/ Stars that died in 2023

Wednesday, June 4, 2014

Eleanor Ross Taylor, American poet, died she was 91.


Eleanor Ross Taylor was an American poet who published six collections of verse from 1960 to 2009 died she was 91..[1][2][3] Her work received little recognition until 1998, but thereafter received several major poetry prizes. Describing her most recent poetry collection, Kevin Prufer writes, "I cannot imagine the serious reader — poet or not — who could leave Captive Voices unmoved by the work of this supremely gifted poet who skips so nimbly around our sadnesses and fears, never directly addressing them, suggesting, instead, their complex resistance to summary."[4]


(June 30, 1920 – December 30, 2011)


Biography

Eleanor Ross was born in rural North Carolina in 1920. She enrolled at the Woman's College of the University of North Carolina, now the University of North Carolina at Greensboro, where she studied with the poets Allen Tate and Caroline Gordon.[5] She graduated in 1940, and worked for a time as a high school English teacher. With the recommendation from Allen Tate, she was admitted to Vanderbilt University for master's work with Donald Davidson. There in 1943 she met Peter Taylor, whom she married after a six-week courtship, having broken off her engagement to another man.[1][2] Panthea Reid has written of their marriage, "Like most women of her generation, Eleanor Ross assumed that marriage and a career were incompatible. Despite precocious beginnings, therefore, Eleanor Ross largely ceased to write when she married the major short story writer and novelist, Peter Taylor. Perhaps she did not want to compete with her husband; certainly she was too busy to follow a dedicated writing regime. She served as wife, mother, housekeeper, hostess, letter-writer, and also family packer, as Peter Taylor nomadically moved from one to another writer-in-residence post."[6]

Poetry

In the 1950s, Peter Taylor was teaching at the University of North Carolina at Greensboro, along with the poet Randall Jarrell. Eleanor Taylor had been writing poems for some time, and Jarrell became her critic and sponsor.[5] In 1960, her first poetry collection, A Wilderness of Ladies, was published; Panthea Reid has speculated that Jarrell "probably was behind the publication of Eleanor Taylor's first collection of poems",[6] and Jarrell wrote an introduction for the volume.[7] This first volume received a middling review from Geoffrey Hartman, who wrote, "That every poem is like to every other is not a fault, at least not in this volume. It is the price Mrs. Taylor pays for achieving a style with her first book. There is, miraculously, no pastiche. The fault I do find is related to her wish to write directly from the middle of other minds."[8]
In 1972, her second book of poetry, Welcome Eumenides, was published by George Braziller, Inc.; Richard Howard, a poet who was then editing the Braziller poetry series, wrote a foreword for the volume.[9] In her New York Times review, the poet Adrienne Rich commented that, "What I find compelling in the poems of Eleanor Taylor, besides the authority and originality of her language, is the underlying sense of how the conflicts of imaginative and intelligent women have driven them on, lashed them into genius or madness, ...".[10]
Taylor's third collection, New and Selected Poems (1983), was published by a small press run by Stuart T. Wright,[11] and apparently received very little distribution.[12] Her next collection, Days Going, Days Coming Back (1991), was chosen by Dave Smith for the University of Utah Press poetry series. In his review of this volume, Richard Howard summarized Taylor's poetry, "Eleanor Ross Taylor devised, in her startling first poems over thirty years ago, and practices still, for all the modesty of her address, a tough modernist poetics of fragmentation and erasure, the verse rarely indulging in recurrent pattern or recognizable figure, the lines usually short and sharp in their resonance, gists and surds of a discourse allusive to the songs and sayings of a largely southern community dispersed among Virginia, North Carolina, Tennessee, and Florida and readiest (or at least, most eloquent) to speak in the tongues of remembered or imagined Others."[12]
Dave Smith subsequently selected both of Taylor's ensuing collections, Late Leisure: Poems (1999) and Captive Voices: New and Selected Poems, 1960–2008 (2009), for the "Southern Messenger" poetry series of the Louisiana State University Press.[13]

