/ Stars that died in 2023

Sunday, June 5, 2011

Buster Martin, French-born British longevity claimant died he was 104.

Pierre Jean "Buster" Martin  claimed to be the United Kingdom's oldest employee, stating that he was born in 1906died he was  104.


(1 September 1906 - 12 April 2011)

Until his death, Martin worked for Pimlico Plumbers, a well-known plumbing company in southeast London as a van cleaner, and notably refused to take a day off on the day he celebrated what he claimed was his 100th birthday.[3] He also received coverage in the media for fending off an attack from a group of youths in 2007;[4][5] his heroics were cited by the former Liberal Democrat leader Sir Menzies Campbell as "living proof of why people should not be written off once they pass retirement age". Martin stated that he would not retire from working.[6][7]
Doubts have been raised about all of Martin's historical claims, including his age, which may have been "only" 97 at the time of his death.[8][9]

Biography

In an interview with The Guardian newspaper, Martin claimed to have been born "up in the hills of the Basque Country" in France. He stated that his mother fell pregnant to a member of the affluent family she served, and he and his mother were smuggled to Britain to avoid the disgrace. His mother was put in a convent and he was placed in an orphanage near Bodmin in Cornwall,[10] run by the Sisters of Mercy, when he was three months old.[7] Martin says that he picked up his nickname "Buster" at age three for "whacking a priest on the nose".[11] He travelled to London, and found work running errands for stallholders in the Brixton market, the beginning of nearly 90 years of work.[4]
He reputedly met his future wife, Iriana, a native of Tonbridge, Kent, at the age of 13 (she was 12). They married a year later in France.[dubious discuss] Martin stated: "I got married in 1920 and had to go over to France as I couldn't get married here due to my legal status." It has to be noted, however, that the legal age for contracting marriage in France at the time was 18 for a boy and 15 for a girl, with the consent of their parents, or 21 without the consent of father and mother.[12] The couple stayed together for 35 years until Iriana reportedly died in 1955,[7] although no death certificate has been uncovered. They reportedly had 17 children, born between 1921 and 1934: "twins, triplets, singletons - all sorts",[13] among them Roberto, Rodrigues, and triplets named Georgina, Georgia and Giselle, but again no record of their births could be found. Martin claimed that they all moved abroad.[8]
He claimed to have left the Brixton market aged 14, and joined the British Army, where he became a physical training instructor.[13] He served in World War II, leaving the Armed Forces in 1955 after reaching the rank of regimental sergeant major.[7] After "taking up a wide range of trades",[3] he returned to the market, where he worked until he was 97. After complaining of boredom, he resumed work, starting at Pimlico Plumbers in London on a twenty-hour week (three days a week) three months before his claimed 100th birthday.[14]
On Martin's claimed centenary, his employer suggested that he take the day off to celebrate. However, he turned up for work. His colleagues threw him a surprise party at the company's headquarters and organized a tour of Chelsea F.C.'s Stamford Bridge ground.[3] Until 2006, Martin claimed never to have taken a day off for sickness in his ninety years of work, until an ingrown toenail forced him to take a few months' leave of work.[6]
On 22 February 2007, while walking to a bus stop from a local pub, Martin was attacked by three youths from behind. Their assault sent him "crashing to the floor", but he managed to defend himself; he says he "hit one in the groin and kicked another one". The youths ran off; Martin staggered to King's College Hospital, where he was kept in overnight. He reported for work the next morning, but his bosses refused to let him work.[4]
Martin stated that he would "only give up [working] when they put me in a wooden box".[6] He also offered his view on older workers: "Employers should pick people like us; we want to work and it puts money in our pockets and keeps us active".[7] His boss, Charlie Mullins, stated in an interview with a French TV station that they use Buster in all their publicity and managed to increase their business by 36% thanks to his popularity and the media interest.[15]
Buster Martin died on 12 April 2011 at the claimed age of 104.[16][17]

The Zimmers

Through the intervention of celebrity publicist Max Clifford,[14] Martin joined the The Zimmers, a band consisting of forty old age pensioners. The group was put together by BBC film maker Tim Samuels for a documentary on the marginalisation of older people in Britain. The Zimmers shot to fame in 2007 with their cover of The Who's "My Generation".[18] Martin also accepted a position on men's magazine FHM as an "agony uncle," offering advice to the magazine's readers.[19]

