/ Stars that died in 2023

Thursday, January 27, 2011

Alfred Masini, American television producer, creator of Entertainment Tonight, Solid Gold and Star Search, died from melanoma.he was , 80

Alfred Michael "Al" Masini  was an American television producer.
Masini was born in in Jersey City, New Jersey, and was a three-sport star in college and an Air Force officer during the Korean War.
His production company created and produced Entertainment Tonight, Lifestyles of the Rich and Famous, Solid Gold. and Star Search. [2] He lobbied to change Hawaii state law to lure movie and TV productions to the islands. He landed Baywatch Hawaii, which filmed for three seasons in Hawaii. He brought the Miss Universe 1998 Pageant to the Stan Sheriff Arena. The broadcast was shown around the world.[2]

(January 5, 1930 — November 29, 2010[1])

Death

Masini died of melanoma in Honolulu, Hawaii.[2] He is survived by his wife (since 2001), Charlyn Honda Masini, as well as a sister and two nieces. He had no children.[3]

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Mario Monicelli, Italian film director, committed suicide by jumping he was , 95

 Mario Monicelli  was an Italian director and screenwriter and one of the masters of the Commedia all'Italiana (Comedy Italian style)  committed  suicide by jumping he was , 95.

(May 16, 1915 – November 29, 2010)

Biography

Monicelli was born in Viareggio (Tuscany) and was the youngest son of the Mantuan journalist Tommaso Monicelli. His older brother Giorgio worked as writer and translator. Another older brother, Franco, was a journalist.
He attended studies in the local lyceum, and entered into the film world through his friendship with Giacomo Forzano, son of the playwright Giovacchino Forzano, who had been encharged by Benito Mussolini with the founding of cinema studios in Tirrenia. Monicelli lived a carefree youth, and many of the cinematic jokes he later shot in Amici Miei were taken from his experience.
Monicelli made his first short in 1934, a collaboration with his friend Alberto Mondadori. He followed this work up with the silent film I ragazzi della Via Paal (an adaptation of the novel The Paul Street Boys), which was an award-winner in the Venice Film Festival.[1] His first feature length work was made in 1937 (Pioggia d'estate, "Summer Rain").[2] In the years 1939–1942 Monicelli also produced numerous screenplays (up to 40), and worked as an assistant director.
Monicelli made his official debut as a director in 1949, with Totò cerca casa, along with Steno. From the very beginning of his career Monicelli's cinematic style had a remarkable flow to it. The duo produced eight successful movies in four years, including Guardie e ladri (1951) and Totò a colori (1952). From 1953 onwards Monicelli worked alone, without leaving his role as a writer of screenplays.
Monicelli's career include some of the masterpieces of Italian cinema. In I soliti ignoti (Big Deal on Madonna Street) (1958), again featuring the ubiquitous comedian Totò, he discovered the comical talent of Vittorio Gassman and Marcello Mastroianni and probably produced the first true commedia all'italiana. While it is more well known in the English-speaking world as Big Deal on Madonna Street, the actual translation from the Italian is "the usual unknown perpetrators" (which is similar to the famous line from Casablanca of "Round up the usual suspects")
La Grande Guerra (The Great War), released one year later, is generally regarded as his finest work. For this work Monicelli was awarded a Leone d'Oro in the Venice Film Festival, and an a Academy Award nomination for the best foreign film. The film, featuring Gassman and the other superstar of Italian comedy, Alberto Sordi, excelled in the absence of rhetorical accents (the tragedy of World War I was still well in Italian's minds in these years) and for its sharp, tragicomical sense of history. Monicelli received two more Academy Award nominations with I compagni (The Organizer, 1963) and The Girl with the Pistol (1968).
L'armata Brancaleone (For Love and Gold, 1966) is another masterpiece of Italian cinema. The film tells the story of a Middle Age Italy's poor but pompous knight (played by Gassman) from a humorous point of view. Highlighted by Gasmann the bizarre Macaronic Latin-Italian dialogues were devised by Age & Scarpelli, the most renowned writers of Italian comedies, it was followed by Brancaleone alle Crociate (Brancaleone at the Crusades) in 1970.
Amici miei (My Friends, 1975), featuring Ugo Tognazzi and Philippe Noiret, was one of the most successful films in Italy and confirmed Monicelli's skill in mixing humour, irony and bitter feelings. His 1976 film Caro Michele won him the Silver Bear for Best Director at the 26th Berlin International Film Festival.[3] The dramatic accents were predominant in the Un borghese piccolo piccolo (A Very Little Man, 1978), but left pace again to comicity and popularesque history with Il Marchese del Grillo (1981). Both films featured Alberto Sordi at his best. At the 32nd Berlin International Film Festival Il Marchese del Grillo won him his third Silver Bear for Best Director award.[4]
Among the final works by Monicelli are Speriamo che sia femmina (1985), Parenti serpenti (1992) and Cari fottutissimi amici (1994), featuring Paolo Hendel. His last feature film was The Roses of the Desert (Le rose del deserto, 2006), which he directed when he was 91 years old.
In 1991 he received the Golden Lion for Career of the Venice Film Festival. A documentary made by Roberto Salinas and Marina Catucci, Una storia da ridere, breve biografia di Mario Monicelli, appeared in 2008.
Monicelli worked also for television and theatre, occasionally as an actor, and was a noteworthy playwright in his own right. Apart those already mentioned, actors who were launched by Monicelli or played in his movies include Monica Vitti, Anna Magnani, Giancarlo Giannini, Stefania Sandrelli, Vittorio De Sica, Sophia Loren, Enrico Montesano, Gian Maria Volonté, Paolo Villaggio, Nino Manfredi and Leonardo Pieraccioni.
Monicelli died on November 29, 2010 at the age of 95, after committing suicide by jumping from a window of the San Giovanni hospital in Rome, where he was admitted a few days earlier for prostate cancer.[5][6]
Reportedly, Monicelli jumped from his 5th floor hospital window and landed near the entrance to the ER where many patients and relatives congregated. He had been in and out of the hospital over the years for the treatment of prostate cancer. An unnamed person close to Mario Monicelli said he died from the window leap to commit suicide as he was not aging well and tired of getting old.

