/ Stars that died in 2023

Friday, March 4, 2011

Mondine Garcia, French Gypsy jazz guitarist.died he was 75

Mondine Garcia , was a French, Parisienne guitarist who specialized in playing traditional French gypsy jazz died he was 75.

(1936 – December 29, 2010)

 Career

The father of guitarists Ninine and Rocky Garcia, Mondine Garcia had a long, highly respected career in France as a notable part of the second generation of gypsy guitarists after Django Reinhardt. He often performed at the same venues and festivals alongside such contemporaries as Moreno Winterstein, Dorado Schmitt and Marcel Campion, and is succeeded by such "third generation" players as Angelo Debarre. His regular venue was La Chope Des Puces at Porte De Clignancourt in Rue Des Rosiers, Saint-Ouen.[2] One of his last festival appearances was at the Festival Jazz Muzette.[3]

Guitar

Garcia played for decades on a guitare Favino, fitted with a Stimer S.51 held on by packing tape, the string action “adjusted” by a folded wad of paper beneath the bridge.[4]

Partial discography

  • Les Enfants de Django – (1993)
  • The Gypsies of St. Quen – w/ Ninine Garcia (2007)
  • Une Histoire en Cours… (contributor – 2010)

Film appearances




External links


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Bennie Briscoe, American boxer. died he was , 67

 "Bad" Bennie Briscoe was the quintessential Philadelphia boxer  died he was , 67"Bad" Bennie fought from 1962 to 1982, and retired with a career record of 66 wins (53 by KO) 24 losses and 5 draws. Briscoe was a top-rated Middleweight contender during the 1970s, unsuccessfully challenging for the World Title on three different occasions. His record reads like a "who's who" list of prominent fighters from his era.

(August 2, 1943 – December 28, 2010)

 Amateur career

Briscoe had a standout career as an amateur, compiling a record of 70–3 (Source: The Ring, Sept 1963). He won the Middle Atlantic AAU title three times, the last in 1962 at Convention Hall in Philadelphia.

Professional career

Bennie fought Middleweight champions Marvin Hagler, Vito Antuofermo, Rodrigo Valdez, Emile Griffith and Carlos Monzón. He also fought and defeated future light-heavyweight champion Eddie Mustafa Muhammad, Tom Bethea, Carlos Marks, Rafael Gutierrez, Charley Scott, Billy "Dynamite" Douglas, George Benton, Vicente Rondon, Jose Gonzales (twice), Art Hernandez, Tony Mundine, Stanley "Kitten" Hayward, Juarez DeLima, Eugene "Cyclone" Hart and Tony Chiaverini. Briscoe also dropped two decisions to former welterweight champion Luis Rodriguez.
Bennie was known for his toughness, strong punch and body punching. He fought future middleweight champion Monzon to a draw in Buenos Aires on May 6, 1967, but dropped a 15 round decision to the champion in a 1972 title match. Briscoe was outpointed by former welterweight and middleweight king Emile Griffith in their first match, but fought Griffith to a draw in a rematch. He was outpointed by future middleweight champions Marvin Hagler and Vito Antuofermo.
Bennie also fought Rodrigo Valdez three times. He was outpointed twice, but Valdez scored a rare KO over Briscoe in an elimination match to determine the WBC middleweight champion on May 25, 1974 - it was the only time in 96 fights that Briscoe was ever stopped. The WBC had decided to "strip" Monzon of its version of the middleweight crown, although the rest of the world continued to recognize Monzon as champion.
Briscoe was one of the most feared middleweights of his era. In 2003, he was named to the The Ring's list of 100 greatest punchers of all time.[2] His final record was 66-24-5 with 53 knockouts and one No Contest.
Briscoe fought with the Star of David on his boxing trunks in tribute to his managers, first Jimmy Iselin, whose father Phil owned the New York Jets, and Arnold Weiss.[1]

