/ Stars that died in 2023

Wednesday, December 18, 2013

Eva Ekvall, Venezuelan TV news anchor and model, Miss Venezuela 2000, died from breast cancer she was 28.



Eva Mónica Anna Ekvall Johnson was a Venezuelan TV news anchor, author, breast cancer advocate, fashion model, and a former Miss Venezuela died from breast cancer she was 28..

(15 March 1983 – 17 December 2011) 

Early life

Eva Ekvall was born in Caracas, Venezuela. She was raised in both the United States and Venezuela and was fluent in English and Spanish from childhood. Ekvall attended the Academia Washington of Caracas. Her father, Eric Ekvall, is an American of Swedish and Hungarian descent,[3] who has lived in Venezuela since the early 1980s and worked as a political analyst. Her mother, Dawn Johnson, was born in Jamaica, and once ran a small modelling agency in Alaska, where she met Eva's father.[3][4] Eva grew up with an older brother, Alec, who is a musician.[4]

Career

Aged 17, Ekvall was crowned Miss Venezuela of 2000, and the next year was third runner-up in the Miss Universe Pageant. As a Buddhist,[5] she was the first non-Christian to have won the title of Miss Venezuela.
After a brief period as an actress on the Televen TV show Las Rottenmayer, Ekvall went on to earn a degree in journalism from Universidad Santa María in Caracas. Shortly afterwards she joined El Noticiero as a co-anchor for Televen. Ekvall expressed interest in doing radio and could fill in as a temporary host of a radio program on Circuito Onda.[6] She also worked for Sexto Poder newspaper[7] as an online interviewer by means of BBM, the first of its kind on the Venezuelan printed media.
As a model she frequently graced the pages of such magazines as Sambil and Ocean Drive.[8]

Personal life

Ekvall married radio producer John Fabio Bermúdez in September 2007.[9][10] The couple have one daughter, Miranda, born in July 2009.[11]

Cancer

In February 2010, just months after giving birth to her only child, Ekvall was diagnosed with advanced breast cancer, and underwent eight months of treatment that included chemotherapy, radiotherapy and a double radical mastectomy.[12] She chronicled this experience in a book of photographs, Fuera de Foco (Out of Focus), released on December 2010.[12] She went on to become an advocate for SenosAyuda, a cancer awareness group.

Death

When told to have had a recurrence of her disease Ekvall moved to the United States and checked into University General Hospital in Houston, Texas. Despite the intense medical treatment her health condition began deteriorating and she died in the afternoon of December 17, 2011[13] with her husband and parents by her side. In a statement, Ekvall's family said her remains were to be cremated in Houston.
Her death brought an outpouring of condolences from Venezuelans, including some prominent artists and politicians. Ekvall's husband posted a photo on Twitter Sunday showing a close-up of his hand holding hers, resting on a hospital bed, with the words "Always together... I love you wife".[14][15][16][17] On 1 March 2012, her husband established the Eva Ekvall Foundation.


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Michele O'Callaghan, American makeup artist, died from cancer she was 48.

Michele O'Callaghan was a noted American makeup artist died from cancer she was 48.. She was personal makeup artist to David Letterman on The Late Show for 23 years and made occasional appearances on his show.[1] O'Callaghan also did makeup for Bob Costas and Bryant Gumbel, as well as dozens of sports shows on every TV network.[2]
(September 14, 1963 – December 16, 2011) 

Personal life

She was married to Thomas Togneri and had three children.[3] She died of cancer on December 16, 2011, aged 48.
Keith Olbermann and David Letterman devoted large segments of their shows to her on December 19, 2011, three days following her death from cancer.[4][5]


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Patrick V. Murphy, American police chief, New York City Police Commissioner (1970–1973), died from a heart attack he was 91.

Patrick Vincent Murphy  served as the top law enforcement executive in New York City, Detroit, Washington, DC, and Syracuse, NY  died from a heart attack he was 91.. He created the Police Executive Research Forum, an organization of police executives from the nation’s largest city, county, and state law enforcement agencies, and led the Police Foundation in a period when it published pivotal reports on issues ranging from the police use of deadly force to the efficient use of patrol resources. Murphy’s “long-range impact on American policing nationally probably will be judged by students of police history as significant as that of August Vollmer (a notable police reformer in the first half of the 20th century) or J. Edgar Hoover,” the FBI’s Law Enforcement Bulletin commented in a 1986 cover story on the Police Foundation.[1]

(May 15, 1920 – December 16, 2011) 