Filmography

Director

Screenplays

Actor


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Sir Maurice Wilkes, British computer scientist. died he was , 97

Sir Maurice Vincent Wilkes FRS, FREng, DFBCS [1] was a British computer scientist credited with several important developments in computing died he was , 97. At the time of his death, Wilkes was an Emeritus Professor of the University of Cambridge. He received a number of distinctions: he was a knight bachelor, Distinguished Fellow of the British Computer Society, a Fellow of the Royal Academy of Engineering and a Fellow of the Royal Society.

(26 June 1913 – 29 November 2010)

 Early life, education, and military service

Wilkes was born in Dudley, Worcestershire, England[2] and grew up in Stourbridge, West Midlands, England, where his father worked on the estate of the Earl of Dudley. He was educated at King Edward VI College, Stourbridge and during his school years he was introduced to amateur radio by his chemistry teacher.[3] He went on to read Mathematics at St. John's College, Cambridge from 1931 to 1934, continuing to complete a Ph.D. in physics on the topic of radio propagation of very long radio waves in the ionosphere in 1936.[4] He was appointed to a junior faculty position of the University of Cambridge through which he was involved in the establishment of a computing laboratory.
Wilkes was called up for military service during WWII and worked on radar at the Telecommunications Research Establishment (TRE), and in operational research.

Initiation into electronic computing

In 1945, Wilkes was appointed as the second director of the University of Cambridge Mathematical Laboratory (later known as the Computer Laboratory).[2]
The Cambridge laboratory initially had many different computing devices, including a differential analyser. Wilkes obtained a copy of John von Neumann's prepress description of the EDVAC, a successor to the ENIAC under construction by Presper Eckert and John Mauchly at the Moore School of Electrical Engineering. He had to read it overnight because he had to return it and no photocopy facilities existed. He decided immediately that the document described the logical design of future computing machines, and that he wanted to be involved in the design and construction of such machines.
In August 1946 Wilkes traveled by ship to the United States to enroll in the Moore School Lectures, of which he was only able to attend the final two weeks because of various travel delays. During his time in the United States he visited all of the relevant American sites of computing progress and became intimately familiar with the ENIAC, for a while even living next door to Mauchly on Philadelphia's St. Marks Street.

EDSAC

Since his laboratory had its own funding, he was immediately able to start work on a small practical machine, the EDSAC, once back at Cambridge. He decided that his mandate was not to invent a better computer, but simply to make one available to the university. Therefore his approach was relentlessly practical. He used only proven methods for constructing each part of the computer. The resulting computer was slower and smaller than other planned contemporary computers. However, his laboratory's computer was the first practical stored program computer to be completed, and operated successfully from May 1949.

