In 2024, we've experienced the loss of several luminaries in the world of entertainment. These beloved figures—actors, comedians, musicians, singers, and coaches—have touched our lives with their talent, passion, and dedication. They've left an indelible mark on our hearts and shaped the world of entertainment in ways that will continue to inspire and influence generations to come.
Among the incredible actors who bid farewell this year, we mourn the loss of a true chameleon who effortlessly.
Evans was born in Manhattan on March 22, 1932, and learned much about the game by playing for ten cents an hour on 42nd Street in New York City[citation needed], quickly becoming a rising star. At age 14, he tied for fourth-fifth place in the Marshall Chess Club championship. The next year he won it outright, becoming the youngest Marshall champion at that time. He also finished equal second in the U.S. Junior Championship, which led to an article in the September 1947 issue of Chess Review. At 16, he played in the 1948 U.S. Chess Championship, his first, tying for eighth place at 11½–7½.[1] Evans tied with Arthur Bisguier for first place in the U.S. Junior Chess Championship of 1949. By age 18, he had won a New York State championship as well as a gold medal in the DubrovnikChess Olympiad of 1950. In the latter, his 90% score (eight wins and two draws) on sixth board tied with Rabar of Yugoslavia for the best result of the entire Olympiad.[2]
He represented the U.S. in eight Chess Olympiads over a period of twenty-six years, winning gold (1950), silver (1958), and bronze (1976) medals for his play, and participating in team gold (1976) and silver (1966) medals.[10][11][12]
Evans had always been interested in writing as well as playing. By the age of eighteen, he had already published David Bronstein's Best Games of Chess, 1944–1949 and the Vienna International Tournament, 1922. His book New Ideas in Chess was published in 1958, and was later reprinted. He wrote or co-wrote more than 20 books on chess.[16]
He wrote the tenth edition of the important openingstreatiseModern Chess Openings (1965), co-authored with editor Walter Korn. He also made a significant contribution to Fischer's My 60 Memorable Games (1969), writing the introductions to each of the games and urging the future World Champion to publish when he had initially been reluctant to do so.[17] Some of Evans's other books are Modern Chess Brilliancies (1970), What's The Best Move (1973), and Test Your Chess I.Q. (2001).
Evans began his career in chess journalism during the 1960s, helping to found the American Chess Quarterly, which ran from 1961–65. He was an editor of Chess Digest during the 1960s and 1970s. For over thirty years, until 2006, he wrote a question-and-answer column for Chess Life, the official publication of the United States Chess Federation (USCF), and has also written for Chess Life Online. His weekly chess column, Evans on Chess, has appeared in more than fifty separate newspapers throughout the United States. He also wrote a column for the World Chess Network.
Evans has also commentated on some of the most important matches for Time magazine and ABC's Wide World of Sports, including the 1972 Fischer versus Spassky match, the 1993 PCA world title battle between Garry Kasparov and Nigel Short and the Braingames world chess championship match between Vladimir Kramnik and Garry Kasparov in 2000.
Evans also contributed a large amount of tutorial and other content to the Chessmaster computer game series, most notably an endgame quiz and annotations of classic chess games. His contributions to chess writing and journalism earned him many awards, including the USCF's Chess Journalist of the Year award in 2000.[citation needed] He was inducted into the U.S. Chess Hall of Fame in 1994.