Affinities and influences

Taylor's originality has been emphasized by several critics writing of her work; thus Lynn Emanuel writes of Captive Voices, "It is a complex and unexpected convergence of the influences of modernism and a wholly original, native genius. Reading it one suddenly realizes that one is in the presence of an American classic."[14] In a 2002 interview with Taylor, Susan Settlemyre Williams proposed Emily Dickinson, Marianne Moore, and Elizabeth Bishop as possible influences, but Taylor herself acknowledged Edna St. Vincent Millay as the poet she had read enthusiastically as a student, and who had "made me feel that poetry was contemporary and could relate to me right now, in the way that you know that all those wonderful heroines of poetry and heroes do, ...".[5]

Taylor's "southernness"

Erika Howsare discerns a regional quality to Taylor's verse. She associates Taylor with "a literary circle that includes figures such as Randall Jarrell, Robert Lowell, and Robert Penn Warren" and writes, "The southernness of her background makes her tend to rein in her formidable intellect and biting wit with an uneasy deference to form and convention. This tension may be witnessed in her use of both metrical and nonmetrical lines. Just when the organization of her poems seems on the verge of wavering, she returns to the restraint with which most of them begin."[15]
Eric Gudas writes, "The importance of region in Taylor's work simply cannot be overstated. These poems are grounded in the consciousness of a woman whose familiarity with Southern history, culture, and landscape is profound."[16] Gudas discerns a tension that "has everything to do with the history of white women in the male-dominated, white supremacist South; and it is embodied in the music and rhythms of the poems, wherein a restrained, almost genteel tone is shot through with "a passion always threatening to go undisciplined with the characteristic intensity of her native South" (in the aptly worded jacket copy of her last book)." He illustrates his point with a close reading of Taylor's poem, "Retired Pilot Watches Plane":
...the speaker observes her suburban neighbor on an early morning dog-walk "…stopped / midstreet looking up / The early NY flight / slowing for coming in:"
His head
turning with the plane a maze
of speeds and altitudes?
controls he is unleashing
there in the cockpit?
Half dizzy
I come down to
my yard yews my late
husband planted East and color
raying far no line between
earth's atmosphere
black space no oxygen

Critical studies

Jean Valentine edited a collection of essays about Taylor's poetry that was published in 2001.[17] Eric Gudas has written a doctoral dissertation about Taylor's life and poetry, and is working on a related book.[18][19]

Awards

In 1998, she was awarded the Shelley Memorial Award by the Poetry Society of America, which honors one or two poets each year "with reference to genius and need". She received the 2000 Aiken Taylor Award for Modern American Poetry, which honors a "substantial and distinguished career". In 2009, she was elected to the Fellowship of Southern Writers and was awarded the Carole Weinstein Poetry Prize. In March 2010, her volume Captive Voices: New and Selected Poems, 1960–2008 received the William Carlos Williams Award for the year's best volume of poetry from a small or a university press. On April 13, 2010 the Poetry Foundation announced that Taylor would receive the 2010 Ruth Lilly Poetry Prize, which honors poets whose "lifetime accomplishments warrant extraordinary recognition"; the prize was $100,000.[20]

Family

Eleanor and Peter Taylor had two children, Katherine Baird (b. 1947) and Peter Ross (b. 1955). Peter Taylor died in 1994. Peter Ross Taylor is a poet himself; Katherine Baird Taylor died in 2001. After many years living in Charlottesville, Virginia, Eleanor Ross Taylor last resided in Falls Church, Virginia.[21][20]

Poetry collections



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Tuesday, June 3, 2014

Vasily Starodubtsev, Russian politician, Governor of Tula Oblast (1997–2005), member of the Gang of Eight (1991), died he was 80.

Vasily Alexandrovich Starodubtsev [1] was a Soviet/Russian politician and governor of Tula Oblast from 1997 to 2005 died he was 80..[2][3] He was also one of the GKChP members during the 1991 Soviet coup d'état attempt[2] and was a leader of the Agrarian Party of Russia.

