/ Stars that died in 2023

Monday, January 6, 2014

Jody Rainwater, American bluegrass musician and radio personality, died from heart disease he was 92.


Jody Rainwater aka Little Jody Rainwater (born Charles Edward Johnson,  was an American bluegrass musician and radio personality died from heart disease he was 92..[1]


(Surry County, North Carolina, 1920 — died Richmond, Virginia, December 24, 2011)


Jody Rainwater was one of thirteen children of M. Wilson and Emma Johnson. He was well known for having played bass with the The Foggy Mountain Boys. An elder brother had taken up guitar, and soon they began playing together as "Chuck and Slim, The Johnson Brothers". They played at reunions and social gatherings around the area. The brothers found themselves in High Point, North Carolina, auditioning for the new radio station WMFR which began broadcasting in 1936. They were offered a regular time slot every Thursday morning. Their father believed farm work should take priority, so they eventually cancelled their weekly show. The next big thing for The Johnson Brothers occurred at the 1937 Fourth of July Horse Show in Kernersville, North Carolina. There the brothers entered a competition for performers and won the award for "Best Individual Entertainers".[citation needed]
Rainwater decided to move to Winston-Salem. For four years he found few opportunities in music. He served in the Marines during World War II. In April 1945 he was discharged from active duty and returned to Winston-Salem, where he found work at an auto dealership. While employed there he met a local musician, Woody Hauser. The two formed the band the Blue Ridge Mountain Boys. In 1946 they helped sign on station WTOB and became a regular part of its programming. While playing for WTOB the band played a few local shows in nearby schools. It was during this time that Charles Johnson became "Little Jody". Clad in baggy pants, suspenders, and old shirts the character that would soon be made famous with Flat and Scruggs was born. Little Jody and Woody played together for almost three years. After a trip with Woody and several friends to the Grand Ole Opry, Jody determined that he would one day play the Opry. After the trip Jody and Woody were offered the chance to play during the intermission of a Bill Monroe road show in Lexington, North Carolina, which is where Rainwater first met Lester Flatt.[citation needed]
In 1948, Jody Rainwater left North Carolina for Roanoke, Virginia where he joined the Blue Star Boys. Later that year he learned that Flatt, Earl Scruggs, and others were leaving the Blue Grass Boys to form the Foggy Mountain Boys. Jody was asked to join them to handle bookings and advertising, but he decided to stay in Roanoke. In 1949 a coal strike devastated the Bristol area's economy and the Foggy Mountain Boys left WCYB for Lexington, Kentucky. WCYB offered the Farm and Fun Time slot to the Blue Star Boys and they took it. This didn't work out well, and at this point Flatt again offered the booking job to Jody, who immediately accepted it.[citation needed]
In addition to booking, Jody joined the group on their Saturday night slot on WVLK's Jamboree as Cedric Rainwater's comedic partner. The comedy duo was a hit and Jody was soon being billed as Cedric's younger brother. Lester Flatt suggested the name Little Jody Rainwater and it really stuck. However, the comedic antics of the Rainwater brothers were short lived. Soon Cedric decided to join Hank Williams' Drifting Cowboys and leave bluegrass. The Foggy Mountain Boys found themselves in need of a bassist. For the next three years Rainwater played an important part in the band's sound and stage presence. He was both booking and playing shows. Working seven days a week up to eighteen hours a day. By May 1952 Jody was "right at a nervous breakdown", and, at the advice of a physician he put in his notice. The band was working in central Virginia at the time and he was offered a job working as a deejay at WSVS. With flexible hours and steady pay Jody jumped at the chance. On June 7, 1952 Rainwater left the Foggy Mountain Boys and began his career in radio.[citation needed]

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Richard Bessière, French author, died he was 88.