London Marathon 2008

After walking the 10 kilometres (6.2 mi) distance of the Great Capital Run in 2 hours 22 minutes[20] and the Roding Valley Half Marathon in 5 hours 13 minutes,[21] Martin was entered for the 2008 London Marathon. According to press reports, he walked the 26 mile course in approximately 10 hours. The official London Marathon 2008 Results list shows intermediate results for 5 km, 10 km and 15 km but no finishing time for Buster Martin, who carried the race number 32858 on race day.[citation needed] His four minders - Harmander Singh (32857), Samm Mullins (32856), Anil K Gupta (51611) and Mirmal Singh Lotay (23984) - are still officially listed with a finishing time of 9 hours 59 minutes.[clarification needed][22] If the claims about his age were true, he would have been the oldest recorded marathon participant in the world. The record-holder is Dimitrion Yordanidis who ran at a verified 98 years of age.[23] However, officials of the Guinness World Records organisation said that they did not consider Martin eligible for the record because he had never provided proof of the date of his birth. Robert Young, an independent senior consultant for gerontology for Guinness World Records stated that his sources had told him that Martin had two birth dates registered with the British NHS: 1 September 1906, and 1 September 1913, which would have made him 94 years old at the time.[24]
London bookmakers William Hill refused to pay out £13,300 in alleged winnings for two bets which had been placed on Buster Martin's marathon efforts and would have benefitted the Rhys Daniels Trust. The bookmakers demand a birth certificate as proof of age, stating that other documents like a passport or a naturalisation certificate are only "proof of nationality" and, in this case, based on "self-certification".[25] The Los Angeles Times reported on 12 April 2008 that Martin "follows a diligent regimen of beer, cigarettes and red meat".

 

To see more of who died in 2010 click here

Désiré Tagro, Ivorian politician, Interior Minister, chief of staff for Laurent Gbagbo, died from a shot he was , 52.

Désiré Asségnini Tagro was an Ivorian politician who served as the Minister of the Interior and chief of staff for former Ivorian President Laurent Gbagbo during the 2010–2011 Ivorian crisis died from a shot he was , 52.. Tagro was a top ally of Gbagbo.

(January 27, 1959 - April 12, 2011) 

In June 2010, Mamadou Koulibaly, the President of the National Assembly of Côte d'Ivoire, accused Désiré Tagro, the then Minister of the Interior, of embezzling money and showing regional favoritism regarding admissions to a training school for the police. President Laurent Gbagbo ordered an investigation into the allegations;[2] in July 2010, the investigation judged that the allegations were without merit,[3] and Tagro, who continued to enjoy Gbagbo's favor, was ultimately unscathed by the allegation.[4]
During the Second Ivorian Civil War of 2010 and 2011, the U.S. Treasury Department banned American companies and individuals from doing commercial or financial business with Désiré Tagro,[5] as well as Laurent Gbagbo, Gbagbo's foreign minister, Alcide Djédjé, and the head of the Ivorian Popular Front, Pascal Affi N’Guessan.[5]
Tagro and Laurent Gbagbo were arrested on April 11, 2011, at Gbagbo's home in Abidjan by Republican forces loyal to President Alassane Ouattara. Tagro suffered a gunshot wound to the face during the arrest, though the circumstances remain unclear.[1][6] Some Gbagbo loyalists claimed that Tagro was shot by Republican forces while in custody at the Golf Hotel.[6] Tagro was taken to a hospital in Abidjan by U.N. peacekeepers, where he died on April 12, 2011, at the age of 52.[7] United Nations Under-Secretary-General for Peacekeeping Operations Alain Le Roy said that Tagro's death "is to be deplored."[7]

 

To see more of who died in 2010 click here

Miroslav Tichý, Czech photographer died he was , 84.


Miroslav Tichý was a photographer who from the 1960s to 1985 took thousands of surreptitious pictures of women in his hometown of Kyjov in the Czech Republic, using homemade cameras constructed of cardboard tubes, tin cans and other at-hand materials died he was , 84.. Most of his subjects were unaware they are being photographed. A few struck beauty-pageant poses when they sighted him, perhaps not realizing that the parody of a camera he carried was real.