(Russian: Василий Александрович Стародубцев) (December 25, 1931, Volovchik village, Lipetsk Oblast - December 30, 2011, Novomoskovsk, Tula Oblast)

Starodubtsev graduated from Voronezh Agricultural Institute and All-USSR Correspondence Agricultural Institute. For many years he was a chairman of kolkhoz in Novomoskovsk district. Among his awards were Hero of Socialist Labour title, three Orders of Lenin, USSR State Prize, Order of the October Revolution, Order of the Badge of Honour. He had Candidate of Sciences degree in agriculture and was a corresponding member of VASKhNIL.
Starodubtsev was a member of the Federation Council of Russia (1993–96; also in 1997–2001 as a region governor) and of the State Duma (2007–11).
Starodubtsev was a member of the Communist Party of the Russian Federation.


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Doug Sellars, Canadian television executive (Fox Sports Media Group, CBC Sports), died from a heart attack he was 50.

Doug Sellars was a Canadian television executive who worked for the Canadian Broadcasting Corporation and Fox Sports died from a heart attack he was 50..

(1961 – December 30, 2011) 

Sellars, a native of Toronto, graduated from Ryerson University in 1985 and immediately went to work for CBC's Hockey Night in Canada. He was quickly promoted and produced his first Grey Cup at the age of only 27. By 1989, was in charge of all of CBC Sports productions, including several Olympic and Commonwealth Games, and went on to win multiple Gemini Awards.[1]
Sellars worked at CBC Sports as a senior executive until 2000, when he left to join Fox. He started as a producer for Fox's regional sports network and was involved with National Hockey League and other professional sports broadcasts. In August 2010, Sellars was promoted to Executive Vice President, Production and Executive Producer of the Fox Sports Media Group in Los Angeles, where he was in charge of studio and event production for Fox Sports and its specialty channels.[2][1]
Sellars was married to Barb and had two children, Tyler and Kelsey. On December 30, 2011, Sellars died at the age of 50 after suffering an apparent heart attack during a pick-up hockey game. Following his death, both Hockey Night in Canada and the NFL on Fox paid tribute to Sellars during their weekly pregame shows.[3] [2]


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Ronald Searle, British cartoonist (St Trinian's School, Molesworth), died he was 91.

Ronald William Fordham Searle CBE, RDI was a British artist and satirical cartoonist died he was 91.. He is perhaps best remembered as the creator of St Trinian's School and for his collaboration with Geoffrey Willans on the Molesworth series.

(3 March 1920 – 30 December 2011)

Biography

Searle was born in Cambridge, England, where his father was a porter at Cambridge Railway Station. He started drawing at the age of five and left school at the age of 15. He trained at Cambridge College of Arts and Technology (now Anglia Ruskin University) for two years.
In April 1939, realizing that war was inevitable, he abandoned his art studies to enlist in the Royal Engineers. In January 1942, he was stationed in Singapore. After a month of fighting in Malaya, Singapore fell to the Japanese, and he was taken prisoner along with his cousin Tom Fordham Searle. He spent the rest of the war a prisoner, first in Changi Prison and then in the Kwai jungle, working on the Siam-Burma Death Railway. Searle contracted both beri-beri and malaria during his incarceration, which included numerous beatings, and his weight dropped to less than 40 kilograms. He was liberated in late 1945 with the final defeat of the Japanese. Immediately after the war, he served as a courtroom artist at the Nuremberg trials.
He married the journalist Kaye Webb in 1947; they had twins, Kate and Johnny. In 1961, he moved to Paris, leaving his family and later marrying Monica Koenig, a painter, theatre and jewellery designer.[2] After 1975, Searle and his wife lived and worked in the mountains of Haute Provence.
Searle died on 30 December 2011, aged 91.

