/ Stars that died in 2023

Friday, August 26, 2011

Mika Myllylä, Finnish cross country skier, 1998 Olympic gold medalist died he was , 41



Mika Kristian Myllylä was a Finnish cross country skier who has competed from 1992 to 2005. He won six medals at the Winter Olympics, earning one gold (1998: 30 km), one silver (1994: 50 km), and four bronzes (1994: 30 km, 4 × 10 km; 1998: 10 km, 4 × 10 km) died he was , 41. Myllylä also won a total of nine medals at the FIS Nordic World Ski Championships, winning four golds (1997: 50 km, 1999: 10 km, 30 km, 50 km), three silvers (10 km + 15 km combined pursuit: 1997, 1999; 4 × 10 km relay: 1997), and two bronzes (10 km: 1995, 1997).

(September 12, 1969 – July 5, 2011)
 
He was on his way to become one of the greatest stars in cross country skiing history, until he was caught doping in the Finnish 2001 FIS Nordic World Ski Championships scandal for taking hydroxyethyl starch (HES), a blood plasma expander usually used to cover up the use of erythropoietin (EPO) in athletes. The scandal also affected five other Finnish skiers, including Jari Isometsä and Harri Kirvesniemi. Myllylä received a two year suspension from the FIS as a result. In connection with a 2011 court case, Myllylä gave a sworn statement where he admitted using EPO in the 1990s, during his career.[2]
After the suspension Myllylä tried to return to skiing, but he did not have as much success as he had before his break, despite him winning a few Finnish championships. Myllylä retired in 2005. After retirement Myllylä has been in the news for many alcohol-related problems.[3] On July 5, 2011 Myllylä was found dead at his home in Kokkola. The police do not believe that foul play was involved.[4]

 

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Theodore Roszak, American scholar (The Making of a Counter Culture), died from cancer he was , 77.


Theodore Roszak was professor emeritus of history at California State University, East Bay.[1] He is best known for his 1969 text, The Making of a Counter Culture died from cancer he was , 77.

(November 15, 1933 – July 5, 2011) 


Background

Roszak received his B.A. from UCLA and Ph.D. in History from Princeton University. He taught at Stanford University, the University of British Columbia, and San Francisco State University before joining CalState Hayward.[2] During the 1960s, he lived in London, where he edited the pacifist newspaper Peace News.[3]
Theodore Roszak died at age 77 at his home in Berkeley, California on July 5, 2011.[4]

Scholarship

Roszak first came to public prominence in 1969, with the publication of his The Making of a Counter Culture[5] which chronicled and gave explanation to the European and North American counterculture of the 1960s.
Other books include include Longevity Revolution: As Boomers Become Elders, The Voice of the Earth (Touchstone Books), The Cult of Information, The Gendered Atom: Reflections on the Sexual Psychology of Science, The Voice of the Earth, and Ecopsychology: Healing the Mind, Restoring the Earth. With his wife Betty, he was co-editor of the anthology Masculine/Feminine: Essays on Sexual Mythology and the Liberation of Women.
His fiction includes a cult novel on the "secret history" of the cinema Flicker (Simon and Schuster, Bantam Books and Chicago Review Press) and the award-winning Memoirs of Elizabeth Frankenstein (Random House and Bantam Books). His most recent novel, published in 2003, is The Devil and Daniel Silverman.

Awards and honors

Scholarship

Non-fiction

  • The Dissenting Academy (1968)
  • The Making of a Counter Culture (1969)
  • Masculine/Feminine: Readings in Sexual Mythology and the Liberation of Women (1969)
  • Where the Wasteland Ends (1972)
  • Sources (1972)
  • Unfinished Animal: The Aquarian Frontier and the Evolution of Consciousness (1975)
  • Person/Planet: The Creative Disintegration of Industrial Society (1979)
  • From Satori to Silicon Valley (1986)
  • The Cult of Information (1986)
  • Fool's Cycle/Full Cycle (1988) ISBN 0-931191-07-6.
  • The Voice of the Earth (1992)
  • The Gendered Atom (1999)
  • Kanner, Roszak, & Gomes. Ecopsychology: Restoring the Earth, Healing the Mind. Sierra Club Books (1995) ISBN 0-87156-406-8
  • World Beware! American Triumphalism in an Age of Terror (2006, ISBN 1-897071-02-7)
  • The Making of an Elder Culture: Reflections on the Future of America's Most Audacious Generation. (2009) New Society Publishers. ISBN 978-0865716612

