/ Stars that died in 2023

Wednesday, June 18, 2014

Mila Parély, French actress, died she was 94.


Mila Parély was a French actress of Polish ancestry best known for the roles of Belle's sister in Jean Cocteau's La Belle et la Bête and as Geneviève in La Règle du jeu died she was 94..[1] She gave up acting in the late 1950s in order to take care of her race-car driving husband Taso Mathieson, who had been injured in an accident.[1]

  (7 October 1917 – 14 January 2012)

She also worked with such notable directors as Max Ophüls, Robert Bresson, Fritz Lang and G.W. Pabst. She returned to acting briefly in the late 1980s. Mila Parély died on 14 January 2012, aged 94, in Vichy, where she had spent the last fifty years of her life.[1]

Filmography



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Lasse Kolstad, Norwegian actor, died he was 90.

Lars "Lasse" Kolstad  was a Norwegian actor and singer  died he was 90.. Active from the 1940s, he was known from many stage roles, but primarily as "Tevye" in Fiddler on the Roof.

(10 January 1922 – 14 January 2012)

As a secondary school student, Kolstad was president of the graduating class (russ) council of his school, and eventually for all of Oslo. As this was in 1940, the German occupation of Norway put a damper on any great festivities that year.[2] In 1943 he had his début at Trøndelag Teater, where he remained until 1949. He has later worked at Centralteatret, Edderkoppen, Riksteatret, Fjernsynsteatret og Det Norske Teatret.[3] He has had roles in plays by Ibsen, Shakespeare and Sophocles, and musicals such as Zorba and The Threepenny Opera.[4] His best-known character though, was "Tevye" in Fiddler on the Roof, a role Kolstad played 400 times.[5]
Kolstad also had various roles in movies and on television, and still took on occasional roles after his retirement. In 1958 he took part in the documentary Windjammer about the full rigged ship Christian Radich. He played the title role in the television series Skipper Worse (1968), based on the novel by Alexander Kielland, and was a Viking in the American movie The Island at the Top of the World (1974).[6]
Kolstad was married to the actress Bab Christensen; they lived in Oslo and had one child.[4] His older brother Henki, who died in 2008, was also a well-known actor.

Select filmography

Year Title Role Notes
1951 Dei svarte hestane Peasant boy
1958 Windjammer: The Voyage of the Christian Radich Himself
1961 Hans Nielsen Hauge Constable Ole Nielsen
1961 Bussen Lars
1968 Skipper Worse Skipper Worse TV
1973 Kanarifuglen Chief of personnel
1974 The Island at the Top of the World Erik
1974 Bortreist på ubestemt tid Martin
1975 Fru Inger til Østråt Olav Skaktavl
1979 Olsenbanden og Dynamitt-Harry mot nye høyder Roy
1981 Fleksnes fataliteter Chief of police TV, 1 episode
1994 The Julekalender Narrator
1996 Sånt är livet Norwegian priest
2003 Olsenbanden Junior går under vann Rudolf Bollerud
2007 Kodenavn Hunter Vice patrol TV, 1 episode



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Pearse Hutchinson, Irish broadcaster and writer, member of Aosdána, died he was 84.


Pearse Hutchinson was an Irish poet, broadcaster and translator died he was 84..

(1927 – 14 January 2012)

Childhood and education

Hutchinson was born in Glasgow. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, was Sinn Féin treasurer in Glasgow and was interned in Frongoch in 1919-21. His mother, Cathleen Sara, was born in Cowcaddens, Glasgow, of emigrant parents from Donegal. She was a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera found work in Dublin for Harry as a clerk in the Labour Exchange, and later he held a post in Stationery Office.
Pearse was five years old when the family moved to Dublin, and was the last to be enrolled in St. Enda's School before it closed. He then went to school at the Christian Brothers, Synge Street where he learnt Irish and Latin. One of his close friends there was the poet and literary critic John Jordan. In 1948 he attended University College Dublin where he spent a year and a half, learning Spanish and Italian.