Education and Early Years

Murphy was educated in Catholic elementary and high schools in his native Brooklyn. He married Martha E. Cameron in 1945. The son, brother, and, eventually, uncle of New York City police officers, Murphy joined the New York Police Department in 1945 after serving as a Navy pilot during World War II.
His first foot patrol was in the Red Hook section of Brooklyn. While on the job, he earned a Bachelor of Arts degree from St. John’s University and Master of Public Administration (honors) degree from City College of New York. He also graduated from the FBI National Academy.
By 1962, Murphy was a deputy inspector when the department gave him an 18-month leave of absence to become the reform police chief in Syracuse “which found itself in a nasty corruption scandal.”[2] He returned to the NYPD in 1964 and left the next year with the rank of deputy chief.

Washington DC and Detroit

In 1965, the Johnson administration appointed Murphy assistant director of the new Office of Law Enforcement Assistance. The U.S. Justice Department agency was located in Washington whose police department, like “many other police forces in the country, had poor relations with minority communities. But to permit the local police force, operating in the shadow of the White House, to remain in such a circumstance was … risk taking at its worst,” Murphy wrote in his memoirs.[3] To begin to improve those relations, Murphy was appointed the District of Columbia’s first director of public safety, in charge of both the police and fire departments, in 1967.
The jobs in Syracuse and Washington underscored two of Murphy’s principal concerns. Throughout his “illustrious career in policing, Murphy earned a reputation as a fierce advocate of reform, particularly with regard to police corruption and race relations,” according to Charles R. Epp, a public affairs professor at the University of Kansas.[4]
In his memoirs, Murphy notes he fought off strenuous resistance from his police chief and a powerful congressional chairman whose committee controlled the DC department to appoint Jerry Wilson, a talented young commander, as assistant chief of field operations. He says that Wilson emphasized restraint in planning and implementing major changes for the prevention and control of disorders. Murphy credits these changes with minimizing violence in the April 1968 DC rioting that followed the assassination of Dr. Martin Luther King, Jr.[5]
“Murphy dispersed the mob as gently, and with as few arrests, as possible,” the New York Times reported. “His statement that he would resign rather than order the shootings of looters was widely quoted, with approval in liberal circles and as a sure sign of anarchy by the right.”[6]
Congress established the Law Enforcement Assistance Administration in 1968 to fund state and local law enforcement agencies and crime-fighting research and development programs. In October, the Johnson administration nominated Murphy to be the agency’s first leader. But the Senate was bogged down in other matters and Murphy was never confirmed. He left his post a few months after the start of the Nixon administration in 1969 and served as a consultant to the Washington, DC-based Urban Institute. Then Mayor Roman S. Gribbs summoned Murphy to become police commissioner in Detroit in the first days of 1970, but a burgeoning scandal in his home NYPD soon drew him from Detroit.

Return to New York

In April, 1970 the New York Times launched a series of articles that, in the words of series author David Burnham, charged that “policemen in the city were receiving millions of dollars in graft and that top police officials and members of Mayor John V. Lindsay’s staff had ignored specific allegations of grafting.”[7] Lindsay sought out a corruption-fighter to run the department and six months after the scandal broke, Murphy returned to the NYPD as commissioner.
Murphy quickly began “changing his department irrevocably … (he) put in place systems to hold supervisors and administrators strictly accountable for the integrity and civility of their personnel… He rewarded cops who turned in corrupt or brutal colleagues and punished those who, although personally honest, looked the other way when they learned of misconduct,” according to criminal justice scholars Jerome H. Skolnick and James J. Fyfe. They write that “Murphy used his three and a half years in office to create an environment that loudly and clearly condemned abusive police conduct, those who engage in it and – equally important – those who tolerate it.”[8]
In August 1972, Murphy introduced a new policy restricting “the use of deadly force to situations involving the defense of life, replacing the traditional ‘fleeing felon’ rule. The policy also prohibited discharging firearms as warning shots, as calls for assistance, or at or from moving vehicles,” writes Samuel Walker, a criminal justice professor at the University of Nebraska. Murphy’s defense-of-life policy “was a radical innovation. To be fair, there were undoubtedly other law enforcement agencies that already had restrictive policies... The important point, however, is that none had the lasting national impact on policy that New York City’s had. Within a matter of a few years, the defense-of-life policy was the standard policy in major cities across the country.”[9]