Richard Bessière was a French author of science fiction and espionage novels died he was 88.. His œuvre, particularly abundant, was published primarily by publisher Fleuve Noir.[1] Bessière was one of the leading authors of publisher Fleuve Noir's popular imprints Anticipation and Espionnage
(1923 – 22 December 2011)
Bessière was born and died at Béziers - a year after his death, his home town announced that a street would be named in his honour.[2] His first science fiction series (1951–54) featured the Conquérants de l’Universe [Conquerors Of The Universe], a band of Earthmen led by professor Bénac, the inventor of a spaceship called Meteor, who explore the Solar System. Bessière’s most popular series featured the adventures of American journalist Sydney Gordon, his ditzy wife Margaret, his catastrophe-prone son, Bud, and his scientist friends, Archie and Gloria Brent. The series began with serious tales of alien or extra-dimensional invasions, but eventually took a satirical turn. Bessière's other popular series involved the hard-boiled adventures of Dan Seymour, a futuristic James Bond.
Bessière also made his mark on French science fiction through a number of non-connected novels that featured an original blend of horror and science fiction. Monstrous aliens threatening to take over mankind were featured in Escale chez les Vivants [Stop-Over Among The Living] (1960); evil entities from beyond human ken whose only weakness was sound invaded Earth in Les Maîtres du Silence [The Masters Of Silence] (1965); Cette Lueur Qui Venait Des Ténèbres [That Light Which Came From The Dark] (1967) featured ghastly body-snatching parasites. The ultimately doomed reconquest of a post-cataclysmic Earth ruled by mutants and deadly lifeforms, was the subject of Légion Alpha (1961), Les Sept Anneaux de Rhéa [The Seven Rings Of Rhea] (1962), in which Earth was described as seven concentric spheres with Hell at its core, and Les Jardins de l’Apocalypse [The Gardens Of The Apocalypse] (1963). Les Marteaux de Vulcain [The Hammers Of Vulcan] (1969) described a nightmarish planet where survival was all but impossible.
Bessière also wrote almost a hundred spy thrillers for the Espionnage imprint of Fleuve Noir under the pseudonym of F.-H. Ribes. Many of these starred a hero called Gérard Lecomte.


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Zsuzsi Mary, Hungarian pop singer, committed suicide she was 64.


Zsuzsa Mary also known as Zsuzsi Mary was a Hungarian pop singer committed suicide she was 64..


(13 October 1947 – 24 December 2011)

Career

She appeared first time on stage in 1965, later she finished on the first place in the Hungarian Television's song contest, the Táncdalfesztivál, with the song "Mama" (Mom) in 1968. The songwriter was Attila Dobos, who would be her first husband. She was successful in the Eastern Bloc countries too. In 1969, she married György Klapka, and soon after emigrated with her husband. They divorced in 1987, but maintained a good relationship. She returned to Hungary after the end of Communism. Mary came out as bisexual in 2008.[2]

Death

She committed suicide on Christmas Eve, 2011, aged 64.[3][4][5] According to Magyar Távirati Iroda (MTI) her body was found the next day, 25 December 2011.[6] Her suicide was confirmed by her second husband, György Klapka.[7]

Albums

  • 1991 - Ez az utolsó tangó (This is the last tango)
  • 2002 - Premier M (My premier)
  • 2005 - Sodor a szél (Drifting in the wind)

Posthomous releases

December 26., 2011 - Elszálltaka az évek (CD Single) (Vanished over the years)
It's as if this song would have she said goodbye.
The refrain:
"Flew off over the years
They do not hurt the silence
The tranquility locking arms
So rock out"


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Marvin Knopp, American mathematician, died he was 78.


Marvin Isadore Knopp was an American mathematician who worked primarily in number theory died he was 78.. He made notable contributions to the theory of modular forms.

(January 4, 1933 – December 24, 2011) 

Life and education

Knopp was born on 1933 in Chicago, Illinois. He received his PhD under Paul T. Bateman from the University of Illinois in 1958 where he became friends with fellow student Gene Golub.[2] Over the course of his career, he advised twenty Ph.D. students.[3] He is the father of pianist Seth Knopp, and of Yehudah, Abby, and Elana.[4] Marvin was married to Dr. Josephine Zadovsky Knopp for 25 years but the marriage ended in divorce. Knopp died on December 24, 2011 during a vacation in Florida. Marvin's true loves in life were his children, old movies, great music and numbers.

Career

After receiving his PhD in 1958, Knopp taught at the University of Wisconsin and then, for a few years, at the University of Illinois Chicago before moving, in 1976, to Temple University where he stayed until his sudden death in 2011.[5] He was closely associated with Emil Grosswald.[6] In Jean Dieudonne's influential book A Panorama of Pure Mathematics (Academic Press, 1982), he is mentioned (p. 95) as one of those who "made substantial contributions" to the theory of modular forms.