(November 20, 1926 – April 12, 2011) 

His soft focus, fleeting glimpses of the women of Kyjov are skewed, spotted and badly printed — flawed by the limitations of his primitive equipment and a series of deliberate processing mistakes meant to add poetic imperfections.[3]
Of his technical methods, he has said, "First of all, you have to have a bad camera", and, "If you want to be famous, you must do something more badly than anybody in the entire world."[4][5]
During the Communist regime in Czechoslovakia, Tichý was considered a dissident and badly treated. His photographs remained largely unknown until an exhibition was held for him in 2004. Tichý did not attend exhibitions, and lived a life of self-sufficiency and freedom from the standards of society.[4]
Tichý died on April 12, 2011 in Kyjov.[6]

Early life

Miroslav Tichý (Czech pronunciation: [cɪxiː]) was born in 1926 in the village of Nětčice, part of the town of Kyjov (now South Moravian Region), Czechoslovakia.[7] He was an introverted child who did well in school.[4]
Although Tichý is regarded today as an outsider artist because of his unconventional approach to photography, he studied at the Academy of Fine Arts in Prague, and for a time seemed on the path to becoming an esteemed painter in the modernist mode, working in a style reminiscent of Josef Čapek.[8] After the Communist takeover of Czechoslovakia in 1948, students at the Academy were required to work in the Socialist mode, drawing workers in overalls rather than female models. Tichý refused, stopped working and quit the Academy. He was then required to perform his compulsory military service.[4]
When he returned to Kyjov, he lived with his parents on a small disability pension, and painted and drew for himself in his own style. The Communist regime in its paranoia saw the independent Tichý as a dissident, kept him under surveillance and tried to "normalize" him, bringing him to the State psychiatric clinic for a few days on Communist patriotic holidays such as May Day to keep him out of the public eye. In the 1960s he began to disregard his personal appearance, wearing a ragged suit and letting his unkempt hair and beard grow long.[4] At about this time he began to wander around town with an intentionally imperfect homemade camera, taking clandestine photographs of local women.[3]
Following the 1968 Soviet occupation of Czechoslovakia, private property was nationalized. In 1972, Tichý was evicted from his studio, his work thrown into the street. He stopped drawing and painting and concentrated only on photography, working in the disorderly conditions of his home. Of the transition, he says, "The paintings were already painted, the drawings drawn. What was I supposed to do? I looked for new media. With the help of photography I saw everything in a new light. It was a new world."[4]
In 1985, Tichý stopped making his photographs and again concentrated on drawing.[2] His non-photographic body of work includes 100 to 200 oil paintings and a vast number of drawings. As with his photographs, in the past he destroyed an unknown number of such works.[4]

Approach to photography

During the years he wandered through Kyjov taking photographs with his crude cameras, the tall, shabby Tichý was tolerated by the townspeople but regarded as an eccentric. He shot about 90 pictures a day, returning to his disordered home to develop and print them.[7]
Homemade telephoto lenses allowed him to work unnoticed at a distance from his subjects. He frequented the streets, the bus station, the main square, the park across from the town swimming pool, stealing intimate glimpses of the women of Kyjov.[9] Although he was not permitted to go to the pool, he could photograph undisturbed through the wire fence. The fence often appears in his pictures, its presence adding a suggestion of forbidden fruit.[10]
According to a review by R. Wayne Parsons published in The New York Photo Review,
We see women photographed from the rear, from the front, from the side; we see their feet, legs, buttocks, backs, faces, as well as complete bodies [as when drawing a nude at the Academy]; we see them walking, standing, sitting, bending over, reclining. There are a few nudes, though the poor image quality sometimes makes it difficult to determine if we are looking at a nude or a woman with not much on. [...] Whatever eroticism is present is limited to that of the voyeur; these women are not inviting us into their world.[10]
Tichý's pictures were created for his own viewing pleasure, not for sale or exhibition. Each negative was printed only once.[1]

Artistic aspects

Tichý's subtle photographs use themes of movement, composition and contrast, but the main theme is an obsession with the female body.[4][7] Technically, his pictures are full of mistakes that compound the built-in limitations of his equipment — underexposed or overexposed, out of focus, blemished by dust in the camera, stained by careless darkroom processing.[10] Tichý explains, "A mistake. That's what makes the poetry."[4]