Early work as war artist

Although Searle published the first St Trinian's cartoon in the magazine Lilliput in 1941, his professional career really begins with his documentation of the brutal camp conditions of his period as a prisoner-of-war of the Japanese in World War II in a series of drawings that he hid under the mattresses of prisoners dying of cholera. Searle recalled, "I desperately wanted to put down what was happening, because I thought if by any chance there was a record, even if I died, someone might find it and know what went on." But Searle survived, along with approximately 300 of his drawings. Liberated late in 1945, Searle returned to England where he published several of the drawings in fellow prisoner Russell Braddon's The Naked Island. Another of Searle's fellow prisoners later recounted, "If you can imagine something that weighs six stone or so, is on the point of death and has no qualities of the human condition that aren’t revolting, calmly lying there with a pencil and a scrap of paper, drawing, you have some idea of the difference of temperament that this man had from the ordinary human being."[3]
Most of these drawings appear in his 1986 book, Ronald Searle: To the Kwai and Back, War Drawings 1939-1945.[4] In the book, Searle also wrote of his experiences as a prisoner, including the day he woke up to find a dead friend on either side of him, and a live snake underneath his head:
"You can’t have that sort of experience without it directing the rest of your life. I think that’s why I never really left my prison cell, because it gave me my measuring stick for the rest of my life... Basically all the people we loved and knew and grew up with simply became fertiliser for the nearest bamboo."
At least one of his drawings is on display at the Changi Museum and Chapel, Singapore, but the majority of his originals are in the permanent collection of the Imperial War Museum, London, along with the works of other POW artists. The best known of these are John Mennie, Jack Bridger Chalker, Philip Meninsky and Ashley George Old.

Magazines, books, and films

Searle produced an extraordinary volume of work during the 1950s, including drawings for Life, Holiday and Punch. His cartoons appeared in The New Yorker, the Sunday Express and the News Chronicle. He compiled more St Trinian's books, which were based on his sister's school and other girls' schools in Cambridge. He collaborated with Geoffrey Willans on the Molesworth books (Down With Skool!, 1953, and How to be Topp, 1954), and with Alex Atkinson on travel books. In addition to advertisements and posters, Searle drew the title backgrounds of the Sidney Gilliat and Frank Launder film The Happiest Days of Your Life.[3]
After moving to Paris in 1961, he worked more on reportage for Life and Holiday and less on cartoons. He also continued to work in a broad range of media and created books (including his well-known cat books), animated films and sculpture for commemorative medals, both for the French Mint and the British Art Medal Society.[5][6] Searle did a considerable amount of designing for the cinema, and in 1965, he completed the opening, intermission and closing credits for the comedy film Those Magnificent Men in Their Flying Machines as well as the 1969 film Monte Carlo or Bust. In 1975, the full-length cartoon Dick Deadeye, or Duty Done was released. It is based on the character and songs from H.M.S. Pinafore.[7] Animated by a number of artists both British and French, it is considered by some to be his greatest achievement, although Searle himself detested the result.

Archives

In 2010, he gave about 2,200 of his works as permanent loans to Wilhelm Busch Museum Hannover (Germany), now renamed Deutsches Museum für Karikatur und Zeichenkunst. The ancient Summer palace of George 1st, this Museum holds Searle's archives.

Awards

Searle received much recognition for his work, especially in America, including the National Cartoonists Society's Advertising and Illustration Award in 1959 and 1965, the Reuben Award in 1960, their Illustration Award in 1980 and their Advertising Award in 1986 and 1987. Searle was appointed Commander of the Order of the British Empire in 2004.[3] In 2007, he was decorated with one of France's highest awards, the Chevalier de la Légion d'honneur, and in 2009, he received the German Order of Merit.