Police Foundation

In late 1973, Murphy became president of the Police Foundation, which the Ford Foundation established in 1970 with a $30 million commitment. The purpose was to foster innovation and improvement in American policing.
Under Murphy’s watch, the foundation published more than 30 books and reports on matters ranging from police corruption to firearm abuse to policewomen on patrol to domestic violence and the police. A study on the police use of deadly force found that in the mid-1970s police agencies differed widely in their policies governing the use of deadly force, but that there appeared to be increased restraint in police use of firearms.
Perhaps the most notable of its publications was the report of a foundation experiment set in Kansas City, Missouri, that concluded that the accepted police strategy of routine preventive patrol in cars had no significant effect on crime rates, citizen fear of crime, or citizen satisfaction with police service.[10] These results “suggested that it is not sufficient to merely assign unformed officers to random patrol and that more sophisticated means of deploying personnel may be necessary,” according to Police Administration.[11]
Not all of the foundation’s resources went to research. In 1975, Murphy enlisted the help of ten police chiefs from large jurisdictions around the country to help him create the Police Executive Research Forum. The foundation provided generous start-up funding, and the forum was formally incorporated in 1977. Murphy envisioned an organization the forum has become – in its words on its web site, “a national membership organization of progressive police executives from the largest city, county, and state law enforcement agencies … dedicated to improving policing and advancing professionalism through research and involvement in public policy debate.”[12] The forum now has 1,500 general and subscribing members.
During Murphy’s tenure, the foundation also assisted in the development of the National Organization of Black Law Enforcement Executives (NOBLE) and assembled the National Advisory Commission on Higher Education for Police Officers. The commission’s 300-page report issued 43 recommendations designed to upgrade the quality of police higher education.[13]
At the 1980 conference of the International Association of Chiefs of Police, delegates rejected by a 4-1 margin a resolution introduced by Murphy calling for departmental restrictions on the use of deadly force. Instead, the delegates affirmed the traditional fleeing felon rule.
Murphy continued to speak out on the matter and in 1982 the IACP leadership censured him “for his ongoing criticism of traditional police practices,” Epp writes. “The issue was widely covered in terms unfavorable to the IACP. The New York Times gave front-page coverage to the story on July 8, 1982.” About 150 similar stories, “all unfavorable to the IACP, appeared in other newspaper and magazines.” Several large-city police chiefs opposed the IACP’s censure of Murphy and the executive directors of the National League of Cities, the International City Management Association, and the United States Conference of Mayors issued a letter criticizing the action.[14]
In 1985, the Supreme Court in Tennessee v. Garner decreed that it was reasonable “for the police to use deadly force to defend life or to apprehend armed and dangerous felony suspects, but shooting nonviolent fleeing property crime suspects was a form of unreasonable seizure that violated the Fourth Amendment and that therefore must be forbidden.”[15] This was in line with the shooting policy Murphy introduced to NYPD in 1972.
Murphy retired from the foundation in 1985. He taught at John Jay College of Criminal Justice from 1985–87 and was director of the police policy board of the United States Conference of Mayors from 1985-98.

Death and legacy

With his wife, Murphy had eight children, 21 grandchildren, and 17 great grandchildren at the time of his death. He died in 2011 at North Carolina of complications from a heart attack.[16] He was 91.
The Patrick V. Murphy Papers are housed in the Special Collections of the Lloyd Sealy Library, John Jay College of Criminal Justice.[17]

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Mark Kopytman,Ukrainian-born Israeli composer, died he was 82.

Mark Kopytman (Hebrew: מרק קופיטמן) was a composer, musicologist and pedagogue  died he was 82..[1] He was a professor and a rector of the Rubin Academy (Jerusalem Academy of Music and Dance), and a Laureate of the Serge Koussevitzky Prize for his composition Voices of Memory (1986).[2] Awarded the title "People's Artist of Moldova" in (1992) by the Molodovan President for the creation of the first Moldovan National Opera «Kasa mare» («The Great House»).

(December 6, 1929 – December 16, 2011) 

Biography

Kopytman was born in Kamianets-Podilskyi in Ukraine (then part of the Soviet Union) in 1929. He received his initial training in piano and music theory at Chernivtsi Music College and later went on to study medicine at the Chernivtsi Medical Institute. After graduating from medical college, Kopytman studied composition with Roman Simovych at the Lysenko Academy of Music in Lviv and with S. Bogatirev at Tchaikovsky State Conservatory in Moscow. After gaining his second PhD in theory and composition, Kopytman taught at the conservatories of Moscow, Almaty and Chişinău. Several of his compositions won prizes and distinctions in competitions and festivals.[3][4]

Emigration

In 1972 Kopytman emigrated to Israel, where he became a Professor of Composition at the Rubin Academy. Kopytman eventually served as Chairman of the Theory and Composition Department, and later as Dean and the Deputy Head of the Academy (1974-1994).[5]
In 1979, Kopytman was invited to teach as a permanent guest professor at Hebrew University. He has since led seminars and master classes in composition, especially in heterophony,[6] the main focus of his creative work, at universities and music schools throughout Europe and the United States.

