Edwards' career began in the 1940s as an actor but he soon turned to writing radio scripts at Columbia Pictures. He used his writing skills to begin producing and directing, with some of his best films including: Experiment in Terror, The Great Race, and the hugely successful Pink Panther film series with the British comedian Peter Sellers. Often thought of as primarily a director of comedies, he was also renowned for his dramatic work, Breakfast at Tiffany's and Days of Wine and Roses. His greatest successes, however, were his comedies, and most of his films were either musicals, melodramas, slapstick comedies, and thrillers.
In 2004, he received an Honorary Academy Award in recognition of his writing, directing and producing an extraordinary body of work for the screen.[1]
(July 26, 1922 – December 15, 2010) |
I worked with the best directors—Ford, Wyler, Preminger—and learned a lot from them. But I wasn't a very cooperative actor. I was a spunky, smart-assed kid. Maybe even then I was indicating that I wanted to give, not take, direction.[4]He later served with the U.S. Coast Guard, where he severely injured his back, leaving him in pain for years afterward.[3]
His hard-boiled private detective scripts for Richard Diamond, Private Detective became NBC's answer to Sam Spade and Philip Marlowe, reflecting Edwards's unique humor. Edwards also created, wrote and directed the 1959 TV series Peter Gunn, with music by Henry Mancini. In the same year Edwards produced, with Mancini's musical theme, Mr. Lucky, an adventure series on CBS starring John Vivyan and Ross Martin. Mancini's association with Edwards continued in his film work, significantly contributing to their success.
- Operation Petticoat (1959)
- Breakfast at Tiffany's (1961)
- Days of Wine and Roses (1962)
Edwards' most popular films were comedies, the melodrama Days of Wine and Roses being a notable exception. His most dynamic and successful collaboration was with Peter Sellers in six of the movies in the Pink Panther series.[5] Five of the those involved Edwards and Sellers in original material, while Trail of the Pink Panther, made after Sellers died in 1980, was made up of unused material from The Pink Panther Strikes Again. He also worked with Sellers on the film The Party. Edwards later directed the comedy film 10 with Dudley Moore and Bo Derek.[5]
- Darling Lili (1969)
However, the film failed badly at the box office. At a cost of $17 million to make, few people went to see it, and the few who did weren't impressed. It brought Paramount Pictures to "the verge of financial collapse," and became an example of "self-indulgent extravagance" in filmmaking "that was ruining Hollywood."[3]
In 2004, Edwards received an Honorary Academy Award for cumulative achievements over the course of his film career.[6]
Pink Panther films
Edwards is best known for directing most of the comedy film series The Pink Panther, and all of the entries starring Peter Sellers as the bumbling Inspector Clouseau. It was considered a fruitful, yet complicated relationship, with many disagreements during production. At various times in their film relationship, "he more than once swore off Sellers," as too hard to direct. However, in his later years, he admitted that working with Sellers was often irresistible:"We clicked on comedy, and we were lucky we found each other, because we both had so much respect for it. We also had an ability to come up with funny things and great situations that had to be explored. But in that exploration there would oftentimes be disagreement . . . But I couldn't resist those moments when we jelled. And if you ask me who contributed most to those things, it couldn't have happened unless both of us were involved, even though it wasn't always happy."[7]The films were all highly profitable. The Return of the Pink Panther (1975), for example, cost just $2.5 million to make, but grossed $100 million, while The Pink Panther Strikes Again (1976), did even better.[3]
- Silent film style
Personal life
Edwards, the step-grandson of prolific silent-film director J. Gordon Edwards, married his first wife, actress Patricia Walker, in 1953; they divorced in 1967. She appeared in the comedy All Ashore (1953), for which Edwards was one of the screenwriters. Edwards' second marriage from 1969 until his death was to Julie Andrews. She appeared in a number of his films, including Darling Lili, 10, Victor Victoria and the autobiographical satire S.O.B., in which Andrews played a character who was a caricature of herself. In 1995, he wrote the book for the stage musical adaptation of Victor/Victoria, also starring Andrews.Edwards described his struggle with the illness chronic fatigue syndrome for 15 years in the documentary I Remember Me.[10]
Edwards and Andrews had five children.[11] The two eldest, Jennifer and Geoffrey, are from his previous marriage; middle child Emma is from Andrews' first marriage; and the youngest children are two adopted orphans from Vietnam, Amelia Leigh and Joanna Lynne. Edwards and Andrews adopted them in the early 1970s. All of the children, except Joanna, have appeared in his movies..
Death
On December 15, 2010, Edwards died of complications of pneumonia at the Saint John's Health Center in Santa Monica, California.[12] His wife and children were at his side.[5]Legacy
Edwards was greatly admired as well as strongly criticized as a filmmaker during his career. On the negative side, general critique included this by American film author George Morris:It has been difficult for many critics to accept Blake Edwards as anything more than a popular entertainer. . . . Edwards' detractors acknowledge his formal skill but deplore the absence of profundity in his movies. . . Edwards' movies are slick and glossy, but their shiny surfaces reflect all too accurately the disposable values of contemporary life.[3]But others recognized him more for his significant achievements at different periods of his career. British film critic Peter Llyod, for example, described Edwards, in 1971, as "the finest director working in the American commercial cinema at the present time." Edwards' biographers, William Luhr and Peter Lehman,[13] in an interview in 1974, called him "the finest American director working at this time."[14] They refer especially to the Pink Panther's Clouseau, developed with the comedic skills of Peter Sellers, as a character "perfectly consistent" with his "absurdist view of the world, . . . because he has no faith in anything and constantly adapts." Critic Stuart Byron calls his early Pink Panther films "two of the best comedies an American has ever made." Polls taken at the time showed that his name, as a director, was a rare "marketable commodity" in Hollywood.[3]
Edwards himself described one of the secrets to success in the film industry:
For someone who wants to practice his art in this business, all you can hope to do, as S.O.B. says, is stick to your guns, make the compromises you must, and hope that somewhere along the way you acquire a few good friends who understand. And keep half a conscience."[3]
Filmography
- The Atomic Kid (1954)
- My Sister Eileen (1955)
- Bring Your Smile Along (1955)
- He Laughed Last (1956)
- Mister Cory (1957)
- This Happy Feeling (1958)
- The Perfect Furlough (1958)
- Operation Petticoat (1959)
- High Time (1960)
- Breakfast at Tiffany's (1961)
- Experiment in Terror (1962)
- Days of Wine and Roses (1962)
- The Pink Panther (1963)
- A Shot in the Dark (1964)
- The Great Race (1965)
- What Did You Do in the War, Daddy? (1966)
- Gunn (1967)
- The Party (1968)
- Darling Lili (1969)
- Wild Rovers (1971)
- The Carey Treatment (1972)
- The Tamarind Seed (1974)
- The Return of the Pink Panther (1975)
- The Pink Panther Strikes Again (1976)
- Revenge of the Pink Panther (1978)
- 10 (1979)
- S.O.B. (1981)
- Trail of the Pink Panther (1982)
- Victor Victoria (1982)
- Curse of the Pink Panther (1983)
- The Man Who Loved Women (1983)
- Micki + Maude (1984)
- A Fine Mess (1986)
- That's Life (1986)
- Blind Date (1987)
- Sunset (1988)
- Skin Deep (1989)
- Switch (1991)
- Son of the Pink Panther (1993)
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