Travels overseas

Having published some poems in The Bell in 1945, his poetic development was greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brought him into contact for the first time with the culture of Galicia. Later, in Andalusia, he was entranced by the landscape and by the works of the Spanish poets Lorca, Prados and Cernuda: "That early September of 1950," he would later write, "the light walked for me as it never had before, and I walked through the light I'd always longed for".[1]
In 1951 he left Ireland again, determined to go and live in Spain. Unable to get work in Madrid, as he had hoped, he travelled instead to Geneva, where he got a job as a translator with the International Labour Office, which brought him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend led to a visit to the Netherlands, in preparation for which he taught himself Dutch.
He returned to Ireland in 1953, and he became interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh, and published a number of poems in Irish in the magazine Comhar in 1954.
The same year he travelled again to Spain, this time to Barcelona, where he learnt the Catalan and Galician languages, and got to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organised a reading of Catalan poetry in the British Institute.
He went home to Ireland in 1957 but returned to Barcelona in 1961, and continued to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner led to the publication of his first book, a collection of thirty of Carner's poems in Catalan and English, in 1962. A project to publish Hutchinson's translation of Espriu's La Pell de brau (The Bull-skin), fell through some years later. Some of the poems from this project are included in the collection Done Into English.

Return to Ireland

In 1963, his first collection of original poems in English, Tongue Without Hands (the title a quotation from the Spanish epic El Cid), was published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, Hutchinson returned to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), was published. Expansions, a collection in English, followed in 1969. Friend Songs (1970) was a new collection of translations, this time of medieval poems originally written in Galaicoportuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, came out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson took up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There was some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. Hutchinson held tenure at the University for three years, and during that time contributed to the University's influential poetry magazine Poetry & Audience; one edition of the magazine, devoted entirely to his poetry, was published as a limited edition.[2]
From 1977 to 1978 he compiled and presented Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland's national network, RTÉ. He also contributed a weekly column on the Irish language to the station's magazine RTÉ Guide for over ten years. 1981 saw the publication of another translated collection: this time a collaboration with Melita Cataldi, of Old Irish lyrics into Italian. Another collection in English, Climbing the Light (1985), which also included translations from Irish, Italian and Galician, was followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) was a selection of his Irish poems translated into English. His most recent English collection was Barnsley Main Seam (1995); the long title poem celebrates the splendours of York Minster, and is a homage to the manual workers of the world.
His Collected Poems were published in 2002 to mark his 75th birthday. This was followed in 2003 by Done Into English, a selection of many of the translated works he produced over the years; it contains translations of more than sixty poets from over a dozen languages or dialects, including Catalan, Italian, Dutch, Milanese and Irish. 'Every poem in this book has been translated because I liked it', he explained.
A co-editor and founder of the literary journal Cyphers, he received the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he received a cnuas (stipend) to allow him to go on writing. He has described this as "a miracle and a godsend": "I was fifty-four when I was invited to become a member and frankly I was at the end of my tether. I might have carried on, but I would have been in the gutter because I would have been evicted or I would have gone mad or killed myself or both."[3] A two-day symposium of events was held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt.[4]
In his most recent collection, At Least For A While (2008), which was shortlisted for the Poetry Now Award, he comments on the replacement of the traditional symbolism of Ireland with the Celtic Tiger: "Music and a small plant/ we had for emblems once./ Better, surely,/ than lion or eagle./ Now our proudest boast/ is a dangerous beast of prey."[5] He lived in Rathgar, Dublin, and died on 14 January 2012.