Chess historian Edward Winter criticized Evans's work, asserting that it was sloppy, dishonest, and riddled with factual inaccuracies,[18] though these claims were denounced by Larry Parr.[19]
This game, against future grandmaster Abe Yanofsky, who had won the brilliancy prize against Botvinnik at Groningen the year before, was Evans's first victory against a noted player:
Daniel Yanofsky – Larry Evans, 1947
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Position after 25. f3
Yanofsky – Evans, U.S. Open 1947, Alekhine defence B05 1. e4 Nf6 2. e5 Nd5 3. d4 d6 4. Nf3 Bg4 5. h3 Bxf3 6. Qxf3 dxe5 7. dxe5 e6 8. a3 Nc6 9. Bb5 Qd7 10. c4 Nde7 11. 0-0 Qd4 12. Bg5 a6 13. Bxe7 axb5 14. Bxf8 Rxf8 15. cxb5 Nxe5 16. Qe2 0-0-0 17. Nc3 Ng6 18. Rad1 Qe5 19. Qc2 Rxd1 20. Rxd1 Rd8 21. Rc1 Nf4 22. Kh1 Qh5 24. Kh2 Rd3 25. f3(see diagram at left)25 ...Rxf3! 26. Rd1 Nxh3! 27. gxf3 Nf2+ 28. Kg3 Qh3+ 29. Kf4 Qh2+ 30. Ke3 (0–1) See the game online
In his book Modern Chess Brilliances, Evans listed four of his own wins:
Moira Hoey[1] was an Irish actress. She starred as Mary Riordan in The Riordans from 1965 until it was axed in 1979, before appearing as Nellie Connors in Glenroe died she was , 88. Mary Riordan was considered "the quintessential Irish mammy" - Irish Independent / The Irish Times.[2][3] She played Mrs Coffey in The Irish R.M.[4] She had roles in This Is My Father[5] and Angela's Ashes (as moneylender Mrs Purcell)[6] as well.
(née Deady; 1922 — 15 November 2010)
Hoey came from County Cork.[5] She resided in Greystones, County Wicklow.[2] She began acting by travelling around Ireland as part of fit-ups (travelling theatre troupes) and this contributed to her early fame.[2] Deady married fellow actor Johnny Hoey (Franice Maher in The Riordans).[2] He predeceased her, though three daughters and one son were still alive at the time of her own death in 2010.[2] Fans often thought she was married to John Cowley who played Tom Riordan, her husband in The Riordans, and fans were also upset when seeing her with Johnny Hoey, her real-life husband.[3]
She died at the age of 88 on 15 November 2010 in Loughlinstown Hospital, County Dublin.[5] Minister for Tourism, Culture and Sport Mary Hanafin commented on her part in Irish history: "In her role as the matriarch of The Riordans homestead, she was ever present, each Sunday, on our television screens dealing with the changing landscape and domestic issues that Ireland as a country was experiencing".[5][6] John Boland, writing in the Irish Independent, called her "everyone's mammy and the conscience of a nation" while reflecting that this meant all the senior cast members of The Riordans were now dead.[7] Hundreds of people attended her funeral on 18 November at Holy Rosary Church, Greystones.[8]
In 2009 she reunited with other cast members of The Riordans for an RTÉ documentary on the programme.[4][2]
Self was born at Miami Valley Hospital in Dayton, Ohio. During his youth, he lived in Dayton, Akron, Chicago, and Milwaukee. He graduated from Dayton's Roosevelt High School in 1939.
Self's father, Edwin Byron Self, worked as an Advertising Manager at the Dayton Rubber Manufacturing Company, Akron Rubber Company, Miller Brewing Company, and Joseph Schlitz Brewing Company. Edwin Self wrote a novel, Limbo City (1949), and at least three plays which opened on Broadway: Junk (1927) starring Sydney Greenstreet,[9]Two Strange Women(1933), and The Distant City (1941). His play, The Lady and the Clown, starring Estelle Winwood, opened in 1944 at the Civic Theatre in Chicago with William Self playing a small part.[citation needed] Edwin and Elizabeth (Elsie) Fundus Self, a homemaker, had two children: William and Jean LaVerne Self (later Bright).