Compositions

Kopytman's individual style is inspired by Jewish folklore and combined with economical use of recent innovations and characterized by a strong accent on melodic lines in the web of heterophonic splitting of textures.[7]
His orchestral and chamber compositions have been performed at many festivals across the world.

Awards

Kopytman is recipient of several prizes; among them the prestigious Koussevitzky International Record Critics award for his orchestral work Memory (1986), the Israel ACUM prize for his lifetime creative achievements (1992), and Israel Prime Minister Prize (2002).

Selected works

Stage
  • Casa Mare, Opera in 2 Acts (1966); libretto by Victor Teleuke after a drama by Ion Drutze
  • Monodrama, Ballet Music for clarinet, bassoon, 3 celli, percussion, harpsichord and piano (1975)
  • Prism, Ballet Music for trombone and percussion (1976)
  • Two Poems, Ballet Music for flute, violin, cello and piano (1978)
  • And a Time for Every Purpose, Ballet Music for flute, trumpet, trombone and percussion (1979)
  • Wings, Music for the Drama (1979)
  • Chamber Scenes from the Life of Susskind von Trimberg, Chamber Opera (1982); libretto by Recha Freier
Orchestral
  • Symphony (1956)
  • Sinfonietta for chamber orchestra (1964)
  • Six Moldavian Tunes (1965)
  • Concerto for Orchestra (1976)
  • Casa Mare, Suite I from the Opera (1980)
  • Memory (1981)
  • Music for Strings (1988)
  • Cantus II for string orchestra (1990)
  • Beyond All This for chamber orchestra (1997)
  • Vanished Strains (2004)
Concertante
  • Concertino for violin and chamber orchestra (1964)
  • Concerto for piano and orchestra (1970)
  • Kaddish for cello or viola and string orchestra (1981)
  • Cantus III for bass clarinet and chamber orchestra (1984)
  • Cantus V, Concerto for viola and orchestra (1990)
  • Cantus VI for oboe and chamber orchestra (1995) or for clarinet and orchestra (2002)
  • Cantus IV for violin and string orchestra (dedication, 2000) or for violin and chamber orchestra (dedication, 2003)
  • Cantus VII for violin, cello and orchestra (2000)
Chamber and instrumental
  • 2 Little Suites (1962, 1965)
  • Pieces for oboe and piano (1966)
  • String Quartet No. 1, Two Miniatures on Folk Tunes (1962)
  • String Quartet No. 2 (1966)
  • String Quartet No. 3 (1969)
  • Lamentation for flute (1973)
  • For Percussion (1975)
  • For Harpsichord (1976)
  • For Harp (1976)
  • About an old Tune for violin, viola, cello and piano (1977)
  • For Organ (1978)
  • Cantus I for 3 oboes (1979)
  • Cantus II for violin, viola and cello (1980)
  • Dedication for violin or viola (1986)
  • Ornaments I for 2 clarinets (1991)
  • Chamber Music for clarinet and piano (1992)
  • Kaddish for cello or viola and piano (1992)
  • Tenero for cello (1993)
  • Ornaments II for 2 bassoons (1993)
  • Discourse I-II (Cantis VI) for oboe and string quartet (1994)
  • Strain for string quartet (1995)
  • Misterioso-Sussurando for cello (1998)
  • Passolargo for guitar (1999)
  • String Quartet No.4 "Eight Chapters" (2000)
  • Music for Nine for string quartet and woodwind quartet (2001)
  • Ornaments III for flute (2001)
  • Farewell for string quartet (2001)