Other computing developments

In 1951, he developed the concept of microprogramming from the realisation that the Central Processing Unit of a computer could be controlled by a miniature, highly specialised computer program in high-speed ROM. This concept greatly simplified CPU development. Microprogramming was first described at the Manchester University Computer Inaugural Conference in 1951, then published in expanded form in IEEE Spectrum in 1955. This concept was implemented for the first time[5] in EDSAC 2, which also used multiple identical "bit slices" to simplify design. Interchangeable, replaceable tube assemblies were used for each bit of the processor. This was extremely advanced for the time.
The next computer for his laboratory was the Titan, a joint venture with Ferranti Ltd. It eventually supported the UK's first time-sharing system and provided wider access to computing resources in the university, including time-shared graphics systems for mechanical CAD.
A notable design feature of the Titan's operating system was that it provided controlled access based on the identity of the program, as well as or instead of, the identity of the user. It introduced the password encryption system used later by Unix. Its programming system also had an early version control system.
Wilkes is also credited with the idea of symbolic labels, macros, and subroutine libraries. These are fundamental developments that made programming much easier and paved the way for high-level programming languages.
Later, Wilkes worked on an early timesharing systems (now termed a multi-user operating system) and distributed computing.
Toward the end of the 1960s, Wilkes also became interested in capability-based computing, and the laboratory assembled a unique computer, the Cambridge CAP.
In 1974 Wilkes encountered a Swiss data network (at Hasler AG) that used a ring topology to allocate time on the network. The laboratory initially used a prototype to share peripherals. Eventually, commercial partnerships were formed, and similar technology became widely available in England.

Awards, honours, and leadership positions

In 1956 he was elected a Fellow of the Royal Society.
He was a founder member of the British Computer Society (BCS) and its first president (1957–1960).
Wilkes received the Turing Award in 1967, with the following citation: "Professor Wilkes is best known as the builder and designer of the EDSAC, the first computer with an internally stored program. Built in 1949, the EDSAC used a mercury delay line memory. He is also known as the author, with Wheeler and Gill, of a volume on Preparation of Programs for Electronic Digital Computers in 1951, in which program libraries were effectively introduced." In 1968 he received the Harry H. Goode Memorial Award, with the following citation: "For his many original achievements in the computer field, both in engineering and software, and for his contributions to the growth of professional society activities and to international cooperation among computer professionals."
In 1980 he retired from his professorships and post as the head of the laboratory and joined the central engineering staff of Digital Equipment Corporation in Maynard, Massachusetts.[2]
He was awarded the Faraday Medal by the Institution of Electrical Engineers in 1981. The Maurice Wilkes Award, awarded annually for an outstanding contribution to computer architecture made by a young computer scientist or engineer, is named after him.
In 1986 Wilkes returned to England, and became a member of Olivetti's Research Strategy Board. In 1993 Wilkes was presented, by Cambridge University, an honorary Doctor of Science degree. In 1994 he was inducted as a Fellow of the Association for Computing Machinery. He was awarded the Mountbatten Medal in 1997. He was knighted in the 2000 New Year Honours List. In 2002, Wilkes moved back to the Computer Laboratory, University of Cambridge, as an Emeritus Professor.[2]
In his memoirs Wilkes wrote:


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Jon D'Agostino, Italian-born American comic book artist (Archie Comics), died from bone cancer he was , 81

John P. D'Agostino Sr.,[1] generally credited as Jon D'Agostino was an Italian-American comic-book artist best known for his Archie Comics work. As well, under the pseudonym Johnny Dee, he was the letterer for the lead story in the Marvel Comics landmark The Amazing Spider-Man #1 (March 1963), as well as other seminal Marvel comics died from  bone cancer he was , 81.
D'Agostino is not the French comics artist Tony D'Agostino, a.k.a. Tony Dagos, whose early work was signed "D'Agostino". He is also not the concurrent early-Marvel letter John Duffy a.k.a. John Duffi,[5] although he is listed as such in some databases.[6]

(June 13, 1929 – November 28, 2010)

