
Simmons appeared alongside many leading British and American male film stars during a long and successful career.
(31 January 1929 – 22 January 2010) |
Born in Lower Holloway, London, England, to Charles Simmons and his wife Winifred (Loveland) Simmons, Jean Simmons began acting at the age of 14. During World War II, the Simmons family was evacuated to Winscombe in Somerset.[2] Her father, a physical education teacher (who had represented Great Britain in the 1912 Summer Olympics),[3] taught briefly at Sidcot School, and sometime during this period Simmons followed her older sister on to the village stage and sang songs like "Daddy Wouldn't Buy Me a Bow Wow". Returning to London and just enrolled at the Aida Foster School of Dance, she was spotted by the director Val Guest, who cast her in the Margaret Lockwood vehicle Give us the Moon.[4] Prior to moving to Hollywood, she played the young Estella in David Lean's version of Great Expectations (1946) and Ophelia in Laurence Olivier's Hamlet (1948). It was the experience of working on Great Expectations that caused her to pursue an acting career more seriously:
"I thought acting was just a lark, meeting all those exciting movie stars, and getting £5 a day which was lovely because we needed the money. But I figured I'd just go off and get married and have children like my mother. It was working with David Lean that convinced me to go on."[5]

In 1950, she married the English actor Stewart Granger, with whom she appeared in several films, successfully making the transition to an American career. She made four films for Hughes, including Angel Face, directed by Otto Preminger. In 1953, she starred alongside Spencer Tracy in The Actress, a film that was one of her personal favourites. Among the many films she appeared in during this period were The Robe (1953), The Egyptian (1954), Guys and Dolls (1955), The Big Country (1958), Elmer Gantry (1960), (directed by her second husband, Richard Brooks), Spartacus (1960), and The Happy Ending (1969), again directed by Brooks and for which she received her second Oscar nomination.
By the 1970s, Simmons turned her focus to stage and television acting. She toured the United States in Stephen Sondheim's well-reviewed musical A Little Night Music, then took the show to London, and thus originated the role of Desirée Armfeldt on the West End.[6] Doing the show for three years, she said she never tired of Sondheim's music; "No matter how tired or off you felt, the music would just pick you up." For her appearance in the mini-series The Thorn Birds, she won an Emmy Award. In 1985 and 1986, she appeared in North & South. In 1988, she starred in The Dawning with Anthony Hopkins and Hugh Grant, and in 1989, she again starred in a miniseries, this time a version of Great Expectations, in which she played the role of Miss Havisham, Estella's adoptive mother. Simmons made a late career appearance in the Star Trek: The Next Generation episode "The Drumhead" as a witch-hunt-inspiring investigator named Admiral Norah Satie.

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