  • Cantus II for string quartet (2003)
  • Cantus IV for violin and piano (dedication, 2004)
  • Cantus IV for viola solo (dedication, 1995)
Piano
  • Polyphonic Pieces (1962–85)
  • For Piano (1973)
  • Basso Recitativo for 2 pianos (1977)
  • Variable Structures, 12 Short Preludes (1985–87)
  • Alliterations (1993)
  • For Gregory, 3 Miniatures (2000)
  • Bucolics, 5 Little Pieces for Children (2002)
Choral
  • Distance beyond Distance, 10 Poems for mixed chorus (1960); text by Alexander Twardovsky (Russian)
  • Forty Years for mixed chorus (1964); text by Victor Teleuke (Moldavian)
  • Songs of Forest, Oratorio for soloists, chorus and orchestra (1965); text by Victor Teleuke (Moldavian)
  • Water-colors for female chorus (1965); text by Nikolai Rilenkov (Russian)
  • 10 Moldavian Folk Songs, Arrangements for mixed chorus (1966-1972)
  • Stones for mixed chorus (1980); text from Quotations (English)
  • Who Lights Up? for chlidren's chorus (1987); text by Amir Gilboa
  • Scattered Rhymes for mixed chorus and chamber orchestra (1988); text by Yehuda Amichai (Hebrew)
  • Love Remembered for mixed chorus and chamber orchestra (1989); text by Yehuda Amichai (Hebrew)
Vocal
  • Songs of Captivity and Struggle for baritone and piano (1957); text by Nikolas Gilien (Russian)
  • Children's Songs for voice or children's/women's chorus (1959-1964)
  • Songs of Anguished Love for voice and piano (1964); text by Silvia Kaputikjan (Russian)
  • Unfinished Lines for baritone and orchestra (1969); text by Mirza Gelovani, Vladislav Zanadvorov, Chazai Kaloev, Nikolai Majorov (Russian)
  • Soare cu Dinitz for voice and piano (1972); text by Michai Chiubotaru (Molavian)
  • October Sun for voice, flute, violin, piano and percussion (1974); text by Yehuda Amicahai (Hebrew)
  • This Is a Gate without Wall for voice, clarinet, bassoon, violin, cello, percusion and piano (1975); text by Yehuda Amichai (Hebrew)
  • Voices for voice, flute, 4 trombones and string orchestra (1975)
  • Day and Night Arise to Heaven for voice, flute, trumpet and percussion (1977); text by Immanuel of Rome (Hebrew)
  • Rotations for voice and orchestra (1979)
  • Circles (Life of the World to Come) for voice, clarinet, cello and piano (1986); text by Abraham Abulafia (English)
  • Letters of Creation for voice and string orchestra (1987); text from ancient Jewish poetry
  • Letters of Creation for voice and piano (1988); text from ancient Jewish poetry (English)
  • Eight Pages for solo voice (1989); text by Edmond Jabes (English)
  • To Go Away for voice, clarinet, violin, cello and percussion (1989); text by Jonathan Ratosh (Hebrew)
  • Soare cu Dinitz for voice and orchestra (1994); text by Michai Chiubotaru (Moldavian)
  • Vocalise for voice and oboe (1995)
  • Three Nights for voice and ensemble (1996); text by David Vogel (English)
  • From Jewish Poetry for voice and chamber orchestra (1996); text by Edmond Jabes and from ancient Jewish poetry (English)
  • Fermane for folk singer and 3 clarinets (1998)
  • Casa Mare, Suite II from the Opera for mezzo-soprano, baritone and orchestra (1999)
  • If There Are Seven Heavens, 12 Miniatures for voice and cello (2001); text by Edmond Jabes (English)