Equipment

Tichý made his equipment from materials at hand. A typical camera might be constructed from plywood, sealed from the light with road asphalt, with a plywood shutter with a window cut through, operated by a pulley system of thread spools and dressmaker's elastic.[4]
A homemade telephoto lens might be constructed from cardboard tubes or plastic pipes. He made his own lenses, cutting them out of Plexiglas, sanding them with sandpaper, then polishing with a mix of toothpaste and cigarette ashes. His enlarger combines sheet metal, two fence slats, a light bulb and a tin can.[2][4]

Printing and mounting

Once a picture was printed, Tichý might scissor off unwanted parts to improve the composition. Particularly successful images were pasted onto cardboard, or backed with other paper to prevent curling. He often drew lines with a pen or pencil to reinforce the subject's contours, or to heighten an image's expressiveness. He might decorate the margins with hand-drawn designs.[4]

Conservation

The works were unnumbered, untitled and undated. Tichý kept no catalogue and had no room to properly store his negatives or prints. Once he had printed a picture, it was cast aside, dropped haphazardly about his home, exposed to dirt and damage, rats and insects.[4]
In 1981, Roman Buxbaum, a former neighbor befriended by Tichý when Buxbaum was a child, returned from exile in Switzerland. His family had long been owners of paintings and drawings by Tichý, and now Buxbaum discovered the photographic work, which had been kept a secret.[11]
Buxbaum began an effort to collect and preserve the artist's deteriorating photographs. He says that over the next 25 years it was his good fortune to be the only person to see, collect and document Tichý's work. Tichý made him presents of bundles of photographs, and Buxbaum bought more bundles from Tichý's neighbor and "surrogate mother", Jana Hebnarovà, who has looked after Tichý since his mother's death and been appointed his heir. In 2006, Buxbaum said that he believed his to be the most complete collection of Tichý's photographs, and that he had placed part of it with galleries for sale on commission, with the intention of making it available to museums and collectors to "bequeath it to the world of art". [11]
In 2009, it was announced that Tichý had severed all ties with Buxbaum and the Tichý Oceàn Foundation's website.[4] In a notarized statement dated 22 January 2009, Tichý states that he made no agreement, written or oral, with Buxbaum to propagate his works, that Buxbaum exploits his works without authorization and violates his copyright, and that only he, Hebnarovà and his lawyer have the right to decide on the use and propagation of his works.[12]

Recognition

As part of Buxbaum's conservation efforts, he made a documentary about the artist's work and life, Miroslav Tichý: Tarzan Retired (2004). Tichý's work was largely unknown until Buxbaum's collection of his photographs was shown at the 2004 Biennial of Contemporary Art in Seville. Tichý's work won the Rencontres d'Arles 2005 New Discovery Award, and Buxbaum set up the Tichý Oceàn Foundation on behalf of Tichý, then 77, to preserve and exhibit his work.[5] In 2005, he had a major retrospective at the Kunsthaus in Zurich,[4] another at the Pompidou Centre in 2008.[1]
In February 2010, Tichý had a solo show at the International Center of Photography in New York City. In its review, The New York Times thought his anti-modernist style was representative of the nonviolent subversion practiced by Czech students and artists under the Soviet regime, and called his photographs an "uncanny fusion of eroticism, paranoia and deliberation" that is "mildly disturbing [but also] intensely fascinating".[5]

Critical interpretation

An essay in Artforum International describes Tichý as "practically reinventing photography from scratch", rehabilitating the soft focus, manipulated pictorial photography of the late 1800s,
...not as a distortion of the medium but as something like its essence. What counts for him is not only the image – just one moment in the photographic process – but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing.[2]
Director Radek Horacek of the Brno House of Art, which held an exhibition of Tichy's photographs in 2006, describes them thus:

 

To see more of who died in 2010 click here

Billy Bang, American jazz violinist, died from lung cancer he was , 63.

 Billy Bang (born William Vincent Walker;) was an American free jazz violinist and composer died from lung cancer he was , 63..

