Dame Margaret Berenice Price,
DBE was a
Welsh soprano died from heart failure she was , 69..
(13 April 1941 – 28 January 2011)[1] |
Early years

Price was born in
Blackwood, Wales. Born with deformed legs, she was operated on at age four and suffered pain in her legs the rest of her life. She often looked after her younger brother John who was born with a mental handicap.
[2] The family had ties in
Cardigan and north
Pembrokeshire and often spent their summer holiday in
Moylegrove .
[3]
Her father, a talented amateur
pianist, was opposed to a musical career, and hence she never attended a young
Eisteddfod and was aiming for a career as a biology teacher. She was educated at
Pontllanfraith Secondary School, near
Caerphilly. At 15, her school music teacher organised an audition with
Charles Kennedy Scott, who convinced her to study with him at
Trinity College of Music in London and obtained a scholarship for her. Over the next few years, Price was trained as a
mezzo soprano.
[2][4]
Career
After graduation, she joined the
Ambrosian Singers, performing with them on the soundtrack of the 1961
Charlton Heston film
El Cid.[2]
Unrecognised through the normal channel of competitions, she was championed by her now-converted father, who wrote to opera houses to arrange auditions. As a result, Price made her operatic debut in 1962, singing Cherubino in
Mozart's
The Marriage of Figaro at the
Welsh National Opera.
[2]
After her father wrote to the
Royal Opera House in
Covent Garden in 1962, she auditioned and was turned down twice by musical director
Georg Solti who said that she "lacked charm".
[2] However, she was accepted as an understudy, thanks to casting director
Joan Ingpen, and she formed of a close personal and professional relationship with composer
James Lockhart.
[2] Solti added a rider to her contract, stating that she should never expect to sing lead in the main house, so she sang minor roles as a
mezzo.
[2] Her breakthrough came in 1963 when
Teresa Berganza cancelled a performance and Price got the chance to take over as her nominated
understudy, again in the role of Cherubino, a performance that made her famous overnight.
[4]
After that, Lockhart convinced Price to take further singing lessons to improve her technique and develop the luminous high range that made her one of the most popular lyric
sopranos of the 1970s and 1980s.
In 1967, she performed with
Benjamin Britten’s
English Opera Group in
The Impresario, and as Titania in
A Midsummer Night's Dream. In 1968, critic
Desmond Shawe-Taylor called her singing “brilliant, flexible and large scale” as Constanze in Mozart's
Die Entführung aus dem Serail at
Glyndebourne.
[2]
As Price did not enjoy travelling, she always kept a "home" stage, where she stayed and performed for the majority of each year. Initially this was Covent Garden, but from 1971 she made
Germany her base, initially at
Cologne Opera where she made her debut in
Don Giovanni, and latterly the
Bavarian State Opera in
Munich, where she lived until retirement in 1999.
[4] Price hence formed a professional relationship with
Otto Klemperer, who conducted her first recording of a major role in a complete opera - Fiordiligi in Mozart's
Così fan tutte. The 1972 recording established Price as a Mozart specialist.
[5]
In the years that followed, Price appeared as a guest at important opera houses. Her
Metropolitan Opera debut came in 1985 as Desdemona in
Verdi's
Otello.
In 1989 she appeared in the WNO production of
Salome at the
Brooklyn Academy of Music in
New York, in a performance attended by the
Prince and
Princess of Wales.
[6]
Repertoire
Price was most famous for her Mozart portraits, especially Fiordiligi, Donna Anna in
Don Giovanni, the Contessa in
The Marriage of Figaro (after having sung Cherubino and Barbarina at the beginning of her career), and Pamina in
The Magic Flute. Additionally, she sang Verdi roles, such as Amelia (
Un ballo in maschera, a role she also recorded with
Luciano Pavarotti), Elisabetta (
Don Carlos) and Desdemona (
Otello), her debut role at the Met, as well as Aida (also with Pavarotti in San Francisco, which was preserved on video),
Richard Strauss's Ariadne (
Ariadne auf Naxos) and
Adriana Lecouvreur by
Cilea.
Price was also very active as a
lieder singer, equally at home in the romantic idiom of
Franz Schubert and
Robert Schumann or Richard Strauss and the
Second Viennese School.
During her career, Price made many recordings of operas and of lieder. One of her most famous recordings is the Isolde in
Carlos Kleiber's complete recording of
Richard Wagner's
Tristan und Isolde, a role she never sang on stage. She was a
Kammersängerin of the
Bavarian State Opera.
[edit] Later years
Price retired to a 160-year-old farmhouse on
Ceibwr Bay, part of Moylegrove near
Cardigan, Ceredigion, overlooking the
Irish Sea. From there, she successfully bred and showed
Golden Retrievers, having the rear seats of her
Chrysler removed to create what she termed a “dogmobile.”
[2] She came out of retirement once to perform at a
Poppy day concert at her local church, something she later commented on: “It was the most nerve-racking occasion of my life. Never again will I sing in public.”
[2]
Price was made
Dame Commander of the Order of the British Empire (DBE) for her services to music in 1993.
[7]
Price died on 28 January 2011 from heart failure at her home in Ceibwr, aged 69.
[2][3][4]
Honours
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