Biography

Early career

Jon D'Agostino was born in Cervinara, Italy, the son of Pasquale and Annunziata Pitanello D'Agostino.[7] He emigrated to the United States[4] with his family during childhood, and later attended either the Industrial School of Art in Los Angeles, California,[5] or New York City's School of Industrial Art and the Art Students League.[8] (Sources vary.) His siblings were brothers Peter, Ted, Charles and William, the latter two of whom predeceased him, and sisters Lucielle and Gina.[7]
D'Agostino's earliest known work in the comics medium was as head colorist for Timely Comics, the 1940s forerunner of Marvel Comics. In that capacity, in 1949, he mentored new-hire Stan Goldberg, a 16-year-old colorist who would later become one of Archie Comics' most prominent cartoonists.[9] Goldberg in 2005 recalled, "I found out there was an opening in the coloring department at Timely Comics, so I went up there. They needed another body to be in the room that handled the coloring, and that's where I worked. ...[T]he man who was in charge of the coloring department is still a dear friend of mine, Jon D'Agostino."[9]
Writer and artist credits were not routinely given during this period fans and historians refer to as the Golden Age of Comic Books, making full bibliographies difficult for many of the medium's pioneering creators. D'Agostino's first confirmed comics credit is penciling and inking the seven-page romance comic story "Glamor Killed My Love" (as John D'Agostino) in Romantic Hearts #6 (Feb. 1952), from publisher Story Comics. Other early credits, all using the first name "Jon", include horror stories in Master Publications' Dark Mysteries #14 (Oct. 1953), and inking the cover and the lead Rocky Jones, Space Ranger story in the science-fiction anthology series Space Adventures #18 (Sept. 1955), the first of his countless works for Charlton Comics.
He married his first wife, Jean D'Onofrio D'Agostino, in 1955. They remained married until her death in 1992, and had three sons: John Jr., Peter, and Pat.[7][1]

Later career

Through the 1950s and into the 1960s, D'Agostino fully drew or simply inked across a variety of titles for Charlton, including romance comics (Sweethearts); war comics (Attack, Fightin' Army); funny animal comics and other types of children's comics (Pudgy Pig, Timmy the Timid Ghost); and teen humor comics (Freddy, and the TV-series licensed comic My Little Margie). He occasionally inked penciler Matt Baker under the joint pseudonym Matt Bakerino.[10]
As Johnny Dee, he lettered the lead story in the Marvel Comics' landmark The Amazing Spider-Man #1 (March 1963).[11][12]
In the mid-1960s and continuing through the 1970s, D'Agostino began contributing to Archie Comics and Gold Key Comics in addition to Charlton, both as an artist and as a letterer. In the 1980s he was inking primarily for Archie and for Marvel, including on the latter's G.I. Joe, A Real American Hero, Marvel Two-In-One, and, for Marvel's Star Comics children's imprint, Planet Terry and Royal Roy.
By 1990, D'Agostino was exclusively inking for Archie, on teen-humor stories for such titles as Archie's Pals 'N' Gals, Jughead's Time Police, Explorers of the Unknown (a light adventure comic starring the Archie gang), Sabrina the Teenage Witch, and the video-game licensed comic Sonic the Hedgehog.
Following the 1992 death of his first wife, he married Elvira "Vivi" Testa D'Agostino in 1995.[1] The two lived in The Bronx, New York City.[1]
D'Agostino's last known published credit was inking the cover of Betty #173 (June 2008),[13] although Archie Comics said in a statement announcing his death that his last interior work would appear in Jughead Double Digest #166, as part of the four-part "Cyrano Jones" story, "and several of his covers will be seen through 2011."[7] D'Agostino died of bone cancer in Ansonia, Connecticut,[4][7] where two of his sons live.[1]

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Wednesday, January 26, 2011

Samuel T. Cohen, American physicist, inventor of the neutron bomb, died from cancer he was , 89

 Samuel Theodore Cohen[1]  was an American physicist who invented the W70 warhead, more popularly known as the neutron bomb  died from cancer he was , 89.

(January 25, 1921 – November 28, 2010)

Biography

Cohen's parents were Jews who immigrated from London, England. He was born on January 25, 1921 in Brooklyn and raised in New York City. He studied math and physics at UCLA before joining the Army after Pearl Harbor.[2] In 1944 he worked on the Manhattan project in the efficiency group and calculated how neutrons behaved in Fat Man, the atomic bomb that was later detonated over Nagasaki, Japan. After the war he studied for his Ph.D at Berkeley before dropping out to join the RAND Corporation.[2] At RAND Corporation in 1950, his work on the intensity of fallout radiation first became public when his calculations were included as a special appendix in Samuel Glasstone's book The Effects of Atomic Weapons. Cohen was personally responsible for recruiting the famous strategist Herman Kahn into the RAND Corporation.[3]
During the Vietnam War, Cohen argued that using small neutron bombs would end the war quickly and save many American lives, but politicians were not amenable to his ideas and other scientists ignored the neutron bomb in reviewing the role of nuclear weapons.[4] He was a member of the Los Alamos Tactical Nuclear Weapons Panel in the early 1970s. President Carter delayed development of the neutron bomb in 1978,[5] but during Ronald Reagan's presidency, Cohen claims to have convinced Reagan to make 700 neutron bombs, 350 shells to go into the 8 inch (200-millimetre) howitzer and 350 W70 warheads for the Lance missile.[6]