Essays

Fiction

  • Pontifex (1974)
  • Bugs (1981)
  • Dreamwatcher (1985)
  • Flicker (1991)
  • The Memoirs of Elizabeth Frankenstein (1995)
  • The Devil and Daniel Silverman (2003)

 

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John Sweet, American actor (A Canterbury Tale) died he was , 95.

John Sweet  was a US Army sergeant serving in the UK in World War II when he was selected by Michael Powell and Emeric Pressburger to play the role of Sgt. Bob Johnson, one of the three pilgrims, in the 1944 feature film, A Canterbury Tale died he was , 95..

(February 8, 1916 – July 5, 2011)

Sweet was born in Minneapolis, Minnesota.

After the movie, he went back to the United States and made a few attempts at an acting career, notably in theater, but finally decided to go back to his original profession, teaching.
Sweet returned to Canterbury in October 2000 [1] to join Sheila Sim for a Michael Powell celebration and gave a 20-minute interview in the documentary A Pilgrim's Return by Nick Burton and Eddie McMillan. This documentary is featured in the Criterion Collection DVD of the film. The soft-spoken Sweet provides details about the shooting of the movie, his relationship with Michael Powell and the rest of the crew, and the effect the film has had on his life. Sweet stated that "The few months I spent making the film were the most profound and influential of my life".
Sweet was paid $2,000 for working on A Canterbury Tale, all of which he donated to the NAACP (the National Association for the Advancement of Colored People), a remarkable gesture for the time.[1]
John died, at home in Fearrington, North Carolina on July 5, 2011.[2]

 

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Wednesday, August 24, 2011

Gordon Tootoosis, Canadian actor (Pocahontas, Legends of the Fall) and activist, died from pneumonia he was , 69.

Gordon Tootoosis, CM  was a Canadian actor of Cree and Stoney descent died from pneumonia he was , 69.. He was a descendant of Yellow Mud Blanket, brother of the famous Cree leader Pitikwahanapiwiyin.[1] He was acclaimed for his commitment to preserving his culture and to telling his people's stories. He served as a founding member of the board of directors of the Saskatchewan Native Theatre Company. Tootoosis offered encouragement, support and training to aspiring Aboriginal actors. He served as a leading Cree activist both as a social worker and as a band chief.

(October 25, 1941 – July 5, 2011)



He was awarded membership in the Order of Canada on October 29, 2004.[2] The investiture ceremony took place on September 9, 2005. His citation recognizes him as an inspirational role model for Aboriginal youth. It notes that as a veteran actor, he portrayed memorable characters in movie and television productions in Canada and the United States.[2]

Biography

Gordon Tootoosis was raised with his 13 siblings in the Plains Cree tradition until he was taken from his home[why?] and placed in a Catholic residential school, where he was treated harshly and forbidden to speak his own language. His father, John Tootoosis, was an activist for aboriginal rights, which got the younger Tootoosis into trouble at school.[1]
After his traumatic school years, Tootoosis went into social work, specializing in work with children and young offenders. His interest in his own cultural traditions led him to become an accomplished native dancer and rodeo roper, and he toured with the Plains InterTribal Dance Troupe in the 1960s and 1970s throughout Canada, Europe and South America, becoming one of North America's most popular powwow announcers.[1]
His father was one of the founders of the National Indian Brotherhood and former head of the Federation of Saskatchewan Indian Nations (FSIN). Gordon himself served as the chief of his band and as a vice-president of FSIN. Tootoosis was married to Irene Seseequasis since 1965. They have three daughters and two adopted sons. After their daughter Glynnis died of cancer in 1997, they took the responsibility of raising her four children in Saskatoon.[3]
Tootoosis died on July 5, 2011, aged 69, after being hospitalized for pneumonia at St. Paul's Hospital in Saskatoon.[4][5]
His funeral and interment were held on the Poundmaker Cree Nation Reserve. [6]