Critical opinion

Hutchinson's 'unique achievements resist neat classification', writes Michael Kenneally. 'When he writes of privilege and opportunism Hutchinson leaves no aftertaste of self-righteousness'.[6] The Irish Times has described him as 'one of Ireland's most inventive, instructive, and perennially newsworthy poets. ... His poems are often short, they can appear delicate on the page, and they sometimes seem to record glimpses or passing glances, but they always embody and, at their best, articulate Hutchinson's desire for what he once called "true gentleness".'[7]

Death

He died in 2012.[8]

Works

  • Josep Carner: Poems (Oxford, The Dolphin Press, 1962)
  • Tongue Without Hands (Dublin, The Dolmen Press, 1963)
  • Faoistin Bhacach (Baile Átha Cliath, An Clóchomhar, 1968)
  • Expansions (The Dolmen Press, 1969)
  • Watching the Morning Grow (Dublin, The Gallery Press, 1972) ISBN 0-904011-00-3
  • The Frost is all Over (The Gallery Press, 1975) ISBN 0-902996-34-7
  • Selected Poems (Oldcastle, Co Meath, The Gallery Press, 1980) ISBN 0-904011-28-3
  • Climbing the Light (The Gallery Press, 1985) ISBN 0-904011-86-0
  • The Soul that Kissed the Body: Selected Poems in Irish with translations into English (Dublin, The Gallery Press, 1990) ISBN 1-85235-060-1
  • Le Cead na Gréine, (An Clóchomhar, 1992)
  • Barnsley Main seam (The Gallery Press, 1995) ISBN 1-85235-155-1
  • Collected Poems (The Gallery Press, 2002) ISBN 1-85235-312-0
  • Done Into English: Collected Translations (Dublin, The Gallery Press, 2003) ISBN 1-85235-315-5
  • At Least For A While (The Gallery Press, 2008) ISBN 1-85235-448-0
  • Mooie rode zijden liefde/Beautiful red silk love, bilingual: English/Dutch, translators: Joris Iven and Peter Flynn (Demer Press, ePublisher, Belgium, 1st ed. 2010, 2nd ed. 2012) ISBN 978-90-813070-9-3

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Robbie France, British drummer (Skunk Anansie, Diamond Head, UFO), died from ruptured aorta he was 52.

Robbie France was an English drummer, producer, arranger, journalist, music educator, and broadcaster died from ruptured aorta he was 52..


(5 December 1959 – 14 January 2012) 

Early life and career: Australia

France was born in Sheffield,[1] and emigrated to Australia around 1970. He studied at the National Academy of Rudimentary Drummers of Australia until 1974, under tutor Harry Lebler. At the age of fifteen, he began to teach at the Australian Academy of Music (1974–1975).
While living and travelling in Australia, France formed the jazz-fusion group, Carnival, performed at the Oz Jazz Festival, and supported John McLaughlin. He worked with Stevie Wright of the Easybeats, Marty Rhone, Ray Burgess, Tim Gaze, and most major Australian artists. He amassed over 1,000 television, radio, and advertising credits, including eight documentaries and four film scores, including Band on the Run, one of the most successful surfing films ever made.
While acting in commercials, for which he often co-wrote the music, he met David Bentley, who would become his mentor and idol. 'It was a gas! Got a call from David's wife, Lena, be at the Journalists' Club at the Twelfth Night Theatre on Saturday night. That was that. So I rocked up not knowing what to expect, having heard David was a bit of a geezer, set up... he arrives, so cool man, and we just hit it off.'[citation needed] Robbie had a new outlook on life following meeting David. 'He taught me how to look at jazz in particular under a new light. I adored playing drums with him. He encouraged me to step out of myself and actually play the darn things!', he stated. 'Every night... magic. Simple as that'.[citation needed] Bentley affected France in other ways. ' He was and is a fabulous journalist, a loving father and sublime composer.'[citation needed] France recorded and performed live with Bentley. In addition, he often spent time at the Bentley's second home on Moreton Island. Bentley wrote 'In A Broken Dream' as member of Australian popstars Python Lee Jackson with Rod Stewart on vocals, which was a hit song all over the world. Twenty years later Stewart recorded a song co-written by France for the album When We Were the New Boys.