'Clean' nuclear tests

In 1956, President Dwight D. Eisenhower announced the testing of a 95% 'clean' (2-stage) fusion weapon, later identified to have been the 11 July Navajo test at Bikini Atoll during Operation Redwing. This weapon had a 4.5 megatons yield. Previous 'dirty' weapons had fission proportions of 50-77%, due to the use of uranium-238 as a 'pusher' around the lithium deuteride (secondary) stage. (The fusion neutrons have energies of up to 14.1 MeV, well exceeding the 1.1 MeV 'fission threshold' for U-238.) The 1956 'clean' tests used a lead pusher, while in 1958 a tungsten carbide pusher was employed. Hans A. Bethe supported clean nuclear weapons in 1958 as Chairman of a Presidential science advisory group on nuclear testing:[7]
... certain hard targets require ground bursts, such as airfield runways if it is desired to make a crater, railroad yards if severe destruction of tracks is to be accomplished... The use of clean weapons in strategic situations may be indicated in order to protect the local population.
– Dr Hans Bethe, Working Group Chairman, 27 March 1958 "Top Secret - Restricted Data" Report to the NSC Ad Hoc Working Group on the Technical Feasibility of a Cessation of Nuclear Testing, p 9.
In consequence of Bethe's recommendations, on 12 July 1958, the Hardtack-Poplar shot of the Mk-41C warhead was carried out on a barge in the lagoon yielded 9.3 megatons, of which only 4.8% was fission, and thus 95.2% "clean".
Cohen in 1958 investigated a low-yield 'clean' nuclear weapon and discovered that the 'clean' bomb case thickness scales as the cube-root of yield. So a larger percentage of neutrons escapes from a small detonation, due to the thinner case required to reflect back X-rays during the secondary stage (fusion) ignition. For example, a 1-kiloton bomb only needs a case 1/10th the thickness of that required for 1-megaton.
So although most neutrons are absorbed by the casing in a 1-megaton bomb, in a 1-kiloton bomb they would mostly escape. A neutron bomb is only feasible if the yield is sufficiently high that efficient fusion stage ignition is possible, and if the yield is low enough that the case thickness will not absorb too many neutrons. This means that neutron bombs have a yield range of 1-10 kilotons, with fission proportion varying from 50% at 1-kiloton to 25% at 10-kilotons (all of which comes from the primary stage). The neutron output per kiloton is then 10-15 times greater than for a pure fission implosion weapon or for a strategic warhead like a W87 or W88.[8]

U.S. Department of Defense manual on the neutron bomb

Cohen's neutron bomb is not mentioned in the unclassified manual by Glasstone and Dolan, The Effects of Nuclear Weapons 1957-77, but is included as an 'enhanced neutron weapon' in chapter 5 of the declassified (formerly secret) manual edited by Philip J. Dolan, Capabilities of Nuclear Weapons, U.S. Department of Defense, effects manual DNA-EM-1, updated 1981 (U.S. Freedom of Information Act).
Provided that the weapon was not used in a thunderstorm, no fallout effects would occur from the use of a neutron bomb according to that manual, as the combination of 500 m burst altitude and low yield prevents fallout in addition to significant thermal and blast effects. The reduction in damage outside the target area is a major advantage of such a weapon to deter massed tank invasions. An aggressor would thus be forced to disperse tanks, which would make them easier to destroy by simple hand-held anti-tank missile launchers.
Cohen's backing of investigations into these controversial ideas won him some media attention after many years of being ignored. In 1992 he was featured in the award-winning BBC TV series Pandora's Box, episode To the Brink of Eternity, discussing his battles with officialdom and colleagues at the RAND Corporation. Cohen controversially argued: "When we started this systems analysis business, we stepped through the looking glass where people did the weirdest things and (used) the most perverse kind of logic imaginable and yet claimed to have the most precise understanding of everything."[9]

