(23 April 1911 – 16 June 2010) |
Neame's parents were the photographer Elwin Neame and the actress Ivy Close. He studied at the University College School and Hurstpierpoint College. His father died in 1923,[3] and Neame took a job with the Anglo-Persian Oil Company as an office boy. Later, through his mother's contacts in the British film industry, Neame started at Elstree Studios as a messenger boy.[4]
He was fortunate enough to be hired as an assistant cameraman on Blackmail (1929), the first British talkie, directed by a young Alfred Hitchcock. Neame's own career as a cinematographer began with the musical comedy Happy (1933), and he continued to develop his skills in various "quota qHis credits as cinematographer include Major Barbara (1941), In Which We Serve (1942), This Happy Breed (1944), and Blithe Spirit (1945). His camera work on One of Our Aircraft Is Missing got him an Academy Award nomination for Best Special Effects in 1943.
Among his work with Cineguild, the production company that he formed with David Lean and Anthony Havelock-Allan, was as producer on Brief Encounter (1945), Great Expectations (1946), and Oliver Twist (1948). He shared Academy Award nominations for Best Screenplay for Brief Encounter, in 1947, and Great Expectations, in 1948, with co-writers Lean and Havelock-Allan.
Neame was the producer of The Magic Box, a screen biography directed by John Boulting about the life of British camera inventor William Friese-Greene, which was the 1951 film project for the Festival of Britain.
In 1947, Neame made his directorial debut, with Take My Life for British producer J. Arthur Rank. Neame began a transition to the American film industry at the suggestion of Rank, who asked Neame to study the Hollywood production system. Neame and Lean's creative partnership had ended when Lean removed Neame as director of The Passionate Friends and finished it himself as the director. [5]
He worked again with Alec Guinness (whom he had worked with on Great Expectations and Oliver Twist), this time as director, in three films: The Card (1952), The Horse's Mouth (1958), and Tunes of Glory (1960). Neame has described Tunes of Glory as "the film I am proudest of".[4] He received two BAFTA Award nominations for Tunes of Glory. Neame and Guinness worked again in the 1970 musical Scrooge with Guinness playing the ghost of Jacob Marley to Albert Finney's Ebenezer Scrooge.
Neame also directed I Could Go On Singing (1963); Judy Garland's last film, co-starring Dirk Bogarde and The Prime of Miss Jean Brodie (1969), which won Maggie Smith her first Oscar.
Neame was recruited to direct The Poseidon Adventure (1972) after the contracted director left the production. He later characterised The Poseidon Adventure as "my favourite film" because it earned him enough to retire comfortably.[4] He enjoyed a long friendship with Walter Matthau, whom he directed in two later films, Hopscotch (1980) and First Monday in October (1981).
Neame's final feature-length film, Foreign Body, a comedy starring Victor Banerjee, was filmed in England and released in 1986.
In 1996, Neame was appointed a Commander of the Order of the British Empire (CBE) and awarded the BAFTA Fellowship for his contributions to the film industry. He had homes in Beverly Hills and Santa Barbara, California. In 2003, Neame published an autobiography, Straight from the Horse's Mouth (ISBN 978-0810844902).
Neame married Beryl Heanly in 1933. They separated in 1971 and divorced in 1992. The couple had one son, Christopher Neame, a writer/producer. His grandson, Gareth Neame, a successful television producer, represents the fourth generation of Neames in the film industry. Neame's second marriage was on 12 September 1993 to Donna Bernice Friedberg, also in the business — a film researcher and television producer, who worked on his 1979 movie Meteor. He refers to their meeting as a "coup de foudre."
Neame died on 16 June 2010 after suffering complications from a broken leg. [6]
The break required two surgeries from which Neame never recovered. [7]
In an interview in 2006, he jokingly stated, "When people ask me about the secret to my longevity, I say the honest answer is two large vodkas at lunchtime and three large scotches in the evening. All my doctors have said to me, 'Ronnie, if you would drink less, you'd live a lot longer.' But, they're all dead, and I'm still here at 95." [8]
Filmography
- Blithe Spirit (1945) writer
- Great Expectations (1946) writer & producer
- Take My Life (1947)
- Oliver Twist (1948) producer
- Golden Salamander (1950)
- The Card (1952)
- The Million Pound Note (1953)
- The Man Who Never Was (1956)
- The Seventh Sin (1957)
- Windom's Way (1957)
- The Horse's Mouth (1958)
- Tunes of Glory (1960)
- Escape from Zahrain (1962)
- I Could Go On Singing (1963)
- The Chalk Garden (1964)
- Mister Moses (1965)
- Welcome, Mr Beddoes (US title: A Man Could Get Killed, 1966)
- Gambit (1966)
- Prudence and the Pill (1968)
- The Prime of Miss Jean Brodie (1969)
- Scrooge (1970)
- The Poseidon Adventure (1972)
- The Odessa File (1974)
- Meteor (1979)
- Hopscotch (1980)
- First Monday in October (1981)
- Foreign Body (1986)
- The Magic Balloon (1990)
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