(September 20, 1947 – April 11, 2011)

Biography

Bang's family moved to New York City's Bronx neighborhood while he was still an infant, and as a child he attended a special school for musicians in nearby Harlem.[1] At that school, students were assigned instruments based on their physical size. Bang was fairly small, so he received a violin instead of either of his first choices, the saxophone or the drums.[1] It was around this time that he acquired the nickname of "Billy Bang", derived from a popular cartoon character.[2]
Bang studied the violin until he earned a hardship scholarship to a private high school in Stockbridge, Massachusetts,[3] at which point he abandoned the instrument because the school did not have a music program.[4] He had difficulty adjusting to life at the school, where he encountered racism and developed confusion about his identity, which he later blamed for his onset of schizophrenia.[4] Bang felt that he had little in common with the largely privileged children at the school, who included Jackie Robinson, Jr. (son of baseball star Jackie Robinson)[4] and Arlo Guthrie,[2] and he struggled to reconcile the disparity between the wealth of the school and the poverty of his home in New York. He left the school after two years and attended a school in the Bronx. He did not graduate, decided not to return to school after receiving his draft papers,[4] and at the age of 18, he was drafted into the United States Army.[5]
Bang spent six months in basic training and another two weeks learning jungle warfare,[4] arriving in Vietnam just in time for the Tet Offensive.[5] Starting out as an infantryman, he did one tour of combat duty,[4] rising to the rank of sergeant before he mustered out.[1]
After Bang returned from the war, his life lacked direction. The job he had held before the army had been filled in his absence.[4] He pursued and then abandoned a law degree, before becoming politically active and falling in with an underground group of revolutionaries.[1] The group recognized Bang's knowledge of weapons from his time in the Army, and they used him to procure firearms for the group during trips to Maryland and Virginia, buying from pawnshops and other small operators who did not conduct extensive background checks.[4] During one of these trips, Bang spotted three violins hanging at the back of a pawnshop, and he impulsively purchased one.[4]
He later joined Sun Ra's band. In 1977, Bang co-founded the String Trio of New York (with guitarist James Emery and double bassist John Lindberg). Billy Bang explored his experience in Vietnam in two albums: Vietnam: The Aftermath (2001) and Vietnam: Reflections (2005), recorded with a band which included several other veterans of that conflict. The latter album also features two Vietnamese musicians based in the United States (voice and đàn tranh zither).
Bang died on April 11, 2011.[3] According to an associate, Bang had suffered from lung cancer.[3] He had been scheduled to perform on the opening day of the Xerox Rochester International Jazz Festival on June 10, 2011.[6]

Discography


As leader

  • 1979: Distinction without a Difference (hat Hut)
  • 1979: Sweet Space (Anima)
  • 1981: Rainbow Gladiator (Soul Note)
  • 1982: Invitation (Soul Note)
  • 1982: Bangception, Willisau 1982 (hatOLOGY)
  • 1983: Outline No. 12 (Celluloid)
  • 1984: The Fire from Within (Soul Note)
  • 1986: Live at Carlos 1 (Soul Note)
  • 1991: Valve No. 10 (Soul Note)
  • 1992: A Tribute to Stuff Smith (with Sun Ra, John Ore, Andrew Cyrille, Soul Note)
  • 1996: Spirits Gathering (CIMP)
  • 1997: Bang On! (Justin Time)
  • 1997: Commandment (No More)
  • 1999: Big Bang Theory (Justin Time)
  • 2001: Vietnam: The Aftermath (Justin Time)
  • 2004: Vietnam: Reflections (Justin Time)
  • 2004: Configuration (with Sirone, Silkheart Records)

 As sideman

  • Billy Bang & Charles Tyler: Live at Green Space (Anima, 1982)
  • William Hooker/Billy Bang Duo: Joy (Within)! (1994–95)
  • William Parker Violin Trio: Scrapbook (Thirsty Ear, 2003)
  • Billy Bang, Wayne Providence and Michael Maloy: Hip Hop Bebop (ITM, 2003)
With String Trio of New York
  • First String (Black Saint, 1979)
  • Area Code 212 (Black Saint, 1980)
  • Common Goal (Black Saint, 1981)
  • Rebirth of a Feeling (Black Saint, 1983)
  • Natural Balance (Black Saint, 1986)
With World Saxophone Quartet
With Kahil El'Zabar
  • Big Cliff (Delmark, 1995)
  • The Power (CIMP, 2000)
  • Spirits Entering (Delmark, 2001)
  • If You Believe... (8th Harmonic Breakdown, 2002)
  • Live at the River East Art Center (Delmark, 2005)

 

To see more of who died in 2010 click here

Lewis Binford, American archaeologist, died from heart failure he was , 80.