From childhood, Self has had "enthusiasms," keen interests that started when he was young and had continued throughout his life. Some of these interests had resulted in important connections and personal friendships. Self's fascination with Rudolph Valentino, for example, began when he was only five years old and his sister took him to see The Son of the Sheik (1926). Self had said that because his sister told him that Valentino had just died, he expected to see the movie idol in his casket on screen. Valentino stayed in Self's mind. He saw all the movies and read all the books he could find. As an adult, he became friends with Valentino's personal manager, George Ullman; one of Valentino's best friends, Robert Florey; as well as with Valentino's brother, Alberto.
It was also show business that led Self to become an accomplished tennis player. In 1932, age eleven, his parents took him to New York to see a Broadway production of Show Boat. Self's father pointed out tennis champion Bill Tilden in the lobby, telling him that Tilden was the greatest living tennis player. Self didn't know anything about tennis, but he was impressed. He asked Tilden to sign his program. Back in Dayton, Self bought Tilden's book, Match Play and the Spin of the Ball,[10] and talked his parents into purchasing him a tennis racket. With time, he would become runner-up in the Wisconsin Junior Tennis Championship, represent Wisconsin on the Junior Davis Cup team and, in 1945, win The Wisconsin State Men's Championship. Self played Varsity tennis at the University of Chicago and in his Senior Year was elected Captain of the team. When he came to Los Angeles in 1944, as an unknown and untried actor, his skill at tennis allowed him to make important contacts. He regularly played with Spencer Tracy, Katharine Hepburn, Charlie Chaplin, and Jack Warner, among other Hollywood notables. He also became friends with and played Bill Tilden.
One of Self's favorite hobbies was magic. When he was thirteen years old, he won a citywide contest, mounted by the renowned magician Howard Thurston and his traveling show, to name "Dayton's Best Amateur Magician and the Person Most Likely to Become Thurston's Successor." The contest was limited to children thirteen and under. Being the winner, Self appeared at the Colonial Theatre on the stage with Mr. Thurston to perform his trick. Although he had never before performed this trick in public (a fact he had left out on his contest application), it went off perfectly. Self's photograph was taken with Thurston and a notice appeared in a Dayton newspaper. He was friends with some of the best-known magicians and magic historians in the United States, and attended many of the major magic conventions. For many years, he was a member of The Magic Castle, a professional magician's club in Hollywood. In later years he became a close friend of Howard Thurston's daughter, Jane, who had appeared on stage with her father.
Another film that sparked a life-long interest was Annie Oakley (1936), which starred Barbara Stanwyck. Self was fifteen years old when he saw the movie at the Keith Theatre in Dayton. Annie Oakley's brother, who lived in nearby Greenville, Ohio, had lent some of his Oakley memorabilia for display in the lobby. The film and the memorabilia fired Self's imagination, and his fascination with Oakley and Buffalo Bill Cody took root. He looked up Oakley's brother in Greenville and the two became friends. He also started writing an Oakley biography. To research this project, Self, age seventeen, persuaded his family to travel to Cody, Wyoming so that Self could study the Oakley scrapbooks in the small log structure which housed the Buffalo Bill Museum. He also persuaded the museum's founder and curator, Mary Jester Allen (Buffalo Bill's niece), to name him Assistant Historian. Self had letterhead stationary and business cards printed with this title, although he never did anything in the position. The book was never published, but Self went on to serve on the Board of Trustees of the Buffalo Bill Historical Center: the five-museum, five-football-fields-sized outgrowth of the original institution. Many of Oakley's grandnieces and nephews were his friends.
While in high school, he decided to take up acting. In 1938, he appeared in Roosevelt High's Junior Class play, and in 1939 he was cast in the leading role of the Senior Class play, The Eyes of Tlaloc by Agnes Emelie Peterson. He also worked behind the scenes as electrician and stage manager. Self's drama teacher, Bertha May Johns, was a great inspiration to him as well as to her other students.
Self gave up drama while at the University of Chicago, thinking he should devote himself to more serious pursuits. While there, he joined Phi Kappa Psi Fraternity. He graduated from Chicago in 1943 with a degree in Political Science.