Selected publications

  • Knopp, Marvin (1970). Modular Functions in Analytic Number Theory. : Rand McNally. ISBN 0-528-60000-1.

Further reading

  • American Mathematical Society. Marvin Knopp ..., ed. (1993). In Knopp, Marvin; Sheingorn, Mark. A Tribute to Emil Grosswald. Providence: American Mathematical Society. ISBN 978-0-8218-5155-5. Retrieved 2009-02-06. A set of papers in honor of Grosswald; includes reminiscences, list of PhD students, and a list of papers and books.


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Thursday, December 26, 2013

Johannes Heesters, Dutch actor and singer, died from a stroke he was 108.

Johan Marius Nicolaas "Johannes" Heesters was a Dutch actor, singer, and entertainer with a career dating back to 1921 died from a stroke he was 108.. Active almost exclusively in the German-speaking world from the mid-1930s, he was a controversial figure for his actions during the Second World War and his success in Nazi Germany.[1] Heesters was considered one of the oldest stage performers in history.

(5 December 1903 – 24 December 2011) 

Early life

Heesters was born in Amersfoort, Netherlands, the youngest of four sons. His father Jacobus Heesters (1865–1946) was a salesman and his mother Geertruida Jacoba van den Heuvel (1866–1951), a homemaker.

Heesters in 1919 (age 16)
Heesters was fluent in German from a very early age having lived for several years in the household of a German great uncle from Bavaria.[2] Heesters decided to become an actor and a singer at the age of sixteen and began vocal training. Heesters specialized in Viennese operetta very early in his career, and made his Viennese stage debut in 1934 in Carl Millöcker's Der Bettelstudent (The Beggar Student).

Nazi Germany


Heesters after a performance on stage in 1923, age 19
Aged 31, Heesters permanently moved to Germany with his wife and daughters in 1935. During his time there, he performed for Adolf Hitler and visited the Dachau concentration camp which made him a controversial figure for many Dutch.[3] Joseph Goebbels placed Heesters on the Gottbegnadeten list as an artist considered crucial to Nazi culture.[4]
Heesters is known to have funded the German war machine by donating money to the weapons industry.[5] While he became a very controversial figure in the late 1970s, Heesters always denied these accusations despite reliable evidence.[6]
Heesters befriended several high-ranking Nazi-officials and SS-officers.[7] Mr. "Jopie" also performed regularly for people such as Hitler and Goering,[8] with the former being known to have been an avid admirer of his acting skills.[9][10] He met Hitler several times and was reportedly Hitler's favorite actor[11] in the role of Danilo.[12] Throughout the war Heesters continued to perform for German soldiers in camps and barracks. He always denied having visited concentration camps, although he did have knowledge of their existence.[13]
According to German author Volker Kühn, Heesters did in fact perform for the SS in Dachau concentration camp. For this claim he uses as evidence the testimony of Dachau inmate Viktor Matejka who worked for the SS and told Kühn he pulled the curtain when Heesters performed in 1941.[14][15] According to German writer Jürgen Trimborn however, the interview with Matejka may not be reliable as it occurred some fifty years after the performance was said to have taken place.[16] In December 2009, Heesters lost his libel suit against Kühn.[17] While acknowledging having visited the camp, Heesters denied having performed as entertainment for the SS troops. In its ruling, the German court did not find that Kühn's allegations were true, but rather that too much time had passed for an accurate determination of fact to be made.[18]
Heesters' signature tune was Count Danilo Danilovitch's entrance song "Da geh' ich ins Maxim" from Franz Lehár's Die Lustige Witwe (The Merry Widow).

