(May 12, 1910 – May 5, 2010)
Simionato was born in Forlì, Italy. She studied in Rovigo and Padua and made her operatic debut at Montagnana in 1928. The first fifteen years of her career proved a frustration as she was only given small parts, however she attracted growing attention in the late 1940s, and by the end of her career was recognised as one of the most respected singers of her generation. In 1936, she made her debut at La Scala and appeared there regularly between 1936 and 1966. She made her debut at the Royal Opera House, Covent Garden in 1953, where she likewise appeared regularly between 1963 and 1965. In 1959, Simionato made her debut at the Metropolitan Opera. Simionato also appeared at the Edinburgh Festival (1947), the San Francisco Opera (1953), the Teatro Nacional de São Carlos (1954), the Lyric Opera of Chicago (1954-61), the Vienna State Opera (from 1956), and the Salzburg Festival.
Simionato had a large repertory including Rossini's Rosina and Cinderella, Charlotte in Werther, and Carmen. She also excelled in the Verdian repertoire, as Amneris, Eboli and Azucena, and as Santuzza in Mascagni's Cavalleria rusticana.
She was a major recording artist, and in addition many of her performances were broadcast live on the radio and also captured on film. She retired in 1966 and has continued to inspire admiration through teaching and various directorial positions, with amazing vitality even in her 90s.
She was featured in Daniel Schmid's award-winning 1984 documentary film Il Bacio di Tosca (Tosca's Kiss) about a home for retired opera singers founded by Giuseppe Verdi. She also appeared in a hilarious interview by Stefan Zucker in Jan Schmidt-Garre's 1999 film, Opera Fanatic .
She died in Rome, one week before her 100th birthday.[1]
H. Rosenthal and J. Warrack, The Concise Oxford Dictionary of Opera, 2nd Edition, Oxford University Press, 1979, p. 462
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