 John Studebaker "Jack" Hardy
John Studebaker "Jack" Hardy was an 
American lyrical 
singer–songwriter and 
playwright based in 
Greenwich Village, who was influential as a writer, performer, and mentor in the 
North American and 
European folk music scenes for decades  died from complications of lung cancer he was , 63.   . He was cited as a major influence by 
Suzanne Vega, 
John Gorka,  and many others who emerged from that scene in the 1970s, 1980s, and  1990s. Hardy was the author of hundreds of songs, and toured tirelessly  for almost forty years. He was also the founding editor of 
Fast Folk Musical Magazine,  a periodical famous within music circles for twenty years that shipped  with a full album (and later, compact disc) in each issue, whose entire  catalog is now part of the 
Smithsonian Folkways collection.
Hardy died on the morning of March 11, 2011 in Manhattan. He was 63. The cause was complications of 
lung cancer.
 | (November 23, 1947 – March 11, 2011) | 
Career

Jack Hardy was strongly identified with New York's Greenwich Village  folk music scene. Beginning in the mid-1970s, Hardy hosted Monday-night  songwriter's circles and pasta dinners at his apartment on Houston  Street (pronounced "HOW-stun"), a gathering famously open to both  established artists and novices. He also began a small, informal  songwriters' group at The English Pub in Greenwich Village, which later  became a more formal songwriters' night at the 
Cornelia Street Cafe  in December 1977. This group would later evolve into the Songwriter's  Exchange, releasing an album on Stash Records in 1980. Eventually, the  group formed a cooperative, led by Hardy, and in 1981 took over the  booking of the Speakeasy, which became a thriving venue for songwriters.  Hardy was also the founder and first editor of 
Fast Folk Musical Magazine in 1982. Hardy is a graduate of the 
Pomfret School in 
Connecticut and the 
University of Hartford.
Although more popular in Europe than in his native 
America  for much of his career, the end of the 20th Century brought a reignited  interest in his music on his native shores. Throughout, he toured  tirelessly on both sides of the Atlantic. Hardy was a lyrical writer;  his songs were political, although usually subtly so. His music was  often tinged with a Celtic flavor, although his last few albums took on  more of a country & western style. Both budget-conscious and  disdainful of self-important artistic egos, Hardy recorded all of his  albums (almost 15 of them, in a 40-years career) in the same manner: by  rehearsing a small band and then recording the entire album "live to  tape" in a period of 48 hours or less. In the last few years of his  life, Hardy toured with long-time friend and fellow songwriter 
David Massengill as a duo called the Folk Brothers.
In songwriter circles, Hardy was as well-known as a teacher and  mentor as he was as an artist. Songwriters gathered at his hallowed  Houston Street apartment one night a week to play their latest (and  usually unfinished) work, and to face criticism from Hardy and their  gathered peers. Fueled by pasta and wine, the weekly songwriters'  sessions were famous for the artistic and political conversations that  flowed in them and the large number of remarkable songs that emerged  from them. Jack suffered neither egos nor nerves, and when the  introduction to a new song got too long and/or apologetic from a  songwriter, Hardy would bark, "Shut up and sing the song." The hundreds  of songwriters who frequented Hardy's apartment gatherings over the  years included names both unknown and famous – among them, 
Suzanne Vega, 
Shawn Colvin, 
Brian Rose, 
Richard Shindell, 
John Gorka, 
Wendy Beckerman, 
Richard Julian, 
Christian Bauman, 
Linda Sharar, 
Rod MacDonald, 
Lucy Kaplansky, and 
Christine Lavin. The weekly songwriter's session itself made it into a number of songs by Hardy alumni, including "Jack's Crows" by 
John Gorka,  the title song of Gorka's second album, and "Boulevardiers" by Suzanne  Vega. The group was also immortalized in fictional form in 
Christian Bauman's  2008 novel "In Hoboken," which included two chapters that took place in  the Houston Street apartment, and a character named "Geoff Mason" who  bore a striking (and, according to a public radio interview with Bauman,  intentional) resemblance to Hardy.
While Hardy's name never achieved the level of fame of Vega, Gorka, or the many he recorded for Fast Folk (including 
Tracy Chapman, 
Lyle Lovett, 
David Wilcox, or 
The Roches), he continually built on his substantial catalog of literate, well-crafted songs.
Hardy attended college at The University of Hartford, and in 1969 – then editor of the 
University of Hartford's  The News-Liberated Press – Hardy was arrested and convicted of libel  after publishing a lewd cartoon that attacked then president 
Richard Nixon.  Hardy was convicted and paid a $50 fine. While the conviction was later  overturned on appeal, Hardy remains the only person in the history of  the United States that has ever been arrested and convicted of libeling  the President of the United States.
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Jack Hardy was predeceased by a brother, Jeff, who played bass in  Jack's band and appeared on many of his recordings. Jeff Hardy, who  worked as a chef for a financial services firm located in the World  Trade Center, died in the 
terrorist attacks of September 11, 2001.
Discography
- Jack Hardy (1971)
- Early and Rare (1965–1974, vol. 1 of The Collected Works of Jack Hardy)
- Mirror of My Madness (1976)
- The Nameless One (1978)
- Landmark (1982)
- White Shoes (1982)
- The Collected Works of Jack Hardy, Part I, Volumes 1 - 5, 1965–1983
- The Cauldron (1984)
- The Hunter (1987)
- Retrospective (1990)
- Through (1991)
- Two of Swords (1992)
- Civil Wars (1994)
- Songs of Jack Hardy (tribute), Volume One: Of the White Goddess (1995)
- The Collected Works of Jack Hardy, Part II, Volumes 6 - 10, 1984–1995
- The Passing (1997)
- Omens (2000)
- Bandolier (2002)
- Coin of the Realm: Songs for the New American Century (2004)
- The Tinker's Coin - Celtic Anthology (2005)
- Noir (2007)
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