Influence

His work has had a great deal of influence, particularly on American cartoonists, including Pat Oliphant,[8] Matt Groening,[9] Hilary Knight,[10] and the animators of Disney's 101 Dalmatians.[11]
He was an early influence on John Lennon's drawing style which featured in the books In His Own Write and A Spaniard in the Works.[12]

Bibliography

St Trinian's

  • Hurrah For St Trinians, 1948
  • The Female Approach: The Belles of St. Trinian's and Other Cartoons, 1950
  • Back To The Slaughterhouse, and Other Ugly Moments, 1951
  • The Terror of St Trinian's, or Angela's Prince Charming, 1952 (with Timothy Shy (D. B. Wyndham-Lewis))
  • Souls in Torment, 1953 (preface by Cecil Day-Lewis)
  • The St Trinian's Story, 1959 (with Kaye Webb)
  • St Trinian's: The Cartoons, 2007
  • St. Trinian's: The Entire Appalling Business, 2008

Molesworth

  • Down With Skool!: A Guide to School Life for Tiny Pupils and Their Parents, 1953 (with Geoffrey Willans)
  • How to be Topp: A Guide to Sukcess for Tiny Pupils, Including All There is to Kno About Space, 1954 (with Geoffrey Willans)
  • Whizz for Atomms: A Guide to Survival in the 20th Century for Fellow Pupils, their Doting Maters, Pompous Paters and Any Others who are Interested, 1956 (with Geoffrey Willans) Published in the U.S. as Molesworth's Guide to the Atommic Age
  • Back in the Jug Agane, 1959 (with Geoffrey Willans)
  • The Compleet Molesworth, 1958 (collection) Molesworth (1999 Penguin reprint)

Other works

  • Forty Drawings (1946)
  • White Coolie, 1947 (with Ronald Hastain)
  • This England 1946-1949, 1949 (edited by Audrey Hilton)
  • The Stolen Journey, 1950 (with Oliver Philpot)
  • An Irishman's Diary, 1950 (with Patrick Campbell)
  • Dear Life, 1950 (with H. E. Bates)
  • Paris Sketchbook, 1950 (with Kaye Webb) (repr. 1958)
  • A Sleep of Prisoners, 1951 (with Christopher Fry)
  • Life in Thin Slices, 1951 (with Patrick Campbell)
  • The Naked Island, 1952 (with Russell Braddon)
  • It Must be True, 1952 (with Denys Parsons)
  • London—So Help Me!, 1952 (with Winifred Ellis)
  • The Diverting History of John Gilpin, 1953 (text by William Cowper)
  • Looking at London and People Worth Meeting, 1953 (with Kaye Webb)
  • The Dark is Light Enough, 1954 (with Christopher Fry)
  • Patrick Campbells Omnibus, 1954 (with Patrick Campbell)
  • The Journal Of Edwin Carp, 1954 (edited by Richard Haydn)
  • Modern Types, 1955 (with Geoffrey Gorer)
  • The Rake's Progress, 1955
  • Merry England, Etc, 1956
  • Anglo-Saxon Attitudes, 1956 (with Angus Wilson)
  • The Big City or the New Mayhew , 1958 (with Alex Atkinson)
  • The Dog's Ear Book, 1958 (with Geoffrey Willans)
  • USA for Beginners, 1959 (with Alex Atkinson)
  • Anger of Achilles: Homer's Iliad, 1959 (translation by Robert Graves)
  • By Rocking Horse Across Russia, 1960 (with Alex Atkinson)
  • Penguin Ronald Searle, 1960
  • Refugees 1960: A Report in Words and Pictures, 1960 (with Kaye Webb)
  • The Biting Eye of Andre Francois (1960)
  • Which Way Did He Go?, 1961
  • A Christmas Carol, 1961 (with Charles Dickens)
  • The 13 Clocks and the Wonderful O, 1962 (with James Thurber)
  • Searle In The Sixties, 1964
  • From Frozen North to Filthy Lucre, 1964
  • Haven't We Met Before Somewhere?, 1966
  • Searle's Cats, 1967
  • The Square Egg, 1968
  • Take One Toad, 1968
  • This Business of Bomfog, 1969 (with Madelaine Duke)
  • Monte Carlo Or Bust, 1969 (with E. W. Hildick)
  • Hello, where did all the people go?, 1969
  • The Second Coming of Toulouse-Lautrec, 1969
  • Secret Sketchbook, 1969
  • The Great Fur Opera: Annals of the Hudson's Bay Company 1670-1970, 1970 (with Kildare Dobbs)[13]
  • Scrooge, 1970 (with Elaine Donaldson)
  • Mr. Lock of St. James's Street, 1971 (with Frank Whitbourn)
  • The Addict, 1971
  • More Cats, 1975
  • Dick Dead Eye, 1975 (after Gilbert and Sullivan)
  • Paris! Paris!, 1977 (with Irwin Shaw)
  • Zodiac, 1977
  • Ronald Searle, 1978
  • The King of Beasts & Other Creatures, 1980
  • The Situation is Hopeless, 1980
  • Winning the Restaurant Game, 1980 (with Jay Jacobs)
  • Too Many Songs by Tom Lehrer With Not Enough Drawings by Ronald Searle, 1981
  • Ronald Searle's Big Fat Cat Book, 1982
  • The Illustrated Winespeak, 1983
  • Ronald Searle in Perspective, 1983
  • Ronald Searle's Golden Oldies 1941 - 1961, 1985
  • Something in the Cellar, 1986
  • To the Kwai and Back: War Drawings 1939-1945 (1986)
  • Ronald Searle's Non-Sexist Dictionary, 1988
  • Ah Yes, I Remember It Well...: Paris 1961-1975, 1988
  • Slightly Foxed But Still Desirable: Ronald Searle's Wicked World of Book Collecting, 1989
  • Marquis De Sade Meets Goody Two-Shoes, 1994
  • The Tales of Grandpa Cat, 1994 (with Lee Wardlaw)
  • The Hatless Man, 1995 (with Sarah Kortum)
  • A French Affair : The Paris Beat, 1965-1998, 1999 (with Mary Blume)
  • Wicked Etiquette, 2000 (with Sarah Kortum)
  • Ronald Searle in Le Monde, 2001
  • Railway of Hell: A Japanese POW's Account of War, Capture and Forced Labour, 2002 (with Reginald Burton)
  • Searle's Cats, 2005 (New and Expanded Edition, all illustrations are new)
  • The Scrapbook Drawings", 2005
  • Cat O' Nine Tales: And Other Stories, 2006 (with Jeffrey Archer)
  • Beastly Feasts: A Mischievous Menagerie in Rhyme, 2007 (with Robert Forbes)
  • More Scraps & Watteau Revisited, 2008
  • Let's Have a Bite!: A Banquet of Beastly Rhymes, 2010 (with Robert Forbes)
  • What! Already?: Searle at 90, 2010
  • Les Très Riches Heures de Mrs Mole, 2011


