John Thomas Blades was an
Australian experimental music artist and member of The Loop Orchestra;
he also worked as a radio broadcaster and documentary maker, and as a
civil engineer died he was 51.. In 1982 he was diagnosed with
multiple sclerosis and used a wheelchair from 1993. In 2010, his radio documentary,
The Too Hard Basket, won the
Walkley Award for 'Social Equity Journalism – All Media', and the 'Radio Documentary of the Year Award' from the
Asia-Pacific Broadcasting Union. Blades died on 25 November 2011 after complications from cancer therapy.
(December 1959 – 25 November 2011)
Biography
Experimental music bands
John Thomas Blades was born in December 1959 as the son of Douglas and Pam Blades with a brother Bruce.
[1][2] He grew up in Sydney and from the mid-1970s he listened to local radio,
Double Jay,
"[It] was like the breath of fresh air that people like me needed who
had been swamped by disco, American soft rock ... rock opuses ... and
the English Glam rock".
[1] In 1977 Blades and a group of school friends provided their favourite music for a radio presentation on Double Jay.
[1] His early preferences were for punk music by
Ramones and
The Saints, innovative music of
Frank Zappa and the Mothers of Invention and
reggae.
[1] By 1978 he preferred
Peter Doyle's
programme which featured post-punk and experimental music, "[which]
incorporated the punk ideal with new elements such as electronic noise
and rhythms, spoken word, dub, electronically processed voice and
experimental acoustic and electronic sound".
[1]
In 1980 while studying
civil engineering at
University of Sydney, Blades was a founding member of electronic music group The East End Butchers with Doyle.
[3][4] In 1982 he was a founding member of The Loop Quartet, with
Richard Fielding (ex-
Severed Heads), Ron Brown and
Jaimie Leonarder.
[5]
During that year, the quartet performed a radio studio live to air
experimental performance using loops on reel-to-reel tape machines.
[6] Blades also formed and performed in other groups: War Meat and the Dictator, and Men Like Licorice, both in 1982.
[3] That year, Blades also started working as a structural engineer for
Roads and Traffic Authority (RTA): he specialised in bridge engineering.
[7] He was diagnosed with
multiple sclerosis (MS) – his mother Pam also had the disorder – and he was hopeful of retaining mobility.
[7]
In 1982 The Loop Orchestra was formed by Blades, Fielding and Anthony Maher; and in 1983, Doyle joined.
[8] In 1990, the band's first release,
Suspense, was launched at the AFI Cinema, Sydney.
Annette Shun Wah from
SBS TV's
The Noise programme interviewed the band and Blades described their work,
for the piece, Suspense, the sound sources were all concrete,
that is, all pre-existing sounds, and it was a study of the way sounds
and music is constructed for suspense in horror movies. So it's all
taken from scores for those films - generally untreated sections of the
scores from those films, from the 1940s, through to films like Creature from the Black Lagoon of the 1950s, right through to Texas Chainsaw Massacre in the 1970s and Evil Dead
in the 1980s, and so they're fragments of sound. It's like
deconstructing an existing sound source and reconstructing - or
structuring - something else out of that deconstruction.[9]
By 1993 Blades' MS had progressed and he was wheelchair-bound but he
continued with his work at RTA, with The Loop Orchestra and on radio.
[10] In 2007, Australian violinist,
Jon Rose, spoke at the 9th Annual Peggy Glanville-Hicks Address (see
Peggy Glanville-Hicks), Rose discussed Blades' enthusiasm and commitment to the Sydney music community:
Multiple sclerosis sentenced John Blades to a wheelchair, where no
doubt it was expected that he would spiral slowly out of view. The
contrary happened and with committed zeal, he has become a major figure
in the Sydney alternative music scene, organising & conducting his
Loop Orchestra, promoting & supporting new music and outsider art.
Not only have his activities kept his mental state together, he tells me
that his condition has actually been reversed through his involvement
with music. Physical healing with music is not just the province of new
agers – music can be as practical as taking aspirin.[11]
Radio
During 1981 John Blades was invited by Ian Hartley to appear on the
2MBS' radio programme,
Disc Noir, to present samples of his music collection.
[1] Hartley asked Blades to host his own show,
Hot Dog You Bet, which was broadcast by 2MBS from 1982 to 1985.
[12]
Fielding had suggested the name of the show, inspired by "a flexi disc
released with a New York art magazine called Smegma, an audio collage".
[12]
In March 1998, due to the severity of his MS which reduced his mobility, Blades finished working at the RTA.
[7] His most pleasing work as an engineer was on the
Glebe Island Bridge: "I designed water drainage system from the bridge deck to the underground stormwater system".
[7] From 1998 Blades presented a fortnightly radio programme,
Background Noise, with initial co-host Fielding, and from 2003, another ex-Severed Heads musician,
Garry Bradbury[13] on 2MBS. The programme featured "mainly experimental music with innovative film soundtracks, radio plays and spoken word".
[12]
During his time at 2MBS FM, Blades also founded the Contemporary Music
Collective (CMC), a group of radio broadcasters and producers who
supported noise and experimental music programmes after midnight, which
differs from the station's usual programming of classical music during
daytime. Other programmes include
Eclectic Chair,
The Dust Museum and
Our World Through Seratonin. In 2004 CMC organised a fund-raiser in 2004 called
Discollaboration to celebrate 22 years on-air – Severed Heads played live, along with radio presenters and CMC members.
Sydney Morning Herald's reporter, Sunanda Creagh, wrote:
For 22 years, the station with a split personality has broadcast an
eclectic mix of noise music, samples, mashed-up radio plays and live
sound art from midnight to 3am from Monday to Thursday, placing it at
the centre of Sydney's experimental music scene.[14]
In 2010, Blades' documentary, "The Too Hard Basket", was broadcast on
ABC Radio National,
360 Documentaries programme.
[15] It won the
Walkley Award for 'Social Equity Journalism – All Media',
[16] and the 'Radio Documentary of the Year Award' from the
Asia-Pacific Broadcasting Union.
[17] Blades died on 25 November 2011 after complications from cancer therapy.
[18]
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