Death

Bennie Briscoe died on December 28, 2010.[1]

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Denis Dutton, American-born entrepreneur and philosopher, creator of Arts & Letters Daily and Bad Writing Contest, died from prostate cancer he was , 66


Denis Dutton  was an academic, web entrepreneur and libertarian media commentator/activist. He was a professor of philosophy at the University of Canterbury in Christchurch, New Zealand died from prostate cancer he was , 66.  He was also a co-founder and co-editor of the websites Arts & Letters Daily, ClimateDebateDaily.com and cybereditions.com.[1]

Dutton was from Los Angeles, California, specifically the San Fernando Valley, where his parents owned a bookstore;[2] he was educated at the University of California, Santa Barbara. He taught at several American universities, including the University of California, Santa Barbara and the University of Michigan–Dearborn, before emigrating to New Zealand. From 2008 to 2010 he was the Head of the Philosophy school in an unofficial capacity at Canterbury and, when Professor Copeland, Head of the School[3], was quarantined because of influenza in 2009, Dutton acted briefly as Head of Humanities.
He was one of the founding members and first chair of New Zealand Skeptics.

(9 February 1944 – 28 December 2010) 

Art appreciation theory

Dutton's 2009 book The Art Instinct: Beauty, Pleasure, and Human Evolution[4] opposes the commonly held modernist view that art appreciation is culturally learned, claiming instead that art appreciation stems from evolutionary adaptions made during the Pleistocene.[5] He set out an abbreviated version of his theory in a 2009 Google Talk lecture.[6]

Criticism of academic prose

Dutton used his editorship of the journal Philosophy and Literature to criticise many literary and cultural theorists for a writing style that is, "no better than adequate -- or just plain awful."[7] In 1995, his Bad Writing Contest criticised the prose of Homi K. Bhabha and Fredric Jameson.[8] In 1998, the contest awarded first place to University of California-Berkeley Professor Judith Butler, for a sentence which appeared in the journal diacritics:
The move from a structuralist account in which capital is understood to structure social relations in relatively homologous ways to a view of hegemony in which power relations are subject to repetition, convergence, and rearticulation brought the question of temporality into the thinking of structure, and marked a shift from a form of Althusserian theory that takes structural totalities as theoretical objects to one in which the insights into the contingent possibility of structure inaugurate a renewed conception of hegemony as bound up with the contingent sites and strategies of the rearticulation of power.
Dutton said, "To ask what this means is to miss the point. This sentence beats readers into submission and instructs them that they are in the presence of a great and deep mind. Actual communication has nothing to do with it."[7] Butler challenged the charges of academic pedantry and obscurantism in the pages of the New York Times[9] and the affair briefly became a cause célèbre in the world of academic theorists. Dutton then ended the contest.

Public radio advocacy

Dutton was a passionate supporter of public radio. In the early 1990s he founded the lobby group The New Zealand Friends of Public Broadcasting in response to proposals to devolve New Zealand's two non-commercial public radio stations.[10]
In 1995 he was appointed to the board of directors of Radio New Zealand, where he served for seven years.[11] After concluding his term as a director, Dr Dutton and Dr John Isles issued a report criticising Radio New Zealand for loss of neutrality in news and current affairs, failure to adhere to charter and opposed to contestable funding of broadcasting.[12]