Lewis Roberts Binford  was an American archaeologist known for his influential work in archaeological theory, ethnoarchaeology and the Paleolithic period  died from heart failure he was , 80.. He is widely considered among the most influential archaeologists of the later 20th century, and is credited with fundamentally changing the field with the introduction of processual archaeology (or the "New Archaeology") in the 1960s. Binford's influence was controversial, however, and most theoretical work in archaeology in the late 1980s and 1990s was explicitly construed as either a reaction to or in support of the processual paradigm.[3] Recent appraisals have judged that his approach owed more to prior work in the 1940s and 50s than suggested by Binford's often strident criticism of his predecessors.

(November 21, 1931 – April 11, 2011)

Early life and education

Binford was born in Norfolk, Virginia on November 11, 1931. As a child he was interested in animals, and after finishing high school studied wildlife biology at the Virginia Polytechnic Institute. Previously a mediocre student, Binford excelled in college and considered pursuing an academic career in biology until he was put off the idea when a professor suggested that there were "still a few species of blind cave salamanders" that he could be the first to study.[5] It was during his time in the military that Binford first became interested in anthropology and archaeology. After graduating he was drafted as an interpreter and assigned to a group of anthropologists tasked with resettling people on the Pacific islands occupied by the United States during World War II. He also became involved with the recovery of archaeological material from tombs on Okinawa that were to be removed to make way for a military base. Though he had no training in archaeology, Binford found himself excavating and identifying these artifacts, which were then used to restock the destroyed museum in Shuri.[6]
After leaving the military Binford went to study anthropology at the University of North Carolina (UNC). The military subsidy he received was not enough to fund his study completely, so Binford used the skills in construction he learnt from his father (a carpenter) to start a modest contracting business. He gained a second BA at UNC and then in 1957 transferred to the University of Michigan to complete a combined MA and PhD. His thesis was the interaction between Native Americans and the first English colonists in Virginia, a subject he became interested in while still at UNC.[7]

New Archaeology

Binford first became dissatisfied with the present state of archaeology while an undergraduate at UNC. He felt that culture history reflected the same 'stamp collecting' mentality that had turned him away from biology. At Michigan, he saw a sharp contrast between the "excitement" of the anthropology department's cultural anthropologists (which included Leslie White) and the "people in white coats counting their potsherds" in the Kelsey Museum.[8] His first academic position was as an assistant professor at the University of Chicago, where he taught New World archaeology and statistical methods in archaeology. Shortly after his appointment he wrote his first major article, Archaeology as Anthropology (1962), which was stimulated problems in archaeological methodology that had became apparent with the use of radiocarbon dating to verify the dates and cultural typologies generated with relative dating techniques such as seriation.[9] Binford criticised what he saw as a tendency to treat artifacts as undifferentiated traits,[10] and to explain variations in these traits only in terms of cultural diffusion. He proposed that the goal of archaeology was exactly the same as that of anthropology more generally, viz. to "explicate and explain the total range of physical and cultural similarities and differences characteristic of the entire spatio-temporal span of man's existence."[10] This would be achieved by relating artifacts to human behavior, and behavior to cultural systems (as understood by his mentor, cultural anthropologist Leslie White).[11]
Several other archaeologists at Chicago shared Binford's ideas, a group their critics began calling the "New Archaeologists".[12] In 1966 they presented a set of papers at a meeting of the Society for American Archaeology which were later collected in the landmark New Perspectives in Archaeology (1968), edited by Binford and his then wife Sally, also an archaeologist.[13] By the time this volume was published he had left Chicago – dismissed, according to Binford, because of increasing tension between himself and the senior archaeologists in the faculty, particularly Robert Braidwood.[14] He moved to the University of California, Santa Barbara for a year and then on to UCLA. He did not like the atmosphere at UCLA's large faculty, and so took the opportunity to relocate to the University of New Mexico in 1969.[13]