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Ricardo Legorreta, Mexican architect, UIA Gold Medal recipient, died from cancer he was 80.

Ricardo Legorreta Vilchis[1] was a Mexican architect died from cancer he was 80.. He was a prolific designer of private houses, public buildings and master plans in Mexico, the United States and some other countries.[2]
He was awarded the prestigious UIA Gold Medal in 1999,[3] the AIA Gold Medal in 2000, and the Praemium Imperiale in 2011.

(May 7, 1931 – December 30, 2011)

Life and career

Ricardo Legorreta was born on May 7, 1931, in Mexico City. He studied architecture at the Universidad Nacional Autónoma de México, from where he graduated in 1953. After working for five years with José Villagrán García, he established his own office in 1963.[2]

Architectural expression

Legorreta was a disciple of Luis Barragán and carried Barragan's ideas to a wider realm.[citation needed] Barragan, in the 1940s and 1950s amalgamated tradition and the modern movement in architecture yet his work is mostly limited to domestic architecture.[citation needed] Legorreta applied elements of Barragan's architecture in his work including bright colors, play of light and shadow, and solid Platonic geometric shapes.[citation needed] One of the important contributions of Legorreta has been the use of these elements in other building types such as hotels, factories as well as in commercial and educational buildings.[citation needed] His most famous works are the Camino Real Hotel in Mexico City, the IBM Factory in Guadalajara and the Cathedral of Managua.[citation needed]

Works


Fountain in Pershing Square, Los Angeles

San Antonio Public Library, Texas, 1995


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Richard Lainhart, American artist and composer, died from complications after surgery he was 58.