Recent academic contributions

In 2010, Dutton introduced a course entitled “Darwin’s Dangerous Idea” [13](Phil220) The title was borrowed, with permission, from the title of a book by philosopher Daniel Dennett, the man who famously called Darwin's formulation of evolution "The single best idea anyone has ever had." One of the purposes of the course was to demonstrate why Dennett's claim is defensible.
The required anchor text for the course was The Greatest Show on Earth: The Evidence for Evolution, by Richard Dawkins, an evolutionary theorist. Writings by Charles Darwin were sourced from another recommended text, Darwin's On the Origin of Species, edited by Joseph Carroll. Carroll's collection included important excerpts from The Voyage of the Beagle and The Descent of Man, as well as historical background (including Darwin's own short autobiography) and source material on other evolutionary thinkers.
Dutton intended this course to be a thought-provoking journey through the making of The Origin of Species, highlighting not only his personal journey but also the obstacles that thwarted early understanding of evolutionary theory.
Because of Dutton's death, this course will not be offered again. Douglas Campbell will staff one of Dutton's entry level courses, Philosophy 110"Science Good, Bad and Bogus," as mentioned above. Campbell founded with Dutton, and at present edits, Climate Debate Daily; However, the remainder of Dutton's Courses are likely to be cancelled indefinitely [14]

Death

In his final Email to his students in Philosophy 110, he wrote that the shoulder pain he had been suffering from was in fact cancer, and that he had recently begun a non-alternative treatment which left him feeling much better. He continued to decline, however, so that in his last lecture of 2010 he announced to his Philosophy 220 students his reluctant retirement from university teaching. Without ceremony, he thus slipped out the door of the university where he had lectured since 1984. Other students did not know of his retirement until they received a memo acknowledging the cancellation or restructuring of the courses he had been teaching. At its December 2010 graduation ceremony, the University of Canterbury awarded him a Research Medal for his work,[15] barely a fortnight before his death from cancer on 28 December 2010.[16][17]

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Thursday, March 3, 2011

Fred Heron, American football player (St. Louis Cardinals). died he was , 66,

Frederick Roger Heron [1] was a former professional American football defensive lineman in the National Football League. He played seven seasons for the St. Louis Cardinals died he was , 66.

Heron was drafted by the Green Bay Packers in the third round of the 1966 college draft, and Vince Lombardi traded him as a replacement for a lineman in the St. Louis Cardinals who had been forced to retire due to a heart murmur. [2]

(October 6, 1944 - Dec 28, 2010)

He suffered a back injury in a game in 1969 that led to an operation in April 1970, but resulted in ongoing pain for some time.[2] By the end of his time with the Cardinals, he had become bothered by the violence of the sport, and in one interview stated "I watched the quarterback on the ground in obvious pain. I suddenly thought to myself, ‘Have I turned into some kind of animal? This is a game, but I’m trying to maim somebody.’"[3] He and his wife Betty studied the Bible with Jehovah's Witnesses and were both baptized as Witnesses in February 1972. The Cardinals released him from his contract after his back injuries led to another surgery in October 1972.[2] After Heron's retirement from football he went on to work as the campus security assistant at Rio Calaveras Elementary School in his hometown of Stockton, California.[4]
He died on Dec. 28, 2010[1].

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Gene Kelton, American blues, rock and rockabilly singer and guitarist, died from a multiple injuries from vehicle collision he was , 55.


Sidney Eugene "Mean Gene" Kelton [2] was an American guitarist, harmonica player and singer-songwriter, based in Houston, Texas, though he was born in Booneville, Mississippi.[3] He played Americana, blues-rock, Southern rock and rockabilly music died from a multiple injuries from vehicle collision he was , 55..


(April 10, 1953 – December 28, 2010)