Acting career


His first acting role was in the film Alien Thunder (1974), with Chief Dan George and Donald Sutherland. He portrayed Albert Golo in 52 episodes of North of 60 in the 1990s. He is best known to British audiences for playing the Native American Joe Saugus, who negotiates the purchase of the Middlesbrough Transporter Bridge in Auf Wiedersehen, Pet series 3 (2002). Gordon appeared in the CBC Television mini-series By Way of the Stars with Eric Schweig as Black Thunder and Tantoo Cardinal as Franoise. Tootoosis starred with Russell Means in Disney's Pocahontas (1995) and Song of Hiawatha (1997). In 1999, he and Tantoo Cardinal became founding member of the board of directors of the Saskatchewan Native Theatre Company. In 2011, he appeared in Gordon Winter at the Persephone Theatre in Saskatoon and Prairie Scene in Ottawa, his first stage role in 15 years.[7]
He won a Gemini Award for his work on the animated show Wapos Bay: The Series and was nominated twice for his work on North of 60.

[edit] Selected filmography

 

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Cy Twombly, American painter, died from cancer he was , 83

Edwin Parker "Cy" Twombly, Jr.  was an American artist well known for his large-scale, freely scribbled, calligraphic-style graffiti paintings, on solid fields of mostly gray, tan, or off-white colors. He exhibited his paintings worldwide died from cancer he was , 83.

(April 25, 1928 – July 5, 2011)

Twombly used the nickname "Cy", after his father (also nicknamed Cy, who was briefly a pitcher in Major League Baseball) and the star baseball pitcher Cy Young.[1] Twombly's paintings blur the line between drawing and painting. Many of his best-known paintings of the late 1960s are reminiscent of a school blackboard on which someone has practiced cursive "e"s. Twombly had at this point discarded painting figurative, representational subject-matter, citing the line or smudge – each mark with its own history – as its proper subject.
Later, many of his paintings and works on paper moved into "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted the poet Stéphane Mallarmé, as well as many classical myths and allegories in his works. Examples of this are his Apollo and The Artist and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL". In a 1994 retrospective, curator Kirk Varnedoe described Twombly's work as “influential among artists, discomfiting to many critics and truculently difficult not just for a broad public, but for sophisticated initiates of postwar art as well.”[2] After acquiring Twombly's Three Studies from the Temeraire (1998–99), the Director of the Art Gallery of New South Wales said "sometimes people need a little bit of help in recognising a great work of art that might be a bit unfamiliar".[3] He is said to have influenced younger artists such as Anselm Kiefer, Francesco Clemente, and Julian Schnabel.[4]

Early life and career

Twombly was born in Lexington, Virginia, on April 25, 1928. Twombly's father, also nicknamed "Cy", pitched for the Chicago White Sox.[5] They were both nicknamed after the baseball great Cy Young who pitched for among others the Cardinals, Red Sox, Indians, and Braves.
At 12 he began to take private art lessons with the Spanish modern master Pierre Daura.[6] He served as a cryptographer in the U.S. army. After graduating from Lexington High School in 1946, Twombly attended Darlington School in Rome, Georgia, and studied at the School of the Museum of Fine Arts, Boston (1948–49), and at Washington and Lee University (1949–50) in Lexington, Virginia. On a tuition scholarship from 1950 to 1951, he studied at the Art Students League of New York, where he met Robert Rauschenberg, who encouraged him to attend Black Mountain College near Asheville, North Carolina. At Black Mountain in 1951 and 1952 he studied with Franz Kline, Robert Motherwell and Ben Shahn, and met John Cage.
Arranged by Motherwell, the Samuel Kootz Gallery in New York organized Twombly's first solo exhibition in 1951. At this time his work was influenced by Kline's black-and-white gestural expressionism, as well as Paul Klee's imagery. In 1952, Twombly received a grant from the Virginia Museum of Fine Arts, which enabled him to travel to North Africa, Spain, Italy, and France. Between 1954 and 1956, he taught at the Southern Seminary and Junior College in Buena Vista, Virginia.
In 1957 Twombly moved to Rome, where he met the Italian artist Tatiana Franchetti – sister of his patron Baron Giorgio Franchetti. They were married at City Hall in New York in 1959[7] and then bought a palazzo on the Via di Monserrato in Rome. Later on, they preferred to dwell in Gaeta near Rome. In 2011, Twombly died in Rome after being hospitalized for several days; he had had cancer for many years.[8] He has a son, Cyrus Alessandro Twombly, who is also a painter and lives in Rome.