After the war


Heesters with his future wife Louisa Ghijs in 1928
Heesters worked extensively for UFA until almost the end of the Second World War (his last wartime movie being Die Fledermaus, produced in 1945) and easily made the transition from the Nazi-controlled cultural scene to post-war Germany and Austria, appearing again in a number of films. These included Die Jungfrau auf dem Dach and the 1957 version of Viktor und Viktoria. Heesters stopped making movies around 1960 to concentrate on stage and television appearances and on producing records.
In later years Heesters spoke fondly of Hitler as a person, but condemned his political stance.[19] In the 1990s, he and his wife toured Germany and Austria with Curth Flatow's play Ein gesegnetes Alter (A Blessed Age), which was also televised in 1996. On 5 December 2003, he celebrated his 100th birthday with a television special Eine Legende wird 100 (A legend turns 100) on the ARD television channel.

Heesters' second wife Simone Rethel
On his 100th birthday Heesters received the title "Kammersänger". In December 2004, aged 101, Heesters appeared in Stuttgart at the Komödie im Marquardt theatre in a show commissioned on the occasion of his 100th birthday, Heesters – eine musikalische Hommage. In 2005 aged 102 he was featured as a soloist in a major concert tour with the Deutsches Filmorchester Babelsberg under the direction of Scott Lawton.
On 5 December 2006 Heesters celebrated his 103rd birthday with a concert at the Wiener Konzerthaus. On 5 December 2007 he celebrated his 104th birthday with a concert at the Admiralspalast, Berlin, and in February 2008 he performed in his home country for the first time in four decades amidst protests against his Nazi associations.
Heesters apologised for calling Adolf Hitler a "good chap" on the popular German TV show Wetten, dass..? on Saturday, 13 December 2008, aged 105. He said that he had said something stupid and horrible and asked for forgiveness.[20] In addition, German media suggested that he had failed to understand the show's satirical nature.[21]
Heesters became less active in his last years and played smaller roles, as he began to lose his eyesight due to macular degeneration and could not perform on stage for long periods of times. Unable to read a teleprompter, he had to memorize his lines before a show.

Personal life

My secret to a long, healthy life is love and passion; age differences do not matter.
—Johannes Heesters, December 2010[22]

Johannes Heesters as Franz Joseph I of Austria
Heesters had two daughters by his first wife Louisa Ghijs, whom he married in 1930. After her death in 1985, he remarried in 1992; his second wife, Simone Rethel (born 1949), is a German actress, painter, and photographer. His younger daughter Nicole Heesters is a well-known actress in the German-speaking world, as is his granddaughter Saskia Fischer.
In December 2010, the 107-year-old Heesters announced that he had quit smoking for his then 61-year-old wife: "She should have me as long as possible."[23]
On 1 January 2008, he fell down some stairs in his holiday house in Tyrol and broke two ribs.[24]
On 29 November 2011, he suddenly fell ill, developing a fever, and was rushed into hospital.[25] He was operated on to fit a heart pacemaker and following a good recovery, was allowed home less than a week later, on 4 December, in time to spend his 108th birthday the next day with family. He did not feel strong enough to make the planned stage appearance to sing in celebration of his birthday and also had missed the premiere of his last film, Ten. Due to a relapse in his condition, on 17 December he was readmitted to hospital, where he subsequently suffered a stroke,[26] dying on Christmas Eve 2011.[27] He is survived by two daughters, five grandchildren, eleven great-grandchildren and three great-great-grandchildren.[28][29]

Discography

Albums
Singles
  • 1937: "Ich werde jede Nacht von ihnen träumen"
  • 1939: "Musik, Musik, Musik" (featuring Marika Rökk)
  • 1941: "Liebling, was wird nun aus uns beiden"
  • 1941: "Man müßte Klavier spielen können"
  • 1949: "Das kommt mir spanisch vor"
  • 1949: "Tausendmal möchte' ich dich küssen"
  • 1998: "Ich werde 100 Jahre alt" (song)
  • 2007: "Generationen" (featuring Claus Eisenmann)