Back to England

France left Australia in 1982 to return to England, where he joined Diamond Head the following year. Part of the NWOBHM movement, they performed at Castle Donington Monsters of Rock, then went on to record their third album, Canterbury. He played on the hit single "Making Music". Despite the bitter end of Diamond Head, France had nothing but good memories of band members Sean Harris and Brian Tatler. France stated, "I was a green, rather naive kid from Brisbane who was suddenly on stage in front of 90,000 people baying for metal... they got us', referring to the new sound of DH reflected in the recordings of Canterbury. Poorly managed and seemingly drifting between genres of the music of the time, Diamond Head imploded and split."
It was at this point where France was noticed as an extraordinary player. He performed at the first triple headliner drum clinic with Simon Phillips & Steve White, worked with Motown U.K.'s C.E.O., 'Ivan Chandler's All Star Quintet' alongside Andy Hamilton (Duran Duran, Wham!, Elton John, Pet Shop Boys, Tina Turner, and more.) Also in the quintet were Spike Edney, an all round brilliant musician who was famous for being the fifth member of Queen, and Mike Ashley the Portuguese percussionist. Playing at various venues around London, including Nick Rhodes' wedding party, they were highly rated as one of the bands to see at the time.
In 1985 France toured and recorded with UFO, replacing Andy Parker. To this day Robbie has never stated his reasons for leaving the band and despite the various enquiries of gossip loving journalists, has no intention of doing so. Although Paul Gray has alluded to this, in albeit an incorrect report on his website as to why he left, France maintained his respect for the vocal ability of Phil Mogg stating, 'Phil was a monster! He could sing all day non stop, giving 120% of his considerable talent, go home, write more lyrics, sleep for a couple of hours and do the same the next day...and the day after. He's a one-off'
Leaving UFO in 1986, he formed One Nation with Kipper (now Sting's producer). France stated, 'Kipper is a true genius [sic?]. That's such an overused cliche in our business, but with Kip it's clear he knew he was special and eventually he proved to everybody he was right. I loved him then... and I still do.' They worked together at Tony Visconti's studio in Soho, London on a fabulous array of recordings. One Nation were being managed by Bill Lawrie, a well-known figure in the music trade. But the crunch came when France's wife, Annette, (a well-known session singer, who was part of the band's set up and who now is back in Australia), was asked to leave One Nation and he felt compelled to leave with her.
By now France was also teaching in drum clinics all over the world, from Australia to Scotland, usually on behalf of the Avedis Zildjian cymbal company.
He set up a teaching studio in Kingston upon Thames, where he worked with Gary O'Toole, Hugo Degenhardt, Gary Wallis, Mike + The Mechanics, Power Station, 10cc, Jean Michel Jarre[citation needed], The Style Council, Gary Ferguson, Mark Price, Tim Burgess, even touring through Europe & the U.K. with Tim, as support act with Ellis, Beggs & Howard. Mark Brzezicki, who had an informal student/teacher relationship with Robbie, consisting of friendly chats over the phone(as many other leading drummers did), Chris Halford and a host of other top drummers, helping them with their technique. He would quite often lay down the touring bag one night and start work teaching the very next day. France had started writing for magazines in Australia, at the age of fifteen. During 1987, he began his acclaimed monthly column for the popular British drummer's magazine Rhythm.
In 1987 France joined Ellis, Beggs, & Howard (E.B.H.), whose first single, "Big Bubbles No Troubles", won the Diamond Award for best new group. This was France's favourite band. It consisted of Simon Ellis, Nick Beggs, formerly with 1980s pop group Kajagoogoo, Austin Howard, who is currently writing for Joss Stone, and Paul Harvey of Prefab Sprout. They were described by one Scandinavian journalist as the world's best live band, and Austin Howard was constantly referred to as the black Mick Jagger.