Ethnoarchaeology


Binford withdrew from the theoretical debates that followed the rapid adoption[15] of New Archaeology (by then also called processual archaeology) in the 1960s and 70s, instead focusing on his work on the Mousterian, a Middle Palaeolithic lithic industry found in Europe, North Africa and the Near East.[16] In 1969 he decided to undertake ethnographic fieldwork among the Nunamiut in Alaska, in order to better understand the periglacial environment that Mousterian hominins occupied, and to see first hand how hunter-gatherer behavior is reflected in material remains.[17] This methodology—conducting ethnographic fieldwork to establish firm correlations between behavior and material culture—is known as ethnoarchaeology and is credited to Binford.[18] Most of Binford's later work was focused on the Palaeolithic and hunter-gatherers in the archaeological record.

Later career

Binford joined the Southern Methodist University faculty in 1991, after teaching for 23 years as a distinguished professor at the University of New Mexico.[citation needed]
Binford's last published book, Constructing Frames of Reference (2001), was edited by his then wife, Nancy Stone. His wife at the time of his death, Amber Johnson, has said that she and a colleague will finish editing a book Binford had in progress at the time of his death.[19]
He died on April 11, 2011 in Kirksville, Missouri, at the age of 79.[20]

Personal life

Binford was married six times. His first marriage was to Jean Riley Mock, with whom he had his only daughter, Martha. Binford also had a son, Clinton, who died in a car accident in 1976. He frequently collaborated with his third wife, Sally Binford, who was also an archaeologist; the couple married while they were graduate students at the University of Chicago, and co-edited New Perspectives in Archaeology (1968), among other works. After his marriage to Sally ended, Binford married Mary Ann, an elementary school teacher. His fifth wife was Nancy Madaris Stone, an archaeologist. At the time of his death he was married to Amber Johnson, an associate professor of anthropology at Truman State University who had worked with Binford as a research student.[2][19][21][22][23]

Influence

Binford is mainly known for his contributions to archaeological theory and his promotion of ethnoarchaeological research. As a leading advocate of the "New Archaeology" movement of the 1960s, he proposed a number of ideas that became central to processual archaeology. Binford and other New Archaeologists argued that there should be a greater application of scientific methodologies and the hypothetico-deductive method in archaeology. He placed a strong emphasis on generalities and the way in which human beings interact with their ecological niche, defining culture as the extrasomatic means of adaptation. This view reflects the influence of his Ph.D supervisor, Leslie White. Binford's work can largely be seen as a reaction to the earlier culture history approach to archaeology. New Archaeology was considered a revolution in archaeological theory.
Binford was involved in several high-profile debates including arguments with James Sackett on the nature and function of style and on symbolism and methodology with Ian Hodder. Binford has spoke out and reacted to a number of schools of thought, particularly the post-processual school, the behavioural school, and symbolic and postmodern anthropologies. Binford was also known for a friendlier rivalry with French archaeologist François Bordes, with whom he argued over the interpretation of Mousterian sites. Binford's disagreement with Bordes over the interpretation of Mousterian stone artifacts provided the impetus for much of Binford's theoretical work. Bordes interpreted variability in Mousterian assemblages as evidence of different tribes, while Binford felt that a functional interpretation of the different assemblages would be more appropriate. His subsequent inability to explain the Mousterian facies using a functional approach led to his ethnoarchaeological work among the Nunamiut and the development of his middle-range theory.

Awards and recognition

Binford was elected to the National Academy of Sciences in 2001.[24] He also received a Lifetime Achievement Award from the Society for American Archaeology[citation needed] and an honorary doctorate from Leiden University.[citation needed] There is an asteroid named Binford in his honor.[25]

Works

 

To see more of who died in 2010 click here

Akis Cleanthous, Cypriot politician, chairman of the Stock Exchange (2003–2007), Minister of Education and Culture (2007–2008), died from a heart attack he was , 47.

Akis Cleanthous was a Cypriot politician and financial analyst died from a heart attack he was , 47.. Cleanhous served as the chairman of the Cyprus Stock Exchange from 2003 to 2007 and Minister of Education and Culture from 2007 until 2008. He was a member of the Democratic Party (DIKO), a center-right political party.