Blues roots

Gene Kelton's mother sang gospel music on the radio. She divorced his ne'er-do-well father when he was six. Afterward they lived with his grandfather, a cotton plantation share cropper. On weekends he listened to down-home blues in a dirt-floored juke joint. His step father, Bob Allbritton, who played rock 'n roll guitar then in a manner, as it can be said that Conway Twitty, sang country songs, exposed Gene to all types of music. His mom bought him a Sears Silvertone guitar at the age of ten, and they moved to Texas where he formed his first band, The Moven Shadows. Following a serious motorcycle accident, he played with several cover bands until "giving up" music after his first marriage. It took years of moving through various jobs, getting back into music after a divorce, and trying for a few years to get together a band, going through what he called "the worst of the worst" musicians, before he finally formed The Gene Kelton Band with bass player A.J. Fee and drummer Russel Shelby around the time of a national blues revival sparked by Stevie Ray Vaughan.[4] Kelton has been a full-time musician since 1983 when he began playing for tips in bars after losing his DJ job while newlywed in his second marriage and in desperate straits trying to support his unemployed bride and two sons from his previous marriage.[5] While publishing Texas Blues magazine in the early 1990s he lost everything but the rights to his songs in his second divorce. The band went through another name, The Love Buzzards, before fans called them "die hards" for playing long sessions in the hot sun suggesting their final revision. Finally, a demo tape played on KPFT helped Kelton raise enough money to release his first CD. Another musician saying, "Gene you play a really mean guitar," led to his nickname and the title of the group's second CD.[4]


Die-hard career

In 1992 he named his current band The Die Hards, under which name they have been playing ever since. At the time of his death Kelton was playing with drummer Ted McCumber and bass guitarist Ed Starkey( who has played with such names as the Dottie West Band).[5]

In December 1999 he released his first blues CD (Jambone Records), Most Requested. The album was quickly picked up by several Houston Radio stations, occupying the #1 call-in request on some of these stations. In addition to radio coverage, which garnered him mainly local attention, his popularity spread online through such sites as mp3.com where various songs from Most Requested remained at the top 10 for two years. Kelton's making his music available for download on the internet has resulted in a listener base spanning the globe with over 150 radio stations around the world carrying his music and an average of over 150,000 hits per month on his website. In 2003 he released his second blues CD Mean Guitar. In 2007, Mean Gene Kelton released Going Back To Memphis: A Biker Band Tribute To Elvis, a rockin' tribute to the King of Rock n Roll, recorded in none other than Sun Studios.

Style

Kelton's songs are most notable for powerful guitar and lyrics that range from emotional to raunchy. His raunchier songs often use innuendo, with lyrics that taken literally are perfectly benign. Such songs include: "The Avon Man", "Let Me Pump Your Gas",[3] and "Two Thangs". Others are a little more overt in their sexuality, such as "The Texas City Dyke", "My Blow Up Lover", and, his most well-known tune, "My Baby Don't Wear No Panties",[3] which Kelton began improvising to the tune of "Mean Mistreater" in 1988 when, after a drunken girl jumped up on a bar table, ripped off her shirt and began dancing, a guy yelled out, "That ain't nothing, my baby don't wear no panties." Eventually it evolved into the current audience participation version with fans shouting, "How do you know?" after each chorus. Discovering how audiences respond to songs with sexual innuendos, Kelton really caught their attention by beginning "The Texas City Dyke", "She's got tattoos on her titties." Gradually he developed this into his song by using all the jokes he had heard about this landmark fishing dike.[4]
Some of his songs have a more pained or melancholy feeling to them. Examples are the nostalgic songs "Cruisin' Texas Avenue" and "Leaving Paradise". Another common theme in several of his songs is the power of the blues. Songs like "Sweet Mother Blues" and "If Everybody Loved The Blues", extol blues music as having remarkable properties, like being able to end war and having "almighty healin' powers".
Many of his songs use alliteration in their lyrics. Some alliterative lines include "Sweetest song we ever sang was in each others arms" and "Sowed my seeds in search of truth". His songs also contain lots of imagery.
Self-described as a performing "black leather blues and redneck rock 'n roll,"[6] Mean Gene Kelton & The Die Hards have been called by ReverbNation "one of the top Biker Rally and Blues Festival headliner acts."[7]

Death

Kelton was killed on December 28, 2010,[3] when his SUV collided head-on with a school bus in Crosby, Texas, two days before he was due to perform on New Years Eve at Rowdy Buck's in Crosby, Texas.

Discography


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Hideko Takamine, Japanese actress died she was , 86

Hideko Takamine was a Japanese actress who began as a child actor and maintained her fame in a career that spanned nine decades.