[citation needed] Although Robbie had difficulties with Simon Ellis at first, ' He used to make me play exactly what he'd recorded on the demo tapes for the album, vis a vis 16ths on hi hats here, crash cymbal there, it was an incredibly steep learning curve as far as understanding music programming went'. He recently told a Spanish newspaper, ' Working with Simon was a unique experience. Look at his gear in those days on YouTube and you can see where he was at.' He continued, ' Simon built a massive recording studio spec unit to tour with us. So much so, we were often accused of miming.' A point which still annoys Robbie greatly. He continues, 'The fact is that EBH could take the stage, first song, play for an entire intro and verse and time came for the sampled backing vocals to be introduced? They were all there. Together. Not one BPM (Beats per minute) out. Every night. It was like being in a very special session band every night. No mistakes. Like being in a studio with the finest musos and doing first takes, perfect...every night. Ridiculous band!' But following success in mainland Europe, it didn't translate in their native U.K.. Frustrated, unhappy and despite having recorded some masterpieces for the 'difficult second album', sadly they broke up. To this day, Robbie's biggest regret is the demise of EBH. 'We were masters of all we surveyed... and then the sun went down!' he recently told a Spanish journalist. ' Look at the videos on YouTube now, you'll see an incredible band, with an indominatable spirit, doing what they do best...playing kick ass music. Shame it didn't last'.
It was around this time that Robbie was asked to fill in for drummer Frank Tontoh with jazz saxophonist Jean Toussaint. Meeting up to open a venue called The Soho Jazz Shack, Jean asked Robbie to play with him on a more permanent basis, as he (Toussaint) had a regular slot at the fabled Dingwalls club in Camden Town on Sunday afternoons. ' Great, great band,' he told Oz Music magazine. ' Jean was blowing really good, Tony Remy on guitar, Julian Crampton on bass, what a band! It was this project that planted the seeds for the idea of his later band 'The Gab'
After E.B.H., in 1990 France joined Wishbone Ash, with whom he toured and recorded the album Strange Affair. Unfortunately, not getting along with Martin Turner, the band's bass player, he was unceremoniously dropped from Wishbone...to be replaced by one of his students, Ray Weston, leaving a very sour taste. He then joined Anxious Records' band, 'Pleasure', touring as support act to the Eurythmics. By this time, however, France felt too drained to commit to any more touring or recording work.
In 1991, after working with Simon Ellis, (East 17, D:Ream, S Club 7), and others, on the set pieces for his popular drum clinics, France returned to Australia to form a solo jazz project, 'The Gab'. Based loosely as a tribute to the jazz greats, Elvin Jones& John Coltrane, their first album was recorded at EMI Studio 301 on 28 July 1993. Also playing with Nancy Kiel, a hugely popular artiste in the gay community in Australia, forming a friendship with legendary stickman Chad Wackerman, (who often turned up to watch Robbie play at the Annandale Hotel), whom France had admired for years for his work with Frank Zappa. He could also be seen playing at The Basement, Sydney's premier jazz venue working with Feet First, a jazz funk band featuring master guitarist and writer Phil Beazley. He also returned to his youth, playing with arguably Australia's first pioneer of guitar.... Tim Gaze.
In 1994 he returned to London, ostensibly to promote the solo project where he became a founder member of Skunk Anansie and recorded and co-produced their debut album Paranoid & Sunburnt. He co-wrote the hit track "Weak", which has since been covered by Rod Stewart. He also recorded the B-side, "Army of Me", with Björk. This has since been featured (in a remix version) for the blockbuster movie, Sucker Punch directed by Zack Snyder.
France left Skunk Anansie in 1995, joining the German group Alphaville the next day. He toured and recorded with Alphaville until an accident in which he severed his Achilles tendon. He lived in Poland for over two years, hosting his own radio programme, and appearing on numerous television shows. In 1998 he moved to Puerto de Mazarron, Spain, in order to concentrate on writing his first novel.
He was successfully running Pulpo Negro Records, Pulpo Negro Publishing, Pulpo Negro Studios, GCBC Productions, with his partner, Tim Oldfield up until 2004.
He produced the award-winning Spanish bands Second, Renochild, and Blue Aliens Temple, as well as Screw Coco. He also produced, wrote, and arranged for London based artist Keke.
He produced the 'Album Of The Decade' (as voted for by the readers of influential newspaper 'La Verdad') with Oldfield. The album, 'Pose' by Second
Robbie broadcasted for a number of different radio stations in Spain over the last decade including Costa Calida International and TKO Gold. His most resent preoccupation was a return to Radio broadcasting for both Real Radio 95.6 FM in Torrevieja on the Costa Blanca and One Radio Spain on the Costa Calida, providing simulcasts between the two Costas.
Robbie wrote about his passion for sailing in a syndicated series for several newspapers and magazines. Entitled 'Cast Off', it was a very popular weekly piece throughout the expat community in Spain.
Robbie's first novel 'Six Degrees South' was published on 7 December 2011.
Robbie died 14 January 2012 in Spain. He was 52.[2]