Honours, decorations, awards

Filmography

  • 1924: Cirque hollandais
  • 1934: Bleeke Bet
  • 1935: De Vier Mullers
  • 1936: Die Leuchter des Kaisers
  • 1936: Der Bettelstudent
  • 1936: Das Hofkonzert
  • 1937: Wenn Frauen schweigen
  • 1937: Gasparone
  • 1938: Nanon
  • 1938: Immer wenn ich glücklich bin..!
  • 1939: Hello Janine!
  • 1939: Das Abenteuer geht weiter
  • 1939: Meine Tante – Deine Tante
  • 1940: Liebesschule
  • 1940: Die lustigen Vagabunden
  • 1940: Rosen in Tirol
  • 1941: Immer nur … Du!
  • 1941: Jenny und der Herr im Frack
  • 1941: Illusion
  • 1942: Karneval der Liebe
  • 1944: Es lebe die Liebe
  • 1944: Glück bei Frauen
  • 1944: Es fing so harmlos an
  • 1944: Frech und verliebt (1948)
  • 1946: Die Fledermaus (1946)
  • 1946: Renée / Renée XIV. Der König streikt
  • 1947: Wiener Melodien
  • 1949: Liebe Freundin
  • 1950: Wenn eine Frau liebt
  • 1950: Hochzeitsnacht im Paradies
  • 1951: Professor Nachtfalter
  • 1951: Tanz ins Glück
  • 1951: Die Csardasfürstin
  • 1952: Im weißen Rößl
  • 1953: Die geschiedene Frau
  • 1953: Die Jungfrau auf dem Dach
  • 1953: Schlagerparade
  • 1953: Hab' ich nur Deine Liebe
  • 1954: Stern von Rio
  • 1955: Bel-Ami
  • 1955: Gestatten, mein Name ist Cox (Film)
  • 1956: Ein Herz und eine Seele / …und wer küßt mich
  • 1956: Opernball
  • 1956: Heute heiratet mein Mann
  • 1957: Bel Ami. Der Frauenheld von Paris
  • 1957: Viktor und Viktoria
  • 1957: Von allen geliebt
  • 1958: Bühne frei für Marika!
  • 1958: Besuch aus heiterem Himmel / Jetzt ist er da aus USA
  • 1958: Frau im besten Mannesalter
  • 1959: Die unvollkommene Ehe
  • 1960: Am grünen Strand der Spree (TV, part 5)
  • 1961: Junge Leute brauchen Liebe
  • 1968: Unsere liebste Freundin (TV)
  • 1973: Hallo, Hotel Sacher…Portier (TV, episode 2)
  • 1974: Hochzeitsnacht im Paradies (TV)
  • 1980: Liebe bleibt nicht ohne Schmerzen (TV)
  • 1982: Sonny Boys (TV) (Carl-Heinz Schroth)
  • 1984: Die schöne Wilhelmine (TV four part series)
  • 1985: Otto – Der Film
  • 1991: Altes Herz wird nochmal jung
  • 1993: Zwei Münchner in Hamburg
  • 1994: Silent Love (Short film)
  • 1995: Grandhotel
  • 1996: Ein gesegnetes Alter (TV)
  • 1999: Theater: Momo (TV)
  • 2001: Otto – Mein Ostfriesland und mehr (TV)
  • 2003: Zurück ins Leben
  • 2008: 1½ Ritter – Auf der Suche nach der hinreißenden Herzelinde
  • 2008: Wege zum Glück
  • 2011: Ten (short film)




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Bernard Gert, American philosopher, died he was 77.

Bernard Gert was a moral philosopher known primarily for his work in normative ethics, as well as in medical ethics, especially pertaining to psychology died he was 77..

(October 16, 1934 – December 24, 2011)

His work has been called "among the clearest and most comprehensive on the contemporary scene", "far more detailed and more concretely worked out" and "systematic" than competing comprehensive ethical theories.[1] Because it avoids pitfalls associated with other dominant ethical theoretical approaches (such as deontology, utilitarianism, contractarianism, and virtue ethics), Gert's moral theory "provides what many people are looking for".[1]

Life

Born in Cincinnati, Ohio, Gert studied philosophy at Cornell University. He was a professor at Dartmouth College for fifty years, from 1959-2009. Upon his death in 2011, he was the Stone Professor of Intellectual and Moral Philosophy, Emeritus at Dartmouth. He also had other adjunct and visiting appointments, including being a fellow of the Hastings Center, an independent bioethics research institution. He died in 2011 in North Carolina.[2][3]
A source of notoriety among his contemporaries was that his family became a family of philosophers: his two children, Joshua and Heather, both became philosophers, and both married two other philosophers.[4]