Work

After his return in 1953, Twombly served in the U.S. army as a cryptologist, an activity that left a distinct mark on his artistic style. From 1955 to 1959, he worked in New York, where he became a prominent figure among a group of artists including Robert Rauschenberg – with whom he had a relationship[9] and was sharing a studio[10] – and Jasper Johns. Exposure to the emerging New York School purged figurative aspects from his work, encouraging a simplified form of abstraction. He became fascinated with tribal art, using the painterly language of the early 1950s to invoke primitivism, reversing the normal evolution of the New York School. Twombly soon developed a technique of gestural drawing that was characterized by thin white lines on a dark canvas that appear to be scratched onto the surface. His early sculptures, assembled from discarded objects, similarly cast their gaze back to Europe and North Africa. He stopped making sculptures in 1959 and did not take up sculpturing again until 1976.[11]
Just when Johns and Rauschenberg were starting to sell to museums as well as private collectors, Twombly, who was not yet 30, moved to Gaeta in Southern Italy in 1957. This furthered his use of classical sources: from 1962 he produced a cycle of works based on subjects from history such as Leda and the Swan. The subject of Leda and the Swan, like that of The Birth of Venus was one of the most dramatic and frequent themes of Twombly's work of the early 1960s. Between 1960 and 1963 Twombly painted the subject of Leda's rape by the god Zeus/Jupiter in the form of a Swan six times, once in 1960, twice in 1962 and three times in 1963.[12]
The critical low point probably came after a widely panned 1964 exhibition of the nine-panel Discourses on Commodus (1963) at the Leo Castelli Gallery in New York. The artist and writer Donald Judd was especially damning, calling the show a fiasco. “There are a few drips and splatters and an occasional pencil line,” he wrote in a review. “There isn’t anything to these paintings.”[13]
Erotic and corporeal symbols became more prominent, whilst a greater lyricism developed in his 'Blackboard paintings'. Between 1967 and 1971 he produced a number of works on gray grounds, the 'grey paintings'. This series features terse, colorless scrawls, reminiscent of chalk on a blackboard, that form no actual words. Twombly made this work using an unusual technique: he sat on the shoulders of a friend, who shuttled back and forth along the length of the canvas, thus allowing the artist to create his fluid, continuous lines.[14] In the summer and early autumn of 1969, Twombly made a series of fourteen paintings while staying at Bolsena, a lake to the north of Rome. In 1971, Nini Pirandello, the wife of Twombly’s Roman gallerist Plinio De Martiis, died suddenly. In tribute, Twombly painted the elegiac "Nini’s Paintings".
His later sculptures exhibit a similar blend of emotional expansiveness and intellectual sophistication. From 1976 Twombly again produced sculptures, lightly painted in white, suggestive of Classical forms. Like his earlier works, these pieces are assembled from found materials such as pieces of wood or packaging, or cast in bronze and covered in white paint and plaster.[15] In the mid-1970s, in paintings such as Untitled (1976), Twombly began to evoke landscape through colour (favouring brown, green and light blue), written inscriptions and collage elements.[16] In 1978 he worked on the monumental historical ensemble Fifty Days at Iliam, a ten-part cycle inspired by Homer's Iliad; since then Twombly continued to draw on literature and myth, deploying cryptic pictorial metaphors that situate individual experience within the grand narratives of Western tradition, as in the Gaeta canvases and the monumental Four Seasons concluded in 1994.
Apart from Rauschenberg and Jasper Johns, Twombly is regarded as the most important representative of a generation of artists who distanced themselves from Abstract Expressionism.[17]