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Dan Evins, American entrepreneur, founder of Cracker Barrel Old Country Store, died he was 76.

Danny Wood "Dan" Evins  was an American entrepreneur and founder of Cracker Barrel Old Country Store, a Southern-themed restaurant chain . As of January 2012, Cracker Barrel had more than 67,000 employees working in more than 600 restaurants in 42 U.S. states.

(October 11, 1935 – January 14, 2012)

 
Evins was born in Smithville, Tennessee, on October 11, 1935.[1] He enlisted in the Marine Corps and attended Auburn University.[1] Evins also worked as an aide for his uncle, U.S. Rep. Joseph L. Evins, before taking a position with his family's oil company.[1]
Evins founded Cracker Barrel in 1969 while he was working for Shell Oil.[2] He opened the first restaurant in Lebanon, Tennessee, on Tennessee State Route 109.[2] He borrowed $40,000 to construct the first Cracker Barrel, which turned a profit just one month after opening.[3]
Evins was the Chief Executive Officer (CEO) of Cracker Barrel from 1969 to 2001.[2] He served as the chairman of Cracker Barrel from 2001 until his retirement in 2004.[2]
Dan Evins died on January 14, 2012, at his daughter's home in Lebanon, Tennessee, at the age of 76.[1]


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Janey Buchan, Scottish politician, MEP for Glasgow (1979–1994),died she was 85.

Janey Buchan was a Scottish Labour Member of the European Parliament (MEP) for the Glasgow constituency from 1979 to 1994 when she retired from the post aged 67 died she was 85..[1]

(30 April 1926 – 14 January 2012)


Janey Kent was born in Glasgow, a city where her father was a tram driver, and her mother was a domestic servant. She left school at the age of 14, and worked as a typist. In 1946, at the age of 19 she married Norman Buchan, a schoolteacher who later became Labour Member of Parliament (MP) from 1964 for West Renfrewshire and latterly Paisley South. He died in 1990.
She attended commercial college and was a councillor on Strathclyde Regional Council from 1974 to 1979, when she was first elected to the European Parliament in the first elections, in 1979. As an MEP she sat on the European Parliament's Culture Committee as well as being involved in the Scottish Arts Council and Scottish Gas Consumers Council. She was life president of the leading Scots gay organisation Outright Scotland.[citation needed]
Her lifetime of activity encompassed many fields. She helped run the People's Festival in 1949-52 during the Edinburgh Festival; the events helped create the Edinburgh Festival Fringe. As a Glasgow city councillor, she organised the first charity Christmas card sales in the UK. As a member of the council's arts committee she was instrumental in providing funding for the first films made by Bill Forsyth, who went on to direct major UK and Hollywood films including Local Hero.[citation needed]

Death

Buchan died in Brighton, East Sussex. She was survived by her brother, Enoch Kent; her son Alasdair (a journalist), four grandchildren and one great-grandson.


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Tuesday, June 17, 2014

Andrzej Krzysztof Wróblewski, Polish journalist,died he was 76.


Andrzej Krzysztof Wróblewski was a Polish journalist ,died he was 76..

(2 July 1935 – 13 January 2012)

Wróblewski worked for many years at Polityka,[1] which he left in 1982, and for the Trójka radio station.[2] After the end of the Martial law in Poland, he was editor of Gazeta Bankowa[citation needed]. He returned to Polityka in 1996[citation needed].
Wróblewski retired in 2004.


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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...