Metaethics

Definition of morality

Gert advocates the following definition of morality:
Morality is an informal public system applying to all rational persons, governing behavior that affects others, and includes what are commonly known as the moral rules, ideals, and virtues and has the lessening of evil or harm as its goal.[5]

Morality as known to all

According to Gert, his theory counts as a natural law theory because he holds that all moral agents must be able to understand it in order to count as moral agents. In other words, "moral judgments can only be made about those who know what kind of behavior morality prohibits, requires, discourages, encourages, and allows."[6]

Harm as the central moral concept

According to Gert, harm (or "evil") is the central moral concept.[7][8] Gert believes harm is what all rational creatures seek to avoid. He advances the following five-concept account of harm:
  • death
  • pain
  • disability
  • loss of freedom
  • loss of pleasure.[9]
He maintains that commonsense morality is far more concerned with prohibiting (and discouraging) evil than with requiring (or encouraging) people to enhance goods or benefits.[9]

Rationality and impartiality

On Gert's view, the bases for morality are rationality and impartiality.
On Gert's conception of rationality, it is irrational to fail to be averse to harm. Everyone avoids harm insofar as they are rational. Rationality does require that we avoid harming ourselves without an adequate reason. A rational person would not cause his own pain unless it were for an adequate reason, for example, to cure a disease. Even a masochist causes pain in himself for a reason, presumably for pleasure. This helps show that no rational being seeks to harm himself for its own sake.
The sort of adequate reason in question involves avoiding any of the five basic evils or obtaining of any of the following basic goods:
  • pleasure
  • freedom
  • ability
  • consciousness
According to Gert, acting rationally does not always require acting morally.[10] For example, it is not irrational to set a trap for someone who is wearing an Armani suit so that they fall into a swimming pool in front of a video camera, since the pleasure one can get out of watching the video constitutes an adequate reason for harming the other person. It would also be rational for a sadist to torture other people for fun provided the sadist could get away with it.
There are five sorts of irrational desire according to Gert: seeking death, pain, disability, loss of freedom, or loss of pleasure.[9] We arrive at moral rules by extending these objects of irrational desire to others. Rationality, alone, does not require this. However, if we adopt the principle of impartiality, whereby we apply the rules without regard to who gains or loses, we extend these prohibitions to others. This results in rules such as do not kill, do not cause pain, do not disable, and so forth.

Why be moral?

On Gert's view, there are several reasons to act morally.[10] The primary one is i) that someone else will be harmed.[8][10] While it is rational not to care about others, the fact that they will be harmed is enough of a reason itself.
Other reasons to act morally include ii) that acting immorally will corrupt one's own character, and iii) that some forms of immoral action can make the world inhospitable to oneself, such that in some cases it is irrational to act immorally toward others.[10]

Normative ethics

Ten moral rules

In his book Common Morality: Deciding What to Do, Gert proposes ten moral rules which, if followed, create a moral system. The rules are as follows:[9]
  1. Do not kill
  2. Do not cause pain
  3. Do not disable
  4. Do not deprive of freedom
  5. Do not deprive of pleasure
  6. Do not deceive
  7. Keep your promises
  8. Do not cheat
  9. Obey the law
  10. Do your duty.
The first five of these rules directly prohibit harming other people. Thus, they can be summarized with the slogan, 'do not harm'. The second five rules get their force from the fact that if it were generally allowed that those rules be broken, many harms (and losses of benefits) would result. They can be summarized with the slogan, 'do not violate trust'.

Exceptions to the rules: the two-step procedure

Gert holds that the moral rules are not absolute, but admit of exceptions.[11] To determine whether a moral rule applies in a certain case or whether there is an exception, Gert advises people to follow what he calls the "two step procedure."[9] The first step is to ascertain all morally relevant information about the scenario at hand in order to make a justified evaluation. The second step is to consider the consequences of other people knowing that they can violate the moral rule in similar circumstances.[9]
An example of this would be if you were to consider violating rule #9 (breaking the law) in order to run a red light. You evaluate the scenario and notice that there are no cars around and running the red light will not cause any harm, however, you do not want other people to know that they can run red lights too, because that would lead to more car accidents, which is indirectly causing pain and death. Another example of violating the moral rules would be killing in self-defense. If you evaluate the situation, you find that if you do not kill the other person, they will violate one of the moral rules and kill you. Also, it would be acceptable in this scenario for other people to know that killing in self-defense is allowable.

