
The Wallflower (Dance with Me, Henry)" in 2008.
[53] In 2003, she was given the
Grammy Lifetime Achievement Award.
[54]
Blues Foundation
The members of the Blues Foundation, a non-profit organization set up in
Memphis, Tennessee, to foster the blues and its heritage,
[55] have nominated James for a
Blues Music Award
nearly every year since its founding in 1980; and she received some
form of Blues Female Artist of the Year award 14 times since 1989,
continuously from 1999 to 2007.
[56] In addition, the albums
Life, Love, & The Blues (1999),
Burnin' Down The House (2003), and
Let's Roll (2004) were awarded Soul/Blues Album of the Year,
[56] and in 2001 she was inducted into the
Blues Hall of Fame.
[51]
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