Richard Lainhart was an American composer, performer, and filmmaker died from complications after surgery he was 58.. He is best known as a composer of electronic music that combines analog and digital instrumentation with extended performance techniques[1] derived from traditional acoustic instruments. Lainhart's music is particularly associated with the renaissance of modular analog synthesis,[2] and frequently performed with a Buchla 200e modular synthesizer controlled by a Haken Audio Continuum multidimensional keyboard controller.


(February 14, 1953 – December 30, 2011)

Early influences

Originally from Vestal, New York, Lainhart studied electronic music at the State University of New York (Binghamton) from 1971-1973. In 1973 he worked with director Nicholas Ray on the soundtrack to one of Ray's final films, We Can't Go Home Again, although Lainhart's score was not used in the final version. Lainhart earned his bachelor's degree in music from the State University at New York at Albany, where he studied composition and electronic music with composer Joel Chadabe and worked extensively with the Coordinated Electronic Music Studio (CEMS), at the time the largest integrated Moog modular synthesizer system in the world.[3]
While a student at Albany, Lainhart assisted and performed with many celebrated guest composers, including John Cage, David Tudor, Phill Niblock, David Behrman, Beth Anderson, Luis de Pablo, Harley Gaber, Daniel Goode, and Giuseppe Englert.
Throughout his early musical career, Lainhart mastered numerous traditional instruments in addition to his electronic explorations, playing bass in several rock bands and eventually heading the popular swing jazz ensemble, Doc Scanlon and The Rhythm Boys, performing on mallet instruments and keyboards.[4]

As Composer

In 1987, Lainhart released his first solo recording of electronic music, These Last Days for the Periodic Music CD label.[5] The music's characteristic blend of impressionist sonorities, minimalist structures and real-time performance techniques established an early reputation that spanned the worlds of ambient music, jazz, new age and the avant garde.[6] A follow-up recording, Polychromatic Integers, was prepared but remained unreleased until 2011 on the Periphery label.
Numerous recordings for CD, vinyl and the Internet followed since then, establishing Lainhart's reputation as one of the seminal American composers working in the electronic medium.[7] In all, Lainhart composed over 150 electronic and acoustic works, utilizing virtually every extension of electronic and acoustic instrumentation. In 2001, a retrospective of Lainhart's early works, 10,000 Shades Of Blue, was released on the XI label.

Later works

In 2008, Lainhart was commissioned by the Electronic Music Foundation to contribute a work to New York Soundscape. In 2009, he was one of 200 electric guitarists who performed in the US premiere of Rhys Chatham's "A Crimson Grail" at Lincoln Center in New York City. In July 2010, he performed as a featured electronic artist at Avantgarde Festival Schiphorst 2010 in Schiphorst, Germany.
As a synthesist, Lainhart has enjoyed a fruitful series of musical collaborations with celebrated Dream Theater keyboardist Jordan Rudess, including a DVD of duets entitled A Fistful Of Patchcords and several independent CDs.

Films And multimedia

Lainhart's animations and short films have been shown at festivals in the United States, the United Kingdom, Canada, Portugal, Italy, France, Spain, Germany, and Korea, and online at Souvenirs From Earth, ResFest, The New Venue, The Bitscreen, and Streaming Cinema 2.0.
His film A Haiku Setting won awards in several categories at the 2002 International Festival of Cinema and Technology in Toronto. In 2009, he was awarded a Film & Media grant by the New York State Council on the Arts for No Other Time, a full-length intermedia performance designed for a large reverberant space, combining live analog electronics with four-channel playback, and high-definition computer-animated film projection.
In January 2010, he performed as a featured live media audio-visual artist at Netmage 2010 in Bologna, Italy. In December 2010, his year-long timescape film One Year won the Deffie award for Best Experimental Film at HDFEST 2010 in Portland, OR.[8]