(高峰 秀子 Takamine Hideko?, March 27, 1924 – December 28, 2010)





Life and career

Born in Hakodate, Hokkaidō, Japan, Takamine's first role was in the Shochiku studio's 1929 film Mother (Haha), which brought her tremendous popularity as a child actor. Soon she was billed as Japan's Shirley Temple. After moving to Toho in 1937, her dramatic roles in Kajirō Yamamoto's Tsuzurikata kyōshitsu and Uma brought her added fame as a girl star.[1] Some of her film appearances from the 1930s and 1940s were lost during the Second World War when Japan's film archives suffered from bombing and fires.

In 1950, she made what was considered a very daring move by breaking with the Japanese studio system, leaving the Shin Toho Studio and becoming a much sought-after freelance actress. Her films with directors Keisuke Kinoshita and Mikio Naruse during the 1950s and early 1960s made her Japan's top star. Her performance as a dedicated small town teacher observing her students' lives over several decades in Kinoshita's The Twenty-four Eyes (1954) is credited with that film's tremendous success and enduring popularity in Japan. Another powerful performance was as a tenant farmer's daughter who is raped and forced to marry the cruel landlord's crippled son in Immortal Love (1961).
Takamine was especially favored by director Mikio Naruse, starring in a dozen of his films and portraying strong-willed, hardworking women struggling in poverty or lowly positions, and often held down by the traditional family system. Some of her more moving roles include the tragic, love-struck heroine in Floating Clouds (1955) and an aging Ginza bar hostess desperate to escape her circumstances in When a Woman Ascends the Stairs (1960). Naruse was shy, few of his closest collaborators knew him well and Hideko Takamine remembered - "Even during the shooting of a picture, he would never say if anything was good, or bad, interesting or trite. He was a completely unresponsive director. I appeared in about 20 of his films, and yet there was never an instance in which he gave me any acting instructions.'[2]
She married director-writer Zenzo Matsuyama in 1955, but set a precedent by choosing not to give up her acting career. She made many of her most memorable films in the 1960s and retired from making movies in 1979.
After retiring as an actress, she gained renown as a witty essayist.[1] She died of lung cancer on 28 December 2010 at the age of 86.[1]

Filmography

(incomplete)

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Billy Taylor, American jazz pianist and composer (I Wish I Knew How It Would Feel to Be Free), died from a heart attack he was , 89

 Billy Taylor  was an American jazz pianist, composer, broadcaster and educator died from a heart attack he was , 89. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and since 1994, he was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C.[3]
Taylor was a also a Jazz activist. He sat on the Honorary Founders Board of The Jazz Foundation of America. In 1989, Billy Taylor, Ann Ruckert, Herb Storfer and Phoebe Jacobs started The Jazz Foundation to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians that survived Hurricane Katrina.[4]

(July 24, 1921 – December 28, 2010)

Biography

Early life

Taylor was born in Greenville, North Carolina but moved to Washington, D.C. when he was five. He graduated from Virginia State College with a B.S. in Music in 1942, and later earned a Masters and Ph.D. in Music Education from the University of Massachusetts-Amherst.[5] He also served as a Duke Ellington Fellow at Yale University.[5]


Early career

Taylor started playing piano professionally from 1944, starting with Ben Webster's Quartet on New York's 52nd Street. He later became the house pianist at Birdland, where he performed with the likes of Charlie Parker, Dizzy Gillespie and Miles Davis. He was a protege of jazz pianist Art Tatum. In 1958, he was the Musical Director of NBC's The Subject is Jazz, the first ever television series where the topic was jazz. He also worked as a DJ on radio station WNEW in New York in the 1960s.[5]