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Henry Kitchener, 3rd Earl Kitchener, British soldier and aristocrat, died he was 92.

Major Henry Herbert Kitchener, 3rd Earl Kitchener DL TD , styled Viscount Broome from 1928 to 1937, was a British peer  died he was 92.. He was the son of Captain Henry Franklin Chevallier Kitchener, Viscount Broome, only son of Henry Kitchener, 2nd Earl Kitchener. His great-uncle was the renowned military commander Herbert Kitchener, 1st Earl Kitchener.

(24 February 1919 – 16 December 2011)

He was educated at Winchester and Trinity College, Cambridge. He succeeded his grandfather in the earldom on 27 March 1937. In 1937, he was a Page of Honour to King George VI at his coronation. Lord Kitchener served in the Royal Corps of Signals, retiring with the rank of major, and was President of the Lord Kitchener National Memorial Fund from 1950 until his death. In 1972, he served as Deputy Lieutenant of Cheshire. Like his uncle before him, he was an English Freemason. In 2005, he was awarded the Grand Cross of the Royal Confraternity of Sao Teotonio. He was a Vice President of The Western Front Association.
Lord Kitchener's interest in the application of evidence-based research was demonstrated by his role of President and a Trustee of the Institute for Food, Brain and Behaviour[1] (formerly Natural Justice) a UK charity conducting scientific research into the effects of nutrition on brain function and behaviour. Kitchener was associated with the charity for over 20 years serving under two chairmen, the late Bishop Hugh Montefiore and the current chairman, Mrs Frances Jackson. He took a keen, detailed, interest in IFBB's scientific work, interrogating scientists robustly at Board Meetings on the progress of their research and was a keen and perceptive reader of academic journal articles and papers.
Henry Kitchener was also a committed supporter of the organic movement and took up a role with the charity Garden Organic (formerly the Henry Doubleday Research Association - HDRA). Having joined the charity’s founder, Lawrence Hills’, band of enthusiasts in July 1958, as member number 171, Henry Kitchener became its president in 1973, a position he was to occupy for the next thirty-five years. In 2008, during Garden Organic’s 50th anniversary year, Earl Kitchener left the organisation as President and was replaced by Professor Tim Lang. However Earl Kitchener remained interested in the organic movement and regularly wrote and updated the organisation whenever a subject arose that he felt passionately about.
Lord Kitchener was unmarried, and, upon his death in 2011[2] the title Earl Kitchener became extinct.[3]
His niece Emma Joy Kitchener is a lady-in-waiting to Princess Michael of Kent and is the wife of actor/screenwriter Lord Fellowes of West Stafford, (known as Julian Fellowes). On May 9, 2012, the Queen issued a Royal Warrant of Precedence declaring that Lady Fellowes "shall henceforth have, hold and enjoy the same title, rank, place, pre-eminence and precedence as a daughter of an Earl" as she would have received if her father had survived her uncle and "succeeded to the title and dignity of Earl Kitchener of Khartoum and Broome." [1].

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Dan Frazer, American actor (Kojak, As The World Turns), died from cardiac arrest he was 90.

Daniel Thomas "Dan" Frazer was an American actor, born in a West Side neighborhood (formerly known Hell's Kitchen) of Manhattan in New York City  died from cardiac arrest he was 90.. Probably, best known for his role as Captain Frank McNeil, the former partner turned supervisor of Theo Kojak, Telly Savalas's character, in the 1970s TV police drama Kojak. His screen career started in 1950.

(November 20, 1921 – December 16, 2011) 

His TV appearances include The Phil Silvers Show, Car 54, Where Are You?, The Untouchables, Route 66, The F.B.I., Barney Miller and Law & Order. His first film role was in 1963's Lilies of the Field, playing Father Murphy. In his later years, Frazer appeared as detective Dan McCloskey on the daytime soap As the World Turns.
He died of cardiac arrest on December 16, 2011, at his home in Manhattan.[1]

Filmography



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Robert Easton, American actor and dialect coach, died he was 81.


Robert Easton was an American actor whose career in film and television spans more than 60 years died he was 81. His mastery of English dialect earned him the epithet "The Man of a Thousand Voices". For decades he was a leading Hollywood dialogue or accent coach.[1]

(November 23, 1930 – December 16, 2011) 


Easton was born Robert Easton Burke in Milwaukee, Wisconsin, the son of Mary Easton (née Kloes) and John Edward Burke.[2]

Radio

Beginning in 1945, he was heard on radio's Quiz Kids. He portrayed Magnus Proudfoot on radio's Gunsmoke and also appeared in other radio programs, including Fibber McGee and Molly, The Fred Allen Show, The Halls of Ivy, Our Miss Brooks, Suspense, William Shakespeare—A Portrait in Sound and The Zero Hour.

Films

On film, one of his earliest appearances was in The Red Badge of Courage. He appeared in the feature film, Voyage to the Bottom of the Sea as Sparks (a variation on Stingray's "Phones") and was also the character "Handown" a gunner crew-member of a B-17 of WW2 in the film The War Lover which starred Steve McQueen and a very young Michael Crawford. One of his more unusual voices was that of a Klingon judge for the movie, Star Trek: The Undiscovered Country. He appeared in Gods and Generals (2003) as John Janney, and he recently starred in Spiritual Warriors (2007). He appeared in the 1987 baseball film Long Gone as Cletis Ramey.

Television

On television, he made many guest appearances and also provided the voices of "Phones" and "X-2-0" in Gerry Anderson's Stingray.
During the late 1940s through the 1960s, he was mostly known for his portrayal of a slow-talking, blankfaced hicks (as in The Munsters episode, "All-Star Munster" as Moose Mallory).

Other

He was the voice of Thomas Jefferson in The American Adventure at Disney's Epcot in Florida.


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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...