Moral ideals

Moral ideals, according to Gert, are objectives to lessen the amount of harm or evil in the world. These differ from moral rules, which are requirements that people avoid performing certain kinds of actions which produce harms to others. Morality encourages, but does not require, people to live up to moral ideals. Examples of moral ideals are the objectives of reducing the incidence of domestic violence or of breast cancer.
What Gert calls utilitarian ideals are objectives to increase the amount of good in the world. For example, the objective of giving poor children extra presents for Christmas.

Categorizing Gert's moral theory

Although his moral system shares similarities to deontology, rule utilitarianism, and contractarianism, Gert does not ally himself with any of those positions.[1][12][13] He writes, "I think that my view is best characterized as a natural law theory . . . in the tradition of Hobbes".[14] He also writes, "my view has been characterized as Kant with consequences, as Mill with publicity, and as Ross with a theory."[12]
However, when Walter Sinnott-Armstrong once labeled the theory as "a sophisticated form of negative objective universal public rule consequentialism",[15] Gert replied that "there may be no point in denying that I am some form of consequentialist".[16]

Sources

By Bernard Gert

  • The Morality Monographs
    • The Moral Rules: A New Rational Foundation for Morality, Harper and Row, 1970.
    • Morality: A New Justification of the Moral Rules, Oxford University Press, 1988.
    • Morality: Its Nature and Justification, Oxford University Press, 1998.
    • Morality: Its Nature and Justification, Revised Edition, Oxford University Press, 2005.
  • Common Morality: Deciding What to Do, Oxford University Press, 2004.
  • Bioethics: A Systematic Approach, 2nd Edition, Oxford University Press, 2006
  • Hobbes: Prince of Peace, Polity Press, 2010.

Commentaries on Gert's work



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Sergio Buso, Italian footballer and coach, died he was 61.

Sergio Buso  was an Italian football coach and goalkeeper died he was 61..

(3 April 1950 – 24 December 2011)

Playing career

Buso started his professional career with hometown club Padova, then moving to Bologna in 1972. During his three years at Bologna, Buso also played the UEFA Cup Winners Cup and the Mitropa Cup, and won a Coppa Italia in 1974. He successively played with several other teams such as Cagliari, Novara, Taranto and Pisa, before to retire in 1986 after a single season with Lucchese.[1]

Coaching career

After his retirement, Buso decided to stay at Lucchese as assistant coach. In 1989 he joined Taranto as youth coach, and filled the same role at Modena between 1990 and 1993. In 1993–94 he then took his first role as head coach at Trento.
After a short stint as Foggia assistant, Buso became assistant/youth team coach at his former club Bologna, a role he filled since 1995.[1] In 1999 he was promoted as caretaker head coach of the then-Serie A club, replacing Carlo Mazzone until the appointment of new permanent boss Francesco Guidolin.[1] During this period he was defined as "Treccani of football" by then-chairman Giuseppe Gazzoni Frascara because of his extensive competence.[1] He then left Bologna in 2000 to accept an offer from Serie C2 club Taranto, leading his side to direct promotion by the end of the season.
In 2001 he left Taranto to become new goalkeeping coach at Venezia under Cesare Prandelli. He then became Franco Colomba's assistant at S.S.C. Napoli the following season, following him at Reggina one year later.
In 2004 he was appointed goalkeeping coach of newly-promoted Serie A club Fiorentina, a role he left after a few weeks to become new head coach after the resignation of Emiliano Mondonico. His stint as Fiorentina boss turned out to the worse after a string of four consecutive defeats left the Viola in deep relegation zone, leading the board of directors to replace him with Dino Zoff. He then tried his luck as head coach of Serie B club Catanzaro, being however dismissed after a few weeks due to poor results.
In 2006 he accepted to serve as Roberto Donadoni's assistant in the Italian national team, a role he took until 2008. He then re-joined Donadoni during his short-lived period as head coach of Napoli.[1]

Death

Buso died on 24 December 2011, succumbing to a serious form of leukemia from which he had suffered for years.[

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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...