(1964 - April 11, 2011) 

Cleanthous was born in 1964 in Argaka, Paphos District, Cyprus.[2] He received a bachelor's degree in marketing management from Baruch College in New York City.[1][2] Cleanthous then obtained a Master of Business Administration (MBA) in quantitative analysis from St. John's University in Queens, New York.[1][2]
Cleanthous initially worked as banker, specializing in electronic banking,[2] before moving into the Cypriot Internet Technology sector.[1] He was appointed the chairman of the Cyprus Stock Exchange (CSE) in 2003 by the Council of Ministers.[2] He remained the head of the CSE until February 20, 2007, when he was appointed Minister of Education and Culture.[1][2]
In February 2007, Cleanthous was appointed the Minister of Education and Culture within the government of President Tassos Papadopoulos.[1][2] He remained in that position until the Cypriot presidential election in February 2008,[1] when he was succeeded as minister by Andreas Demetriou. A former member of the House of Representatives of Cyprus for the DIKO, Cleanthous served as the head of the party's political planning bureau and a member of DIKO's executive committee.[1] He also served as the chairman of the Spyros Kyprianou Institute, a Cypriot think tank named for Spyros Kyprianou.[1]
Outside of politics, Cleanthous took a position as the managing director of Evresis Loyalty Management in 2008.[2] Cleanthous also served as the chairman of Sea Star Capital Plc and as a member of the board of directors of the Nicosia Chamber of Commerce and Industry.[1][2]
Akis Cleanthous died of a heart attack on April 11, 2011, at the age of 46.[1] At the time of his death, Cleanthous had been scheduled to stand for election in the 2011 Cypriot legislative election on May 22, 2011.[1]
Cleanthous' funeral was held at the Saint Sophia Church in Strovolos.[3] Dignitaries in attendance included Cypriot President Demetris Christofias.[3] He was buried at St. Nicolaos cemetery.[4] Cleanthous was survived by his wife, Christiana Cleanthous , and son, Evangelos.[

 

To see more of who died in 2010 click here

John D'Orazio, Australian politician, member of the Western Australian Legislative Assembly for Ballajura (2001–2008), died from a heart attack during surgery he was , 55.

John Biase D'Orazio was a Western Australian politician died from a heart attack during surgery he was , 55.. A pharmacist by trade, he served as mayor of the City of Bayswater from 1983 until 2000, then was elected to the Western Australian Legislative Assembly electorate of Ballajura in 2001, where he served until 2008.

(5 September 1955 – 11 April 2011)


Elected as a member of the Australian Labor Party, D'Orazio briefly served as Minister for Police in the Carpenter Ministry, but was dumped in May 2006 following a series of personal controversies. In August, he was forced to resign from the party due to corruption allegations, and sat as an independent. He was readmitted to the party in June 2008, but resigned again two months later after failing to win preselection to recontest his seat. He subsequently contested the 2008 state election as an independent, but was unsuccessful.[2][3]

Biography

Appointed as minister of justice and small business in 2005, he was then given the portfolios for police, emergency services, justice and community safety in February 2006.
In May 2006 D'Orazio was stripped of his portfolios after it was revealed that he had been driving for two months without a licence after he had had a car accident in a ministerial vehicle.[4] He had lost his licence after failing to pay several speeding fines[5] He was forced to resign from the Party as a result.
By August 2006, D'Orazio was caught up in a corruption investigation and had to front the Corruption and Crime Commission to explain phone calls between himself and Pasquale Minniti, who allegedly was using his influence with officers in the Western Australian Police force to have speeding fines dropped.[6][7]
D'Orazio won a fight to rejoin the Labor Party in April 2008 when the Party decided it was better to accept his membership than endure a costly legal battle.[8] After losing preselection for the seat of Morley to new Labor party member, Reece Whitby, D'Orazio quit the ALP in June 2008 and announced his decision to contest the seat of Morley as an independent.[9][10] In the September 2008 election the seat was won by the Liberals with the help of preferences directed by D'Orazio.[11]
In 2006, D'Orazio introduced a private members bill instigating a three year trial of daylight saving in Western Australia, ahead of a referendum on the issue in 2009.[12]

Death

D'Orazio died on 11 April 2011 following a "routine operation"[13] after which his heart failed. He was 55.

 

To see more of who died in 2010 click here

Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...