Alleged support from the Pope for low yield tactical nuclear bombs

Cohen reportedly worked in France on low-yield, highly discriminate tactical nuclear weapons in 1979-80.[10] He claimed that he was awarded a medal by Pope John Paul II in 1979 for his bid to reform modern warfare.[11] Author Charles Platt reported in a 2005 profile of Sam Cohen that "...he showed me the Medal of Peace that he had received from the Pope in 1979."[12]
At the time, Warsaw Pact forces had a massive tank superiority in Europe (though NATO maintained an overall strategic superiority); the Christian Science Monitor reported in 1981 that there were "19,500 tanks in the Soviet-controlled forces of the Warsaw Pact aimed at Western Europe. Of these, 12,500 are Soviet tanks in Soviet units. NATO has 7,000 tanks on its side facing the 19,500."[13] A deterrent which was designed to minimise civilian casualties was a step away from the risk of indiscriminate warfare. The neutron bomb's killing by neutron radiation is different from the fallout of a normal high yield thermonuclear weapon because it can be controlled more precisely, restricted to military targets and kept away from civilians.[citation needed]
The speed of modern warfare meant that the civilian population would be unlikely to be able to withdraw from combat zones and would suffer a large number of deaths in a nuclear war where the blast yields and fallout were significant. Because neutron bombs do not produce the indiscriminate blast (only 40 kilopascals at ground zero from a 1 kt blast yield detonation at 500 m altitude, and only 7 kPa at 2 km distance), heat and fallout damage of other nuclear weapons, they were more credible as a deterrent to Soviet tanks. However, many people believed that the very deployment of the neutron bomb threatened an escalation to full scale nuclear retaliation, thus canceling out the supposed benefits. Advances in precision anti-tank weapons ultimately made the neutron bomb redundant tactically in its original objective. The debate over "clean" low yield nuclear weapons continues with earth penetrator technology ("nuclear bunker busters").

Red Mercury claims

More recently, Cohen was the main proponent of what most consider to be a mythical substance, red mercury. If the "conventional story" is to be believed, red mercury was a disinformation campaign led by US government agencies in order to lure potential terrorists into being captured. The story that was released was that red mercury was developed by the Soviet Union as a "shortcut" to a fusion bomb, and that with the fall of the Soviet Union it was being offered on the market by the Soviet mafia. When prospective buyers showed up to take delivery of the material, they were arrested.
During the height of the story, in the 1990s, Cohen became a proponent of red mercury, claiming not only that it existed, but going further to claim that it was a powerful ballotechnic material that directly compressed the fusion fuel without the need for a fission primary. Bombs using red mercury had no real critical mass and could be developed at any size. He further claimed that the Soviets had produced a number of "micro-nukes" based on red mercury, which are described as being about as large as a baseball and weighing 10 pounds. According to Cohen, their existence meant that any effort to control nuclear proliferation based on fissile material was thus hopeless. A reiteration of the claim can be seen in The Nuclear Threat That Doesn't Exist – or Does It?, by Cohen and Joe Douglass in an 11 March 2003 guest editorial in Financial Sense Online.[10]
Cohen later went on to claim that 100 of these mini-nukes were in the hands of terrorists,[14] and later that Saddam Hussein had taken delivery of about fifty of these devices, which he supposedly planned on using against the US forces as they approached Baghdad.
In the face of claims that red mercury was a disinformation campaign, Cohen claimed that Russia has such weapons, "red mercury" exists as claimed, and the US, among the technical elite, take it seriously, while at the same time starting a disinformation campaign claiming "red mercury" is bogus in order to assuage the public. Independent confirmation of such claims in the article is lacking.

Political involvement

Cohen spoke at an April 2000 fundraiser in La Canada, California, for then-Reform Party presidential candidate Patrick Buchanan.[15] Irv Rubin was prominently present at this event, with his organization, the Jewish Defense League (JDL), and with members of the Libertarian Party, to protest. The JDL posted Cohen's home phone number and address on its website, urging its members to contact him, to persuade him to stop supporting Buchanan.[16]
In her address to the 2000 Reform Party National Convention, Buchanan's running mate, Ezola Foster, cited Cohen's endorsement of Buchanan to refute the claim that the candidate was anti-Semitic.[17]

Death

He died on November 28, 2010 from complications of his stomach cancer.[18]

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Dickey Betts died he was 80

Early Career Forrest Richard Betts was also known as Dickey Betts Betts collaborated with  Duane Allman , introducing melodic twin guitar ha...