Exhibitions

After having shown at Stable Gallery from 1953 to 1957, Twombly moved to Leo Castelli Gallery.
Twombly was invited to exhibit his work at the Venice Biennale in 1964, 1989 and 2001. In 1968, the Milwaukee Art Museum mounted the first retrospective of his art. Twombly had his next retrospective at the Whitney Museum of American Art in 1979, curated by David Whitney. The artist has later been honored by retrospectives at the Kunsthaus Zürich in 1987 (curated by Harald Szeemann), the Musée National d'Art Moderne, Paris, in 1988, and the Museum of Modern Art, New York, in 1994, with additional venues in Houston, Los Angeles, and Berlin.[18] In 2001, the Menil Collection, the Kunstmuseum Basel, and the National Gallery of Art presented the first exhibition devoted entirely to Twombly's sculpture, assembling sixty-six works created from 1946 to 1998.[19] The European retrospective "Cy Twombly: Cycles and Seasons" opened at the Tate Modern, London, in June 2008, with subsequent versions at the Guggenheim Museum Bilbao and the Galleria Nazionale d'Arte Moderna in Rome in 2009. Opening in conjunction with the Modern Wing, Twombly's most recent solo exhibition —Cy Twombly: The Natural World, Selected Works 2000–2007— was on display at the Art Institute of Chicago in 2009.
In 1993, at Matthew Marks Gallery in New York, an exhibition of Twombly's photographs offered a selection of large blurry color images of tulips, trees and ancient busts, based on the artist's Polaroids. In 2008, a specially curated selection of Twombly's photographic work was exhibited in "Huis Marseille", the Museum for Photography, Amsterdam; the exhibition was opened by Sally Mann. In 2011, the Museum Brandhorst, mounted an retrospective of Twombly's photographs from 1951 to 2010. It later was passed over to the "Museum für Gegenwartskunst" at Siegen (July-October 2011).[20]

Phaedrus incident

In 2007, an exhibition of Twombly's paintings, Blooming, a Scattering of Blossoms and Other Things, and other works on paper from gallerist Yvon Lambert's collection was displayed from June to September in Avignon (France), at the Lambert Foundation (Hôtel de Caumont). On July 19, 2007, police arrested Cambodian-French artist Rindy Sam after she kissed one panel of Twombly's triptych Phaedrus. The panel, an all-white canvas, was smudged by Sam's red lipstick. She was tried in a court in Avignon for "voluntary degradation of a work of art".
Sam defended her gesture to the court: "J'ai fait juste un bisou. C'est un geste d'amour, quand je l'ai embrassé, je n'ai pas réfléchi, je pensais que l'artiste, il aurait compris... Ce geste était un acte artistique provoqué par le pouvoir de l'art" ("It was just a kiss, a loving gesture. I kissed it without thinking; I thought the artist would understand.... It was an artistic act provoked by the power of Art").
The prosecution, calling it "A sort of cannibalism, or parasitism", while admitting that Sam is "visibly not conscious of what she has done", asked that she be fined €4500 and compelled to attend a citizenship class. The art work, which is worth an estimated $2 million, was on display at the Museum of Contemporary Art in Avignon.[21][22][23] In November 2007 Sam was convicted and ordered to pay €1,000 to the painting's owner, €500 to the Avignon gallery that showed it, and €1 to the painter.[24]

Tate exhibition

Twombly's work was on exhibition at the Tate Modern, in London, from June 19 to September 14, 2008. Text for the showing read:

Dulwich Picture Gallery exhibition

Twombly's work went on display as part of Twombly and Poussin: Arcadian Painters at the Dulwich Picture Gallery in London from June 29, 2011 less than a week before Twombly's Death. The show was built on a quote by Twombly stating that “I would’ve liked to have been Poussin, if I’d had a choice, in another time” and is the first time that his work was put in an exhibition with Poussin.[25]

Collections

In 1989, the Philadelphia Museum of Art opened permanent rooms dedicated to his monumental 10-painting cycle, Fifty Days at Iliam (1978), based on Alexander Pope’s translation of “The Iliad.”[13] The Cy Twombly Gallery of the Menil Collection in Houston, which was designed by Renzo Piano and opened in 1995, houses more than thirty of Twombly's paintings, sculptures, and works on paper, dating from 1953 to 1994. A large collection of Twombly's work is also kept by the Museum Brandhorst and the Pinakothek der Moderne in Munich.
In 1995 The Four Seasons entered the permanent collection of the Museum of Modern Art as a gift from the artist. A recent (1998–1999) Twombly work, Three Studies from the Temeraire, a triptych, was purchased by the Art Gallery of New South Wales for A$4.5 million in 2004. In 2010, Twombly’s permanent site-specific painting, Ceiling was unveiled in the Salle des Bronzes at the Musée du Louvre; he is only the third artist to have been invited to do so as well as only the first artist given this honor since Georges Braque in the 1950s.[26] In 2011, the Museum of Modern Art, New York, made a large acquisition of nine works worth about $75 million.[11]

Recognition

Twombly was a recipient of numerous awards, most notably the Praemium Imperiale (1996). In 2001 he was awarded the Golden Lion at the 49th Venice Biennale. In 2010 he was made Chevalier of the Légion d’Honneur by the French government. During fall 2010, Tacita Dean produced a film on Twombly, titled "Edwin Parker".[27]

At auction

Already in 1990, a Christie's auction set a record for Twombly, with his 1971 untitled blackboard painting fetching $5.5 million. In 2011 a Twombly work from 1967, "Untitled", sold for $15.2 million at Christie's in New York.[28]

Publications

A first monograph of drawings edited by Heiner Bastian was published in 1972. In 1977 the first monograph on the paintings was published by Propyläen Verlag in Berlin, followed by the publication of his catalogue raisonne of sculpture by Nicola Del Roscio in 1997.

Sources

 

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Shinji Wada, Japanese mangaka (Sukeban Deka) died he was , 61

Shinji Wada was a Japanese manga artist in Kure, Hiroshima Prefecture, Japan, and best known for the creation of the Sukeban Deka franchise died he was , 61. He has been the cover artist for and had stories published in the bishōjo lolicon manga anthology series Petit Apple Pie.

( April 19, 1950 – July 5, 2011)

History

When Hakusensha published Sukeban Deka in 1979, Wada's work became so popular that he was commissioned to create the OAV series and a TV series that spawned three seasons, including two live-action movies.
As of 2007, he had been involved in creating his latest manga Crown. He was previously involved in creating Sukeban Deka: Codename = Asamiya Saki.
Wada died in July 2011 due to ischaemic heart disease.[1]