Mid-career

In 1961, Taylor founded New York's Jazzmobile, which provides arts education program of the highest quality via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects.[6] During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th street in Manhattan. From 1969 to 1972, Taylor led the band on The David Frost Show; he was the first African American to lead a talk show band. In 1981, Jazzmobile produced a Jazz special for the National Public Radio, and for which the program received the Peabody Award for Excellence in Broadcasting Programs. Jazzmobile's 1990 Tribute Concert to Dr. Taylor at Avery Fisher Hall, part of the JVC Jazz Festival, featured Nancy Wilson, Ahmad Jamal Trio and Terence Blanchard Quintet.
Among his most notable works is "I Wish I Knew How It Would Feel to Be Free", composed in 1954, and subsequently achieving more popularity with Civil Rights Movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk and Soul. It is widely known in the UK as a piano instrumental version, used for BBC1's Film programme, hosted by Barry Norman and subsequently Jonathan Ross. Solomon Burke, Derek Trucks, The Lighthouse Family, Levon Helm and Jools Holland & His Rhythm & Blues Orchestra have also recorded versions.

Later career

In 1989, Taylor formed his own "Taylor Made" record label to document his own music, releasing four albums, You Tempt Me (1996) is a strong outing by his 1985 trio (with Victor Gaskin and drummer Curtis Boyd) that includes a rendition of Duke Ellington's "Take the "A" Train". White Nights (1991) has Taylor, Gaskin, and drummer Bobby Thomas performing live from Leningrad in the Soviet Union, then came Solo (1992), and Jazzmobile Allstars (1992).
Taylor remained active with his educational activities and continued to tour and work into his eighties. He continued to work for over 50 years. He visited the White House several times and he received awards from a President and a New York Governor. Taylor received an Emmy award for his work for television which includes carrying out over 250 interviews on behalf of CBS News Sunday Morning.[5]

Awards and honors

With over twenty-three honorary doctoral degrees, Taylor was also the recipient of two Peabody Awards, NEA Jazz Masters Award (1998) an Emmy Award (1983) for "Outstanding Informational, Cultural or Historical Programming", a Grammy Award (2004)[7] and a host of prestigious and highly coveted prizes, such as the National Medal of Arts (1992), the Tiffany Award, and the Lifetime Achievement Award from Down Beat Magazine. He was also honored in 2001 with the American Society of Composers, Authors and Publishers (ASCAP) Jazz Living Legend Award,[8] and election to the Hall of Fame for the International Association for Jazz Education.

Discography

As leader


  • 1945: Billy Taylor Piano (Savoy)
  • 1954: Cross-Section
  • 1956: at the London House (ABC-Paramount)[9]
  • 1956: Cross Section (Prestige)
  • 1957: My Fair Lady Loves (GRP)
  • 1959: Warming Up (Riverside)
  • 1959: Billy Uptown (Riverside)
  • 1959: Billy Taylor with Four Flutes (Riverside, with Herbie Mann, Jerome Richardson, Frank Wess)
  • 1962: Impromptu Mercury
  • 1977: Live at Storyville (West 54 Records)
  • 1985: You Tempt Me (Taylor-Made)
  • 1988: White Nights And Jazz In Leningrad (Taylor-Made)
  • 1988: Solo (Taylor-Made)
  • 1989: Billy Taylor And The Jazzmobile All Stars (Taylor-Made)
  • 1991: White Nights and Jazz in Leningrad (Taylor-Made)
  • 1992: Dr. T (GRP) with Gerry Mulligan
  • 1992: Solo (Taylor-Made)
  • 1993: Live at MCG with Gerry Mulligan, Carl Allen, Chip Jackson
  • 1993: Dr. T (GRP)
  • 1997: The Music Keeps Us Young (Arkadia Jazz, with Chip Jackson, Steve Johns)
  • 1998: Ten Fingers - One Voice Arkadia Jazz
  • 1999: Taylor Made at the Kennedy Center with Dee Dee Bridgewater Kennedy Center Jazz

As sideman

With Arkadia Jazz All Stars
  • Thank You, Duke!

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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...