Discography

Solo Works

  • "These Last Days" Periodic Music CD PE-1633, 1987
  • "Ten Thousand Shades of Blue" XI Records CD XI 115, 2001
  • "White Night" Ex Ovo CD EXO1974, 2008
  • "The Luminous Air" (split with Hakobune)"Luminous Accidents", Tobira Records 10" vinyl EP, tbr 01, 2009
  • "The Course of the River" VICMOD Records CD VMD07, 2010
  • "Cranes Fly West - Limited Schiphorst Edition 2010" Ex Ovo CD, EXO004, 2010
  • "Polychromatic Integers" Periphery CD OTP2011, 2011

Compilations

  • "Red Dust" (with Signs of Life) Vacant Lot LP, 1987
  • "White Nights (Remix)""I, Mute Hummings" Ex Ovo CD EXO001, 2006
  • "Lift-off" "Galactic Hits - Musique et Science-Fiction" Vibrations Magazine #122 CD, 2010
  • "From Above" "Meditations on Light" Monochrome Vision 2-CD set, MV35, 2011
  • "Forming" "Tobira Compilation Volume 1" Tobira Records C60 cassette, tbr09, 2011

DVDs

  • A Fistful Of Patchcords (with Jordan Rudess) Airglow Music DVD AM-001, 2006

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Kim Geun-tae, South Korean politician, Minister of Health and Welfare (2004–2006), died from pneumonia and kidney failure he was 64.

Kim Geun-tae  was a democracy activist and politician of the Republic of Korea. He was born in Bucheon, Gyeonggi-do died from pneumonia and kidney failure he was 64..

(14 February 1947 – 30 December 2011)

He studied in Gyeonggi High School and entered Seoul National University and majored economics. In his college time, he began his democracy activist career against the Yushin Regime of President Park Chung-hee. He was arrested several times and served several years in prison.
Although Park Chung-hee was assassinated in 1979, the military dictatorship was succeeded by General Chun Doo-hwan in 1980. After serving full sentence, he was released. But he began to struggle against Chun's regime and founded the democracy activist group, Democratic Youth Coalation (민청련, 民靑聯) in 1983. 1985, he was arrested for profiting North Korea (which was a frequent frame-up to the democracy movement by the military government) and tortured severely for 23 days by Lee Guen An,who was an inspector of the national police.
He remembered the detail of torture and the identity of torturer, and revealed it during his trial. The government denied it at that time, but it turned out true after the military regime surrendered to the democracy movement. And Lee Geun An, who tortured Kim was wanted by the reversed political situation.
Kim was regarded as one of the most important activists in the democracy movement of the Republic of Korea and he went to politics by the recommendation of Kim Dae-jung, 1995. After Kim Dae-jung was elected the president of the Republic of Korea in 1997, he was one of candidates who could succeed Kim's presidency in the ruling party. Because of low rating, he gave up the race for presidency halfway, and supported Roh Moo-hyun, who won the presidency election in 2002. During Roh's presidency, he was a former leader of the ruling Uri Party (Now Democratic United Party), and he served as Health and Welfare Minister from 2004 to 2006. He was also member of Parliament of the Republic of Korea from 1996 until 2008.
Although his political career seemed to go well, he suffered from severe PTSD. Because of this, he refused to go to doctor or dentist, which reminded him of being tortured. Since 2006, he suffered from Parkinson's Disease, which was estimated due to the torture.
His condition got worse after 2010 to the extent that he could not attend his daughter's wedding ceremony. He collapsed from complication (brain blood thrombus) in November 2011. Kim died on 30 December 2011. He was 64.[1][2] He was buried in Moran Cemetery, Seongnam, where several notable democracy activists were buried. In 1987, he shared the Robert F. Kennedy Human Rights Award with his wife In Jae-keun.[2]
He was played by actor Park Won-sang in the film National Security (2012).


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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...