Works

Manga

Author and artist unless otherwise noted.
  • Ai to Shi no Sunadokei (1971-1973, Bessatsu Margaret, Shueisha)
  • Waga Tomo Frankenstein (1972-1975, Bessatsu Margaret, Shueisha)
  • Gin'iro no Kami no Arisa (1973, Bessatsu Margaret, Shueisha)
  • Daitōbō (1974, Bessatsu Margaret, Shueisha)
  • Hidari no Me no Akuryō (1975, Hana to Yume, Hakusensha)
  • Midori Iro no Sunadokei (1975, Monthly Comics Mimi, Kodansha)
  • Vanilla Essence no Gogo (1975, Hana to Yume, Hakusensha)
  • Chōshōjo Asuka (1975-2000, Margaret (Shueisha), Hana to Yume (Hakusensha), and Comic Flapper (Media Factory))
  • Arabian Kyōsōkyoku (1976, Princess, Akita Shoten)
  • Kuma-san no Shiki (1976, Bessatsu Margaret, Shueisha)
  • Sukeban Deka (1976-1982, Hana to Yume, Hakusensha)
  • Asagi Iro no Densetsu (1976-1990, LaLa and Hana to Yume, Hakusensha)
  • Ramu-chan no Sensō (1978, Princess, Akita Shoten)
  • Pygmalion (1978-1990, Hana to Yume, Hakusensha)
  • Kyōfu no Fukkatsu (1980, Princess, Akita Shoten)
  • Ninja Hishō (1980-2002, Hana to Yume (Hakusensha), Monthly ComiComi (Hakusensha), Duo, Comic Flapper (Media Factory))
  • Cabbage Batake o Tōri Nukete (1982, Petit Apple Pie, Tokuma Shoten)
  • Kaitō Amaryllis (1991-1995, Hana to Yume, Hakusensha)
  • Shōjozame (1996-1999, Hana to Yume, Hakusensha)
  • Lady Midnight (2001-2002, Mystery Bonita, Akita Shoten)
  • Kugutsushi Rin (2006-current, Mystery Bonita, Akita Shoten)

Collaborative manga

Anime

  • Crusher Joe (OAV, special guest designer on Goby)
  • Pygmalio (original creator)

TV

 

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Wes Covington, American baseball player (Milwaukee Braves, Kansas City Athletics, Philadelphia Phillies), died from cancer he was , 79.


John Wesley Covington, was a left fielder in Major League Baseball who played from 1956 through 1966 for the Milwaukee Braves, Chicago White Sox, Kansas City Athletics, Philadelphia Phillies, Chicago Cubs and Los Angeles Dodgers. Listed at 6' 1", 205 lb., he batted left handed and threw right handed  died from cancer he was , 79..

(March 27, 1932 – July 4, 2011)



Career

Born in Laurinburg, North Carolina, Covington was a minor league call-up who sparked the 1957 Braves down the stretch and helped them win the World Series.[2]
Covington hit .284 with 21 home runs and drove in 65 runs in just 96 games over the second half of the 1957 season. His inspired play continued in the Series against the New York Yankees, highlighted by two defensive gems that helped preserve wins for Lew Burdette.[1]
In Game 2, Covington pulled off an improbable backhanded stab to take an extra-base hit away from Bobby Shantz, and in Game 5 he crashed into the fence to steal a homer from Gil McDougald. He also drove in Joe Adcock for what would prove to be the winning run in Game 2, while the Braves won the Series in seven games.[2]
In an 11-year career, Covington was a .279 hitter with 131 homers and 499 runs batted in, with a .337 on base percentage and a .466 slugging percentage in 1,075 games. His best season came in 1958, when he posted career numbers in average (.330), home runs (24) and RBI (74).[1]
Covington also was one of a handful of major leaguers to have played for four different teams in one season, after he played for the Braves, White Sox, Athletics and Phillies in the 1961 season.(See July 30, 2004 in baseball)

Retirement

Following his baseball career, Covington moved to Western Canada and operated a sporting goods business. He later became an advertising manager for the Edmonton Sun newspaper, a position he held for nearly 20 years. In addition to his duties with the Sun, he was involved in youth charity work in the Alberta capital.[2]
When the Edmonton Trappers joined the Pacific Coast League in the early 1980s, Covington returned to baseball as a promotions consultant and special ambassador for the club. In 2003, at the invitation of the Braves Historical Association, Covington returned to Milwaukee for the first time in 40 years.[2]
Covington died of cancer in Edmonton, Alberta, at the age of 79.[3]

 

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Ellen Holly best known for her groundbreaking role as Carla Gray on the daytime television series One Life to Live died she was 92

Ellen Holly Ellen Holly.   DISNEY GENERAL ENTERTAINMENT CONTENT VIA GETTY Ellen Holly, born on October 31, 1930, in New York City, passed aw...