Hermann Guggiari was a Paraguayan
engineer and
sculptor died he was 87..
[1]
(20 March 1924 – 1 January 2012)
Childhood and youth
Guggiari was born in
Asunción,
Paraguay the son of
Pedro Bruno Guggiari, who served as mayor of Asunción, and of Ana Brun. He did his elementary and high school in the
San Jose School, in Asunción and his engineering studies as well as his sculpture studies in
Buenos Aires, in the Escuela Superior de Bellas Arte “ Ernesto de la Carcova”, an institution in which, in contact with
Libero Baadi,
Alicia Peñalba,
Lucio Fontana and
Curatella Manes, he learned to value the advanced art of the time.
His liberal and democratic ideas gained him the exile after the
bloody civil war of 1947 to 1954 - and the cultural marginal as well as
the imprisonment in several occasions during the dictatorship of
Alfredo Stroessner.
Due to the lack of a National Plastic Art Place in Paraguay, he
annually from 1970 to 1995 fairs and expositions in Christmas time, in
the “Bosque de los artistas”, in his own property. The fair of “EL
BOSQUE” was with the time, an obligatory gathering of the artistic
production, reaching a number of 250 participants in the last ones.
History and works
Guggiari's body of work is large and has won prizes. Some have
freedom as the central theme: ”Hungria o Libertad“, which received a
special mention in the V Bienal of
San Paulo
(1959); ”Kennedy”, which obtained the first prize in sculpture in the
Salon Esso of Young Artist of Latin America, organized by the
OEA
(1965): ”Rejas”, inspired in the prisons of the Stronist dictatorship;
”NNUU”, a seven meters structure, which is located at the entrance of
the
Dachau concentration camp (
Germany)
and symbolizes the United Nations in a form near the building of the
NNUU,with perforations as wounds in two fronts-United Nations as a name,
because the violence of the world continues-and as a sign of hope in
each hole of the violence, a nest of real pigeons as a murmur of peace
(199).
Another theme is the vital, between to be and stop being. In this
line there is ”Parto”, with a message of transcendence despite the pain,
”Inmanencia”, and “Del polvo eres y polvo seras”.
As a homage to the dreams that did not come true, what could not be, he carved “Ara rupi a” about which
Livio Abramo
said once at the presentation: ”Because of the capacity of adapting is
deep artistic sensibility to the spirit of this time, Hermann B.
Guggiari has a special place in the plastic art of Paraguay and the
continent. His art is complex, absorbing all technical possibilities of
our culture and civilization and he fuses them as his instrument in
order to express the fundamental values of men.”
“Brote”, an homage to his father, mayor of the city of Asunción who
planted trees and created the green spaces of the city, is a sculpture
inscribed within his optimistic themes. ”Historia”, presented at the
Expo 92 in
Sevilla,
was selected by the organizers of the world event to be exposed at the
entrance of the “Pabellon de las Americas”. His moral theme appeared in
his “Cristo“, whose original is at the entrance of the church La
Crucecita, in the Sajonia neighborhood, in Asunción. A copy of this work
was presented at the X Bienal of São Paulo (1971) and obtained the
Golden Medal; regarding this successful participation the critic
Arnold Kohler, from
Switzerland, said in the newspaper
Tribune de Geneve:
” There are two artist in the Bienal of Sao Paulo, both sculptors, who
having followed different steps, one figurative and the other abstract,
have reached a high perfection and spirituality. The first one, Hermann
Guggiari, Paraguayan-created a form of an angel emerging from the wall, a
dramatic and sublime work.“
He is also the author of other “Cristos“, associated to the
ecological area, such as the one in the temple of Maria Auxiliadora, of
Asunción, and the “Cristo clavado por los troncos quemados”, of the few
remaining woods in Paraguay. Within this subject, he made in the
streets, in the second Bienal of
Medellin (
Colombia),
the “Cross” of Medellin, as an homage to the Colombian Christian
martyrs. Another “Cruz ametrallada” made as an homage to the Christian
country men of the agro leagues, murdered during the dictatorship of
Stroessner. “Proceso” deserves special mention atemporal multispacial,
with an integration of films, photos, sound, made with machine guns and
used several times as “Cruz”.
On sustained development he presented in the university city of
Fort Hays,
Kansas,
United States, a sculpture symbolizing the development of this state as the world granary. (1980)
“Gaviota” (1982) is a sculpture presented in
Punta del Este (
Uruguay)
in a mixed exposition of sculptors of Latin America, in the Playa
Brava; it's a protest against the death of the coast birds due to the
black ties produced by the petrol pollution.
He also made a monument to “Periodista martir Santiago Leguizamon“
(1991), located on the street with the name of the press man, victim of
murder bullets. In 1994 he made a “Homenaje a Miro” in an international
congress in
Panama.
Other sculptures of his are monument to “A los heroes del CHACO” in
the harbour of Asuncion, the image of “Maria Auxiliadora”, of 8,5
meters, made in stainless steel, and the monument of “Exalumnos del
Colegio San Jose muertos en la Guerra del Chaco”, made in quebracho
wood.
He was a member of various international juries, co-founder of Centro
de Arte Moderno de Asuncion, founder and first president of the Centro
de Escultores del Paraguay, founder of the Movimiento Ecologico
Paraguayo (1990). In 1995 he was condecorated by the Paraguayan
government with “the national merit order “, as a Commendatore. He was
married to Deidamia Banks, was the father of eight children, four of
whom keep the family spark of love to beauty in the center “Guggiari
Arte”.
References
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